The Project Gutenberg EBook of The Patchwork Girl of Oz, by L. Frank Baum

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net


Title: The Patchwork Girl of Oz

Author: L. Frank Baum

Posting Date: March 25, 2009 [EBook #955]
Release Date: June, 1997
Last Updated: March 2, 2002

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK THE PATCHWORK GIRL OF OZ ***




Produced by Anthony Matonac and Paul Selkirk









THE PATCHWORK GIRL OF OZ


by

L. FRANK BAUM




  Affectionately Dedicated to my young friend
  Sumner Hamilton Britton of Chicago




Prologue

Through the kindness of Dorothy Gale of Kansas, afterward Princess
Dorothy of Oz, an humble writer in the United States of America was
once appointed Royal Historian of Oz, with the privilege of writing the
chronicle of that wonderful fairyland. But after making six books about
the adventures of those interesting but queer people who live in the
Land of Oz, the Historian learned with sorrow that by an edict of the
Supreme Ruler, Ozma of Oz, her country would thereafter be rendered
invisible to all who lived outside its borders and that all
communication with Oz would, in the future, be cut off.

The children who had learned to look for the books about Oz and who
loved the stories about the gay and happy people inhabiting that
favored country, were as sorry as their Historian that there would be
no more books of Oz stories. They wrote many letters asking if the
Historian did not know of some adventures to write about that had
happened before the Land of Oz was shut out from all the rest of the
world. But he did not know of any. Finally one of the children inquired
why we couldn't hear from Princess Dorothy by wireless telegraph, which
would enable her to communicate to the Historian whatever happened in
the far-off Land of Oz without his seeing her, or even knowing just
where Oz is.

That seemed a good idea; so the Historian rigged up a high tower in his
back yard, and took lessons in wireless telegraphy until he understood
it, and then began to call "Princess Dorothy of Oz" by sending messages
into the air.

Now, it wasn't likely that Dorothy would be looking for wireless
messages or would heed the call; but one thing the Historian was sure
of, and that was that the powerful Sorceress, Glinda, would know what
he was doing and that he desired to communicate with Dorothy. For
Glinda has a big book in which is recorded every event that takes place
anywhere in the world, just the moment that it happens, and so of
course the book would tell her about the wireless message.

And that was the way Dorothy heard that the Historian wanted to speak
with her, and there was a Shaggy Man in the Land of Oz who knew how to
telegraph a wireless reply. The result was that the Historian begged so
hard to be told the latest news of Oz, so that he could write it down
for the children to read, that Dorothy asked permission of Ozma and
Ozma graciously consented.

That is why, after two long years of waiting, another Oz story is now
presented to the children of America. This would not have been possible
had not some clever man invented the "wireless" and an equally clever
child suggested the idea of reaching the mysterious Land of Oz by its
means.

L. Frank Baum.

"OZCOT"
  at Hollywood
    in California




LIST OF CHAPTERS

   1 - Ojo and Unc Nunkie
   2 - The Crooked Magician
   3 - The Patchwork Girl
   4 - The Glass Cat
   5 - A Terrible Accident
   6 - The Journey
   7 - The Troublesome Phonograph
   8 - The Foolish Owl and the Wise Donkey
   9 - They Meet the Woozy
  10 - Shaggy Man to the Rescue
  11 - A Good Friend
  12 - The Giant Porcupine
  13 - Scraps and the Scarecrow
  14 - Ojo Breaks the Law
  15 - Ozma's Prisoner
  16 - Princess Dorothy
  17 - Ozma and Her Friends
  18 - Ojo is Forgiven
  19 - Trouble with the Tottenhots
  20 - The Captive Yoop
  21 - Hip Hopper the Champion
  22 - The Joking Horners
  23 - Peace is Declared
  24 - Ojo Finds the Dark Well
  25 - They Bribe the Lazy Quadling
  26 - The Trick River
  27 - The Tin Woodman Objects
  28 - The Wonderful Wizard of Oz




The Patchwork Girl of Oz




Chapter One

Ojo and Unc Nunkie


"Where's the butter, Unc Nunkie?" asked Ojo.

Unc looked out of the window and stroked his long beard. Then he turned
to the Munchkin boy and shook his head.

"Isn't," said he.

"Isn't any butter? That's too bad, Unc. Where's the jam then?" inquired
Ojo, standing on a stool so he could look through all the shelves of
the cupboard. But Unc Nunkie shook his head again.

"Gone," he said.

"No jam, either? And no cake--no jelly--no apples--nothing but bread?"

"All," said Unc, again stroking his beard as he gazed from the window.

The little boy brought the stool and sat beside his uncle, munching the
dry bread slowly and seeming in deep thought.

"Nothing grows in our yard but the bread tree," he mused, "and there
are only two more loaves on that tree; and they're not ripe yet. Tell
me, Unc; why are we so poor?"

The old Munchkin turned and looked at Ojo. He had kindly eyes, but he
hadn't smiled or laughed in so long that the boy had forgotten that Unc
Nunkie could look any other way than solemn. And Unc never spoke any
more words than he was obliged to, so his little nephew, who lived
alone with him, had learned to understand a great deal from one word.

"Why are we so poor, Unc?" repeated the boy.

"Not," said the old Munchkin.

"I think we are," declared Ojo. "What have we got?"

"House," said Unc Nunkie.

"I know; but everyone in the Land of Oz has a place to live. What else,
Unc?"

"Bread."

"I'm eating the last loaf that's ripe. There; I've put aside your
share, Unc. It's on the table, so you can eat it when you get hungry.
But when that is gone, what shall we eat, Unc?"

The old man shifted in his chair but merely shook his head.

"Of course," said Ojo, who was obliged to talk because his uncle would
not, "no one starves in the Land of Oz, either. There is plenty for
everyone, you know; only, if it isn't just where you happen to be, you
must go where it is."

The aged Munchkin wriggled again and stared at his small nephew as if
disturbed by his argument.

"By to-morrow morning," the boy went on, "we must go where there is
something to eat, or we shall grow very hungry and become very unhappy."

"Where?" asked Unc.

"Where shall we go? I don't know, I'm sure," replied Ojo. "But you must
know, Unc. You must have traveled, in your time, because you're so old.
I don't remember it, because ever since I could remember anything we've
lived right here in this lonesome, round house, with a little garden
back of it and the thick woods all around. All I've ever seen of the
great Land of Oz, Unc dear, is the view of that mountain over at the
south, where they say the Hammerheads live--who won't let anybody go by
them--and that mountain at the north, where they say nobody lives."

"One," declared Unc, correcting him.

"Oh, yes; one family lives there, I've heard. That's the Crooked
Magician, who is named Dr. Pipt, and his wife Margolotte. One year you
told me about them; I think it took you a whole year, Unc, to say as
much as I've just said about the Crooked Magician and his wife. They
live high up on the mountain, and the good Munchkin Country, where the
fruits and flowers grow, is just the other side. It's funny you and I
should live here all alone, in the middle of the forest, isn't it?"

"Yes," said Unc.

"Then let's go away and visit the Munchkin Country and its jolly,
good-natured people. I'd love to get a sight of something besides
woods, Unc Nunkie."

"Too little," said Unc.

"Why, I'm not so little as I used to be," answered the boy earnestly.
"I think I can walk as far and as fast through the woods as you can,
Unc. And now that nothing grows in our back yard that is good to eat,
we must go where there is food."

Unc Nunkie made no reply for a time. Then he shut down the window and
turned his chair to face the room, for the sun was sinking behind the
tree-tops and it was growing cool.

By and by Ojo lighted the fire and the logs blazed freely in the broad
fireplace. The two sat in the firelight a long time--the old,
white-bearded Munchkin and the little boy. Both were thinking. When it
grew quite dark outside, Ojo said:

"Eat your bread, Unc, and then we will go to bed."

But Unc Nunkie did not eat the bread; neither did he go directly to
bed. Long after his little nephew was sound asleep in the corner of the
room the old man sat by the fire, thinking.




Chapter Two

The Crooked Magician


Just at dawn next morning Unc Nunkie laid his hand tenderly on Ojo's
head and awakened him.

"Come," he said.

Ojo dressed. He wore blue silk stockings, blue knee pants with gold
buckles, a blue ruffled waist and a jacket of bright blue braided with
gold. His shoes were of blue leather and turned up at the toes, which
were pointed. His hat had a peaked crown and a flat brim, and around
the brim was a row of tiny golden bells that tinkled when he moved.
This was the native costume of those who inhabited the Munchkin Country
of the Land of Oz, so Unc Nunkie's dress was much like that of his
nephew. Instead of shoes, the old man wore boots with turnover tops and
his blue coat had wide cuffs of gold braid.

The boy noticed that his uncle had not eaten the bread, and supposed
the old man had not been hungry. Ojo was hungry, though; so he divided
the piece of bread upon the table and ate his half for breakfast,
washing it down with fresh, cool water from the brook. Unc put the
other piece of bread in his jacket pocket, after which he again said,
as he walked out through the doorway: "Come."

Ojo was well pleased. He was dreadfully tired of living all alone in
the woods and wanted to travel and see people. For a long time he had
wished to explore the beautiful Land of Oz in which they lived. When
they were outside, Unc simply latched the door and started up the path.
No one would disturb their little house, even if anyone came so far
into the thick forest while they were gone.

At the foot of the mountain that separated the Country of the Munchkins
from the Country of the Gillikins, the path divided. One way led to the
left and the other to the right--straight up the mountain. Unc Nunkie
took this right-hand path and Ojo followed without asking why. He knew
it would take them to the house of the Crooked Magician, whom he had
never seen but who was their nearest neighbor.

All the morning they trudged up the mountain path and at noon Unc and
Ojo sat on a fallen tree-trunk and ate the last of the bread which the
old Munchkin had placed in his pocket. Then they started on again and
two hours later came in sight of the house of Dr. Pipt.

It was a big house, round, as were all the Munchkin houses, and painted
blue, which is the distinctive color of the Munchkin Country of Oz.
There was a pretty garden around the house, where blue trees and blue
flowers grew in abundance and in one place were beds of blue cabbages,
blue carrots and blue lettuce, all of which were delicious to eat. In
Dr. Pipt's garden grew bun-trees, cake-trees, cream-puff bushes, blue
buttercups which yielded excellent blue butter and a row of
chocolate-caramel plants. Paths of blue gravel divided the vegetable
and flower beds and a wider path led up to the front door. The place
was in a clearing on the mountain, but a little way off was the grim
forest, which completely surrounded it.

Unc knocked at the door of the house and a chubby, pleasant-faced
woman, dressed all in blue, opened it and greeted the visitors with a
smile.

"Ah," said Ojo; "you must be Dame Margolotte, the good wife of Dr.
Pipt."

"I am, my dear, and all strangers are welcome to my home."

"May we see the famous Magician, Madam?"

"He is very busy just now," she said, shaking her head doubtfully. "But
come in and let me give you something to eat, for you must have
traveled far in order to get our lonely place."

"We have," replied Ojo, as he and Unc entered the house. "We have come
from a far lonelier place than this."

"A lonelier place! And in the Munchkin Country?" she exclaimed. "Then
it must be somewhere in the Blue Forest."

"It is, good Dame Margolotte."

"Dear me!" she said, looking at the man, "you must be Unc Nunkie, known
as the Silent One." Then she looked at the boy. "And you must be Ojo
the Unlucky," she added.

"Yes," said Unc.

"I never knew I was called the Unlucky," said Ojo, soberly; "but it is
really a good name for me."

"Well," remarked the woman, as she bustled around the room and set the
table and brought food from the cupboard, "you were unlucky to live all
alone in that dismal forest, which is much worse than the forest around
here; but perhaps your luck will change, now you are away from it. If,
during your travels, you can manage to lose that 'Un' at the beginning
of your name 'Unlucky,' you will then become Ojo the Lucky, which will
be a great improvement."

"How can I lose that 'Un,' Dame Margolotte?"

"I do not know how, but you must keep the matter in mind and perhaps
the chance will come to you," she replied.

Ojo had never eaten such a fine meal in all his life. There was a
savory stew, smoking hot, a dish of blue peas, a bowl of sweet milk of
a delicate blue tint and a blue pudding with blue plums in it. When the
visitors had eaten heartily of this fare the woman said to them:

"Do you wish to see Dr. Pipt on business or for pleasure?"

Unc shook his head.

"We are traveling," replied Ojo, "and we stopped at your house just to
rest and refresh ourselves. I do not think Unc Nunkie cares very much
to see the famous Crooked Magician; but for my part I am curious to
look at such a great man."

The woman seemed thoughtful.

"I remember that Unc Nunkie and my husband used to be friends, many
years ago," she said, "so perhaps they will be glad to meet again. The
Magician is very busy, as I said, but if you will promise not to
disturb him you may come into his workshop and watch him prepare a
wonderful charm."

"Thank you," replied the boy, much pleased. "I would like to do that."

She led the way to a great domed hall at the back of the house, which
was the Magician's workshop. There was a row of windows extending
nearly around the sides of the circular room, which rendered the place
very light, and there was a back door in addition to the one leading to
the front part of the house. Before the row of windows a broad seat was
built and there were some chairs and benches in the room besides. At
one end stood a great fireplace, in which a blue log was blazing with a
blue flame, and over the fire hung four kettles in a row, all bubbling
and steaming at a great rate. The Magician was stirring all four of
these kettles at the same time, two with his hands and two with his
feet, to the latter, wooden ladles being strapped, for this man was so
very crooked that his legs were as handy as his arms.

Unc Nunkie came forward to greet his old friend, but not being able to
shake either his hands or his feet, which were all occupied in
stirring, he patted the Magician's bald head and asked: "What?"

"Ah, it's the Silent One," remarked Dr. Pipt, without looking up, "and
he wants to know what I'm making. Well, when it is quite finished this
compound will be the wonderful Powder of Life, which no one knows how
to make but myself. Whenever it is sprinkled on anything, that thing
will at once come to life, no matter what it is. It takes me several
years to make this magic Powder, but at this moment I am pleased to say
it is nearly done. You see, I am making it for my good wife Margolotte,
who wants to use some of it for a purpose of her own. Sit down and make
yourself comfortable, Unc Nunkie, and after I've finished my task I
will talk to you."

"You must know," said Margolotte, when they were all seated together on
the broad window-seat, "that my husband foolishly gave away all the
Powder of Life he first made to old Mombi the Witch, who used to live
in the Country of the Gillikins, to the north of here. Mombi gave to
Dr. Pipt a Powder of Perpetual Youth in exchange for his Powder of
Life, but she cheated him wickedly, for the Powder of Youth was no good
and could work no magic at all."

"Perhaps the Powder of Life couldn't either," said Ojo.

"Yes; it is perfection," she declared. "The first lot we tested on our
Glass Cat, which not only began to live but has lived ever since. She's
somewhere around the house now."

"A Glass Cat!" exclaimed Ojo, astonished.

"Yes; she makes a very pleasant companion, but admires herself a little
more than is considered modest, and she positively refuses to catch
mice," explained Margolotte. "My husband made the cat some pink brains,
but they proved to be too high-bred and particular for a cat, so she
thinks it is undignified in her to catch mice. Also she has a pretty
blood-red heart, but it is made of stone--a ruby, I think--and so is
rather hard and unfeeling. I think the next Glass Cat the Magician
makes will have neither brains nor heart, for then it will not object
to catching mice and may prove of some use to us."

"What did old Mombi the Witch do with the Powder of Life your husband
gave her?" asked the boy.

"She brought Jack Pumpkinhead to life, for one thing," was the reply.
"I suppose you've heard of Jack Pumpkinhead. He is now living near the
Emerald City and is a great favorite with the Princess Ozma, who rules
all the Land of Oz."

"No; I've never heard of him," remarked Ojo. "I'm afraid I don't know
much about the Land of Oz. You see, I've lived all my life with Unc
Nunkie, the Silent One, and there was no one to tell me anything."

"That is one reason you are Ojo the Unlucky," said the woman, in a
sympathetic tone. "The more one knows, the luckier he is, for knowledge
is the greatest gift in life."

"But tell me, please, what you intend to do with this new lot of the
Powder of Life, which Dr. Pipt is making. He said his wife wanted it
for some especial purpose."

"So I do," she answered. "I want it to bring my Patchwork Girl to life."

"Oh! A Patchwork Girl? What is that?" Ojo asked, for this seemed even
more strange and unusual than a Glass Cat.

"I think I must show you my Patchwork Girl," said Margolotte, laughing
at the boy's astonishment, "for she is rather difficult to explain. But
first I will tell you that for many years I have longed for a servant
to help me with the housework and to cook the meals and wash the
dishes. No servant will come here because the place is so lonely and
out-of-the-way, so my clever husband, the Crooked Magician, proposed
that I make a girl out of some sort of material and he would make her
live by sprinkling over her the Powder of Life. This seemed an
excellent suggestion and at once Dr. Pipt set to work to make a new
batch of his magic powder. He has been at it a long, long while, and so
I have had plenty of time to make the girl. Yet that task was not so
easy as you may suppose. At first I couldn't think what to make her of,
but finally in searching through a chest I came across an old patchwork
quilt, which my grandmother once made when she was young."

"What is a patchwork quilt?" asked Ojo.

"A bed-quilt made of patches of different kinds and colors of cloth,
all neatly sewed together. The patches are of all shapes and sizes, so
a patchwork quilt is a very pretty and gorgeous thing to look at.
Sometimes it is called a 'crazy-quilt,' because the patches and colors
are so mixed up. We never have used my grandmother's many-colored
patchwork quilt, handsome as it is, for we Munchkins do not care for
any color other than blue, so it has been packed away in the chest for
about a hundred years. When I found it, I said to myself that it would
do nicely for my servant girl, for when she was brought to life she
would not be proud nor haughty, as the Glass Cat is, for such a
dreadful mixture of colors would discourage her from trying to be as
dignified as the blue Munchkins are."

"Is blue the only respectable color, then?" inquired Ojo.

"Yes, for a Munchkin. All our country is blue, you know. But in other
parts of Oz the people favor different colors. At the Emerald City,
where our Princess Ozma lives, green is the popular color. But all
Munchkins prefer blue to anything else and when my housework girl is
brought to life she will find herself to be of so many unpopular colors
that she'll never dare be rebellious or impudent, as servants are
sometimes liable to be when they are made the same way their mistresses
are."

Unc Nunkie nodded approval.

"Good i-dea," he said; and that was a long speech for Unc Nunkie
because it was two words.

"So I cut up the quilt," continued Margolotte, "and made from it a very
well-shaped girl, which I stuffed with cotton-wadding. I will show you
what a good job I did," and she went to a tall cupboard and threw open
the doors.

Then back she came, lugging in her arms the Patchwork Girl, which she
set upon the bench and propped up so that the figure would not tumble
over.




Chapter Three

The Patchwork Girl


Ojo examined this curious contrivance with wonder. The Patchwork Girl
was taller than he, when she stood upright, and her body was plump and
rounded because it had been so neatly stuffed with cotton. Margolotte
had first made the girl's form from the patchwork quilt and then she
had dressed it with a patchwork skirt and an apron with pockets in
it--using the same gay material throughout. Upon the feet she had sewn
a pair of red leather shoes with pointed toes. All the fingers and
thumbs of the girl's hands had been carefully formed and stuffed and
stitched at the edges, with gold plates at the ends to serve as
finger-nails.

"She will have to work, when she comes to life," said Margolotte.

The head of the Patchwork Girl was the most curious part of her. While
she waited for her husband to finish making his Powder of Life the
woman had found ample time to complete the head as her fancy dictated,
and she realized that a good servant's head must be properly
constructed. The hair was of brown yarn and hung down on her neck in
several neat braids. Her eyes were two silver suspender-buttons cut
from a pair of the Magician's old trousers, and they were sewed on with
black threads, which formed the pupils of the eyes. Margolotte had
puzzled over the ears for some time, for these were important if the
servant was to hear distinctly, but finally she had made them out of
thin plates of gold and attached them in place by means of stitches
through tiny holes bored in the metal. Gold is the most common metal in
the Land of Oz and is used for many purposes because it is soft and
pliable.

The woman had cut a slit for the Patchwork Girl's mouth and sewn two
rows of white pearls in it for teeth, using a strip of scarlet plush
for a tongue. This mouth Ojo considered very artistic and lifelike, and
Margolotte was pleased when the boy praised it. There were almost too
many patches on the face of the girl for her to be considered strictly
beautiful, for one cheek was yellow and the other red, her chin blue,
her forehead purple and the center, where her nose had been formed and
padded, a bright yellow.

"You ought to have had her face all pink," suggested the boy.

"I suppose so; but I had no pink cloth," replied the woman. "Still, I
cannot see as it matters much, for I wish my Patchwork Girl to be
useful rather than ornamental. If I get tired looking at her patched
face I can whitewash it."

"Has she any brains?" asked Ojo.

"No; I forgot all about the brains!" exclaimed the woman. "I am glad
you reminded me of them, for it is not too late to supply them, by any
means. Until she is brought to life I can do anything I please with
this girl. But I must be careful not to give her too much brains, and
those she has must be such as are fitted to the station she is to
occupy in life. In other words, her brains mustn't be very good."

"Wrong," said Unc Nunkie.

"No; I am sure I am right about that," returned the woman.

"He means," explained Ojo, "that unless your servant has good brains
she won't know how to obey you properly, nor do the things you ask her
to do."

"Well, that may be true," agreed Margolotte; "but, on the contrary, a
servant with too much brains is sure to become independent and
high-and-mighty and feel above her work. This is a very delicate task,
as I said, and I must take care to give the girl just the right
quantity of the right sort of brains. I want her to know just enough,
but not too much."

With this she went to another cupboard which was filled with shelves.
All the shelves were lined with blue glass bottles, neatly labeled by
the Magician to show what they contained. One whole shelf was marked:
"Brain Furniture," and the bottles on this shelf were labeled as
follows: "Obedience," "Cleverness," "Judgment," "Courage," "Ingenuity,"
"Amiability," "Learning," "Truth," "Poesy," "Self Reliance."

"Let me see," said Margolotte; "of those qualities she must have
'Obedience' first of all," and she took down the bottle bearing that
label and poured from it upon a dish several grains of the contents.
"'Amiability' is also good and 'Truth.'" She poured into the dish a
quantity from each of these bottles. "I think that will do," she
continued, "for the other qualities are not needed in a servant."

Unc Nunkie, who with Ojo stood beside her, touched the bottle marked
"Cleverness."

"Little," said he.

"A little 'Cleverness'? Well, perhaps you are right, sir," said she,
and was about to take down the bottle when the Crooked Magician
suddenly called to her excitedly from the fireplace.

"Quick, Margolotte! Come and help me."

She ran to her husband's side at once and helped him lift the four
kettles from the fire. Their contents had all boiled away, leaving in
the bottom of each kettle a few grains of fine white powder. Very
carefully the Magician removed this powder, placing it all together in
a golden dish, where he mixed it with a golden spoon. When the mixture
was complete there was scarcely a handful, all told.

"That," said Dr. Pipt, in a pleased and triumphant tone, "is the
wonderful Powder of Life, which I alone in the world know how to make.
It has taken me nearly six years to prepare these precious grains of
dust, but the little heap on that dish is worth the price of a kingdom
and many a king would give all he has to possess it. When it has become
cooled I will place it in a small bottle; but meantime I must watch it
carefully, lest a gust of wind blow it away or scatter it."

Unc Nunkie, Margolotte and the Magician all stood looking at the
marvelous Powder, but Ojo was more interested just then in the
Patchwork Girl's brains. Thinking it both unfair and unkind to deprive
her of any good qualities that were handy, the boy took down every
bottle on the shelf and poured some of the contents in Margolotte's
dish. No one saw him do this, for all were looking at the Powder of
Life; but soon the woman remembered what she had been doing, and came
back to the cupboard.

"Let's see," she remarked; "I was about to give my girl a little
'Cleverness,' which is the Doctor's substitute for 'Intelligence'--a
quality he has not yet learned how to manufacture." Taking down the
bottle of "Cleverness" she added some of the powder to the heap on the
dish. Ojo became a bit uneasy at this, for he had already put quite a
lot of the "Cleverness" powder in the dish; but he dared not interfere
and so he comforted himself with the thought that one cannot have too
much cleverness.

Margolotte now carried the dish of brains to the bench. Ripping the
seam of the patch on the girl's forehead, she placed the powder within
the head and then sewed up the seam as neatly and securely as before.

"My girl is all ready for your Powder of Life, my dear," she said to
her husband. But the Magician replied:

"This powder must not be used before to-morrow morning; but I think it
is now cool enough to be bottled."

He selected a small gold bottle with a pepper-box top, so that the
powder might be sprinkled on any object through the small holes. Very
carefully he placed the Powder of Life in the gold bottle and then
locked it up in a drawer of his cabinet.

"At last," said he, rubbing his hands together gleefully, "I have ample
leisure for a good talk with my old friend Unc Nunkie. So let us sit
down cosily and enjoy ourselves. After stirring those four kettles for
six years I am glad to have a little rest."

"You will have to do most of the talking," said Ojo, "for Unc is called
the Silent One and uses few words."

"I know; but that renders your uncle a most agreeable companion and
gossip," declared Dr. Pipt. "Most people talk too much, so it is a
relief to find one who talks too little."

Ojo looked at the Magician with much awe and curiosity.

"Don't you find it very annoying to be so crooked?" he asked.

"No; I am quite proud of my person," was the reply. "I suppose I am the
only Crooked Magician in all the world. Some others are accused of
being crooked, but I am the only genuine."

He was really very crooked and Ojo wondered how he managed to do so
many things with such a twisted body. When he sat down upon a crooked
chair that had been made to fit him, one knee was under his chin and
the other near the small of his back; but he was a cheerful man and his
face bore a pleasant and agreeable expression.

"I am not allowed to perform magic, except for my own amusement," he
told his visitors, as he lighted a pipe with a crooked stem and began
to smoke. "Too many people were working magic in the Land of Oz, and so
our lovely Princess Ozma put a stop to it. I think she was quite right.
There were several wicked Witches who caused a lot of trouble; but now
they are all out of business and only the great Sorceress, Glinda the
Good, is permitted to practice her arts, which never harm anybody. The
Wizard of Oz, who used to be a humbug and knew no magic at all, has
been taking lessons of Glinda, and I'm told he is getting to be a
pretty good Wizard; but he is merely the assistant of the great
Sorceress. I've the right to make a servant girl for my wife, you know,
or a Glass Cat to catch our mice--which she refuses to do--but I am
forbidden to work magic for others, or to use it as a profession."

"Magic must be a very interesting study," said Ojo.

"It truly is," asserted the Magician. "In my time I've performed some
magical feats that were worthy of the skill of Glinda the Good. For
instance, there's the Powder of Life, and my Liquid of Petrifaction,
which is contained in that bottle on the shelf yonder--over the window."

"What does the Liquid of Petrifaction do?" inquired the boy.

"Turns everything it touches to solid marble. It's an invention of my
own, and I find it very useful. Once two of those dreadful Kalidahs,
with bodies like bears and heads like tigers, came here from the forest
to attack us; but I sprinkled some of that Liquid on them and instantly
they turned to marble. I now use them as ornamental statuary in my
garden. This table looks to you like wood, and once it really was wood;
but I sprinkled a few drops of the Liquid of Petrifaction on it and now
it is marble. It will never break nor wear out."

"Fine!" said Unc Nunkie, wagging his head and stroking his long gray
beard.

"Dear me; what a chatterbox you're getting to be, Unc," remarked the
Magician, who was pleased with the compliment. But just then there came
a scratching at the back door and a shrill voice cried:

"Let me in! Hurry up, can't you? Let me in!"

Margolotte got up and went to the door.

"Ask like a good cat, then," she said.

"Mee-ee-ow-w-w! There; does that suit your royal highness?" asked the
voice, in scornful accents.

"Yes; that's proper cat talk," declared the woman, and opened the door.

At once a cat entered, came to the center of the room and stopped short
at the sight of strangers. Ojo and Unc Nunkie both stared at it with
wide open eyes, for surely no such curious creature had ever existed
before--even in the Land of Oz.




Chapter Four

The Glass Cat


The cat was made of glass, so clear and transparent that you could see
through it as easily as through a window. In the top of its head,
however, was a mass of delicate pink balls which looked like jewels,
and it had a heart made of a blood-red ruby. The eyes were two large
emeralds, but aside from these colors all the rest of the animal was
clear glass, and it had a spun-glass tail that was really beautiful.

"Well, Doc Pipt, do you mean to introduce us, or not?" demanded the
cat, in a tone of annoyance. "Seems to me you are forgetting your
manners."

"Excuse me," returned the Magician. "This is Unc Nunkie, the descendant
of the former kings of the Munchkins, before this country became a part
of the Land of Oz."

"He needs a haircut," observed the cat, washing its face.

"True," replied Unc, with a low chuckle of amusement.

"But he has lived alone in the heart of the forest for many years," the
Magician explained; "and, although that is a barbarous country, there
are no barbers there."

"Who is the dwarf?" asked the cat.

"That is not a dwarf, but a boy," answered the Magician. "You have
never seen a boy before. He is now small because he is young. With more
years he will grow big and become as tall as Unc Nunkie."

"Oh. Is that magic?" the glass animal inquired.

"Yes; but it is Nature's magic, which is more wonderful than any art
known to man. For instance, my magic made you, and made you live; and
it was a poor job because you are useless and a bother to me; but I
can't make you grow. You will always be the same size--and the same
saucy, inconsiderate Glass Cat, with pink brains and a hard ruby heart."

"No one can regret more than I the fact that you made me," asserted the
cat, crouching upon the floor and slowly swaying its spun-glass tail
from side to side. "Your world is a very uninteresting place. I've
wandered through your gardens and in the forest until I'm tired of it
all, and when I come into the house the conversation of your fat wife
and of yourself bores me dreadfully."

"That is because I gave you different brains from those we ourselves
possess--and much too good for a cat," returned Dr. Pipt.

"Can't you take 'em out, then, and replace 'em with pebbles, so that I
won't feel above my station in life?" asked the cat, pleadingly.

"Perhaps so. I'll try it, after I've brought the Patchwork Girl to
life," he said.

The cat walked up to the bench on which the Patchwork Girl reclined and
looked at her attentively.

"Are you going to make that dreadful thing live?" she asked.

The Magician nodded.

"It is intended to be my wife's servant maid," he said. "When she is
alive she will do all our work and mind the house. But you are not to
order her around, Bungle, as you do us. You must treat the Patchwork
Girl respectfully."

"I won't. I couldn't respect such a bundle of scraps under any
circumstances."

"If you don't, there will be more scraps than you will like," cried
Margolotte, angrily.

"Why didn't you make her pretty to look at?" asked the cat. "You made
me pretty--very pretty, indeed--and I love to watch my pink brains roll
around when they're working, and to see my precious red heart beat."
She went to a long mirror, as she said this, and stood before it,
looking at herself with an air of much pride. "But that poor patched
thing will hate herself, when she's once alive," continued the cat. "If
I were you I'd use her for a mop, and make another servant that is
prettier."

"You have a perverted taste," snapped Margolotte, much annoyed at this
frank criticism. "I think the Patchwork Girl is beautiful, considering
what she's made of. Even the rainbow hasn't as many colors, and you
must admit that the rainbow is a pretty thing."

The Glass Cat yawned and stretched herself upon the floor.

"Have your own way," she said. "I'm sorry for the Patchwork Girl,
that's all."

Ojo and Unc Nunkie slept that night in the Magician's house, and the
boy was glad to stay because he was anxious to see the Patchwork Girl
brought to life. The Glass Cat was also a wonderful creature to little
Ojo, who had never seen or known anything of magic before, although he
had lived in the Fairyland of Oz ever since he was born. Back there in
the woods nothing unusual ever happened. Unc Nunkie, who might have
been King of the Munchkins, had not his people united with all the
other countries of Oz in acknowledging Ozma as their sole ruler, had
retired into this forgotten forest nook with his baby nephew and they
had lived all alone there. Only that the neglected garden had failed to
grow food for them, they would always have lived in the solitary Blue
Forest; but now they had started out to mingle with other people, and
the first place they came to proved so interesting that Ojo could
scarcely sleep a wink all night.

Margolotte was an excellent cook and gave them a fine breakfast. While
they were all engaged in eating, the good woman said:

"This is the last meal I shall have to cook for some time, for right
after breakfast Dr. Pipt has promised to bring my new servant to life.
I shall let her wash the breakfast dishes and sweep and dust the house.
What a relief it will be!"

"It will, indeed, relieve you of much drudgery," said the Magician. "By
the way, Margolotte, I thought I saw you getting some brains from the
cupboard, while I was busy with my kettles. What qualities have you
given your new servant?"

"Only those that an humble servant requires," she answered. "I do not
wish her to feel above her station, as the Glass Cat does. That would
make her discontented and unhappy, for of course she must always be a
servant."

Ojo was somewhat disturbed as he listened to this, and the boy began to
fear he had done wrong in adding all those different qualities of
brains to the lot Margolotte had prepared for the servant. But it was
too late now for regret, since all the brains were securely sewn up
inside the Patchwork Girl's head. He might have confessed what he had
done and thus allowed Margolotte and her husband to change the brains;
but he was afraid of incurring their anger. He believed that Unc had
seen him add to the brains, and Unc had not said a word against it; but
then, Unc never did say anything unless it was absolutely necessary.

As soon as breakfast was over they all went into the Magician's big
workshop, where the Glass Cat was lying before the mirror and the
Patchwork Girl lay limp and lifeless upon the bench.

"Now, then," said Dr. Pipt, in a brisk tone, "we shall perform one of
the greatest feats of magic possible to man, even in this marvelous
Land of Oz. In no other country could it be done at all. I think we
ought to have a little music while the Patchwork Girl comes to life. It
is pleasant to reflect that the first sounds her golden ears will hear
will be delicious music."

As he spoke he went to a phonograph, which screwed fast to a small
table, and wound up the spring of the instrument and adjusted the big
gold horn.

"The music my servant will usually hear," remarked Margolotte, "will be
my orders to do her work. But I see no harm in allowing her to listen
to this unseen band while she wakens to her first realization of life.
My orders will beat the band, afterward."

The phonograph was now playing a stirring march tune and the Magician
unlocked his cabinet and took out the gold bottle containing the Powder
of Life.

They all bent over the bench on which the Patchwork Girl reclined. Unc
Nunkie and Margolotte stood behind, near the windows, Ojo at one side
and the Magician in front, where he would have freedom to sprinkle the
powder. The Glass Cat came near, too, curious to watch the important
scene.

"All ready?" asked Dr. Pipt.

"All is ready," answered his wife.

So the Magician leaned over and shook from the bottle some grains of
the wonderful Powder, and they fell directly on the Patchwork Girl's
head and arms.




Chapter Five

A Terrible Accident


"It will take a few minutes for this powder to do its work," remarked
the Magician, sprinkling the body up and down with much care.

But suddenly the Patchwork Girl threw up one arm, which knocked the
bottle of powder from the crooked man's hand and sent it flying across
the room. Unc Nunkie and Margolotte were so startled that they both
leaped backward and bumped together, and Unc's head joggled the shelf
above them and upset the bottle containing the Liquid of Petrifaction.

The Magician uttered such a wild cry that Ojo jumped away and the
Patchwork Girl sprang after him and clasped her stuffed arms around him
in terror. The Glass Cat snarled and hid under the table, and so it was
that when the powerful Liquid of Petrifaction was spilled it fell only
upon the wife of the Magician and the uncle of Ojo. With these two the
charm worked promptly. They stood motionless and stiff as marble
statues, in exactly the positions they were in when the Liquid struck
them.

Ojo pushed the Patchwork Girl away and ran to Unc Nunkie, filled with a
terrible fear for the only friend and protector he had ever known. When
he grasped Unc's hand it was cold and hard. Even the long gray beard
was solid marble. The Crooked Magician was dancing around the room in a
frenzy of despair, calling upon his wife to forgive him, to speak to
him, to come to life again!

The Patchwork Girl, quickly recovering from her fright, now came nearer
and looked from one to another of the people with deep interest. Then
she looked at herself and laughed. Noticing the mirror, she stood
before it and examined her extraordinary features with amazement--her
button eyes, pearl bead teeth and puffy nose. Then, addressing her
reflection in the glass, she exclaimed:

    "Whee, but there's a gaudy dame!
    Makes a paint-box blush with shame.
    Razzle-dazzle, fizzle-fazzle!
    Howdy-do, Miss What's-your-name?"


She bowed, and the reflection bowed. Then she laughed again, long and
merrily, and the Glass Cat crept out from under the table and said:

"I don't blame you for laughing at yourself. Aren't you horrid?"

"Horrid?" she replied. "Why, I'm thoroughly delightful. I'm an
Original, if you please, and therefore incomparable. Of all the comic,
absurd, rare and amusing creatures the world contains, I must be the
supreme freak. Who but poor Margolotte could have managed to invent
such an unreasonable being as I? But I'm glad--I'm awfully glad!--that
I'm just what I am, and nothing else."

"Be quiet, will you?" cried the frantic Magician; "be quiet and let me
think! If I don't think I shall go mad."

"Think ahead," said the Patchwork Girl, seating herself in a chair.
"Think all you want to. I don't mind."

"Gee! but I'm tired playing that tune," called the phonograph, speaking
through its horn in a brazen, scratchy voice. "If you don't mind, Pipt,
old boy, I'll cut it out and take a rest."

The Magician looked gloomily at the music-machine.

"What dreadful luck!" he wailed, despondently. "The Powder of Life must
have fallen on the phonograph."

He went up to it and found that the gold bottle that contained the
precious powder had dropped upon the stand and scattered its
life-giving grains over the machine. The phonograph was very much
alive, and began dancing a jig with the legs of the table to which it
was attached, and this dance so annoyed Dr. Pipt that he kicked the
thing into a corner and pushed a bench against it, to hold it quiet.

"You were bad enough before," said the Magician, resentfully; "but a
live phonograph is enough to drive every sane person in the Land of Oz
stark crazy."

"No insults, please," answered the phonograph in a surly tone. "You did
it, my boy; don't blame me."

"You've bungled everything, Dr. Pipt," added the Glass Cat,
contemptuously.

"Except me," said the Patchwork Girl, jumping up to whirl merrily
around the room.

"I think," said Ojo, almost ready to cry through grief over Unc
Nunkie's sad fate, "it must all be my fault, in some way. I'm called
Ojo the Unlucky, you know."

"That's nonsense, kiddie," retorted the Patchwork Girl cheerfully. "No
one can be unlucky who has the intelligence to direct his own actions.
The unlucky ones are those who beg for a chance to think, like poor Dr.
Pipt here. What's the row about, anyway, Mr. Magic-maker?"

"The Liquid of Petrifaction has accidentally fallen upon my dear wife
and Unc Nunkie and turned them into marble," he sadly replied.

"Well, why don't you sprinkle some of that powder on them and bring
them to life again?" asked the Patchwork Girl.

The Magician gave a jump.

"Why, I hadn't thought of that!" he joyfully cried, and grabbed up the
golden bottle, with which he ran to Margolotte.

Said the Patchwork Girl:

    "Higgledy, piggledy, dee--
    What fools magicians be!
    His head's so thick
    He can't think quick,
    So he takes advice from me."


Standing upon the bench, for he was so crooked he could not reach the
top of his wife's head in any other way, Dr. Pipt began shaking the
bottle. But not a grain of powder came out. He pulled off the cover,
glanced within, and then threw the bottle from him with a wail of
despair.

"Gone--gone! Every bit gone," he cried. "Wasted on that miserable
phonograph when it might have saved my dear wife!"

Then the Magician bowed his head on his crooked arms and began to cry.

Ojo was sorry for him. He went up to the sorrowful man and said softly:

"You can make more Powder of Life, Dr. Pipt."

"Yes; but it will take me six years--six long, weary years of stirring
four kettles with both feet and both hands," was the agonized reply.
"Six years! while poor Margolotte stands watching me as a marble image."

"Can't anything else be done?" asked the Patchwork Girl.

The Magician shook his head. Then he seemed to remember something and
looked up.

"There is one other compound that would destroy the magic spell of the
Liquid of Petrifaction and restore my wife and Unc Nunkie to life,"
said he. "It may be hard to find the things I need to make this magic
compound, but if they were found I could do in an instant what will
otherwise take six long, weary years of stirring kettles with both
hands and both feet."

"All right; let's find the things, then," suggested the Patchwork Girl.
"That seems a lot more sensible than those stirring times with the
kettles."

"That's the idea, Scraps," said the Glass Cat, approvingly. "I'm glad
to find you have decent brains. Mine are exceptionally good. You can
see 'em work; they're pink."

"Scraps?" repeated the girl. "Did you call me 'Scraps'? Is that my
name?"

"I--I believe my poor wife had intended to name you 'Angeline,'" said
the Magician.

"But I like 'Scraps' best," she replied with a laugh. "It fits me
better, for my patchwork is all scraps, and nothing else. Thank you for
naming me, Miss Cat. Have you any name of your own?"

"I have a foolish name that Margolotte once gave me, but which is quite
undignified for one of my importance," answered the cat. "She called me
'Bungle.'"

"Yes," sighed the Magician; "you were a sad bungle, taken all in all. I
was wrong to make you as I did, for a more useless, conceited and
brittle thing never before existed."

"I'm not so brittle as you think," retorted the cat. "I've been alive a
good many years, for Dr. Pipt experimented on me with the first magic
Powder of Life he ever made, and so far I've never broken or cracked or
chipped any part of me."

"You seem to have a chip on your shoulder," laughed the Patchwork Girl,
and the cat went to the mirror to see.

"Tell me," pleaded Ojo, speaking to the Crooked Magician, "what must we
find to make the compound that will save Unc Nunkie?"

"First," was the reply, "I must have a six-leaved clover. That can only
be found in the green country around the Emerald City, and six-leaved
clovers are very scarce, even there."

"I'll find it for you," promised Ojo.

"The next thing," continued the Magician, "is the left wing of a yellow
butterfly. That color can only be found in the yellow country of the
Winkies, West of the Emerald City."

"I'll find it," declared Ojo. "Is that all?"

"Oh, no; I'll get my Book of Recipes and see what comes next."

Saying this, the Magician unlocked a drawer of his cabinet and drew out
a small book covered with blue leather. Looking through the pages he
found the recipe he wanted and said: "I must have a gill of water from
a dark well."

"What kind of a well is that, sir?" asked the boy.

"One where the light of day never penetrates. The water must be put in
a gold bottle and brought to me without any light ever reaching it."

"I'll get the water from the dark well," said Ojo.

"Then I must have three hairs from the tip of a Woozy's tail, and a
drop of oil from a live man's body."

Ojo looked grave at this.

"What is a Woozy, please?" he inquired.

"Some sort of an animal. I've never seen one, so I can't describe it,"
replied the Magician.

"If I can find a Woozy, I'll get the hairs from its tail," said Ojo.
"But is there ever any oil in a man's body?"

The Magician looked in the book again, to make sure.

"That's what the recipe calls for," he replied, "and of course we must
get everything that is called for, or the charm won't work. The book
doesn't say 'blood'; it says 'oil,' and there must be oil somewhere in
a live man's body or the book wouldn't ask for it."

"All right," returned Ojo, trying not to feel discouraged; "I'll try to
find it."

The Magician looked at the little Munchkin boy in a doubtful way and
said:

"All this will mean a long journey for you; perhaps several long
journeys; for you must search through several of the different
countries of Oz in order to get the things I need."

"I know it, sir; but I must do my best to save Unc Nunkie."

"And also my poor wife Margolotte. If you save one you will save the
other, for both stand there together and the same compound will restore
them both to life. Do the best you can, Ojo, and while you are gone I
shall begin the six years job of making a new batch of the Powder of
Life. Then, if you should unluckily fail to secure any one of the
things needed, I will have lost no time. But if you succeed you must
return here as quickly as you can, and that will save me much tiresome
stirring of four kettles with both feet and both hands."

"I will start on my journey at once, sir," said the boy.

"And I will go with you," declared the Patchwork Girl.

"No, no!" exclaimed the Magician. "You have no right to leave this
house. You are only a servant and have not been discharged."

Scraps, who had been dancing up and down the room, stopped and looked
at him.

"What is a servant?" she asked.

"One who serves. A--a sort of slave," he explained.

"Very well," said the Patchwork Girl, "I'm going to serve you and your
wife by helping Ojo find the things you need. You need a lot, you know,
such as are not easily found."

"It is true," sighed Dr. Pipt. "I am well aware that Ojo has undertaken
a serious task."

Scraps laughed, and resuming her dance she said:

    "Here's a job for a boy of brains:
    A drop of oil from a live man's veins;
    A six-leaved clover; three nice hairs
    From a Woozy's tail, the book declares
    Are needed for the magic spell,
    And water from a pitch-dark well.
    The yellow wing of a butterfly
    To find must Ojo also try,
    And if he gets them without harm,
    Doc Pipt will make the magic charm;
    But if he doesn't get 'em, Unc
    Will always stand a marble chunk."


The Magician looked at her thoughtfully.

"Poor Margolotte must have given you some of the quality of poesy, by
mistake," he said. "And, if that is true, I didn't make a very good
article when I prepared it, or else you got an overdose or an
underdose. However, I believe I shall let you go with Ojo, for my poor
wife will not need your services until she is restored to life. Also I
think you may be able to help the boy, for your head seems to contain
some thoughts I did not expect to find in it. But be very careful of
yourself, for you're a souvenir of my dear Margolotte. Try not to get
ripped, or your stuffing may fall out. One of your eyes seems loose,
and you may have to sew it on tighter. If you talk too much you'll wear
out your scarlet plush tongue, which ought to have been hemmed on the
edges. And remember you belong to me and must return here as soon as
your mission is accomplished."

"I'm going with Scraps and Ojo," announced the Glass Cat.

"You can't," said the Magician.

"Why not?"

"You'd get broken in no time, and you couldn't be a bit of use to the
boy and the Patchwork Girl."

"I beg to differ with you," returned the cat, in a haughty tone. "Three
heads are better than two, and my pink brains are beautiful. You can
see 'em work."

"Well, go along," said the Magician, irritably. "You're only an
annoyance, anyhow, and I'm glad to get rid of you."

"Thank you for nothing, then," answered the cat, stiffly.

Dr. Pipt took a small basket from a cupboard and packed several things
in it. Then he handed it to Ojo.

"Here is some food and a bundle of charms," he said. "It is all I can
give you, but I am sure you will find friends on your journey who will
assist you in your search. Take care of the Patchwork Girl and bring
her safely back, for she ought to prove useful to my wife. As for the
Glass Cat--properly named Bungle--if she bothers you I now give you my
permission to break her in two, for she is not respectful and does not
obey me. I made a mistake in giving her the pink brains, you see."

Then Ojo went to Unc Nunkie and kissed the old man's marble face very
tenderly.

"I'm going to try to save you, Unc," he said, just as if the marble
image could hear him; and then he shook the crooked hand of the Crooked
Magician, who was already busy hanging the four kettles in the
fireplace, and picking up his basket left the house.

The Patchwork Girl followed him, and after them came the Glass Cat.




Chapter Six

The Journey


Ojo had never traveled before and so he only knew that the path down
the mountainside led into the open Munchkin Country, where large
numbers of people dwelt. Scraps was quite new and not supposed to know
anything of the Land of Oz, while the Glass Cat admitted she had never
wandered very far away from the Magician's house. There was only one
path before them, at the beginning, so they could not miss their way,
and for a time they walked through the thick forest in silent thought,
each one impressed with the importance of the adventure they had
undertaken.

Suddenly the Patchwork Girl laughed. It was funny to see her laugh,
because her cheeks wrinkled up, her nose tipped, her silver button eyes
twinkled and her mouth curled at the corners in a comical way.

"Has something pleased you?" asked Ojo, who was feeling solemn and
joyless through thinking upon his uncle's sad fate.

"Yes," she answered. "Your world pleases me, for it's a queer world,
and life in it is queerer still. Here am I, made from an old bedquilt
and intended to be a slave to Margolotte, rendered free as air by an
accident that none of you could foresee. I am enjoying life and seeing
the world, while the woman who made me is standing helpless as a block
of wood. If that isn't funny enough to laugh at, I don't know what is."

"You're not seeing much of the world yet, my poor, innocent Scraps,"
remarked the Cat. "The world doesn't consist wholly of the trees that
are on all sides of us."

"But they're part of it; and aren't they pretty trees?" returned
Scraps, bobbing her head until her brown yarn curls fluttered in the
breeze. "Growing between them I can see lovely ferns and wild-flowers,
and soft green mosses. If the rest of your world is half as beautiful I
shall be glad I'm alive."

"I don't know what the rest of the world is like, I'm sure," said the
cat; "but I mean to find out."

"I have never been out of the forest," Ojo added; "but to me the trees
are gloomy and sad and the wild-flowers seem lonesome. It must be nicer
where there are no trees and there is room for lots of people to live
together."

"I wonder if any of the people we shall meet will be as splendid as I
am," said the Patchwork Girl. "All I have seen, so far, have pale,
colorless skins and clothes as blue as the country they live in, while
I am of many gorgeous colors--face and body and clothes. That is why I
am bright and contented, Ojo, while you are blue and sad."

"I think I made a mistake in giving you so many sorts of brains,"
observed the boy. "Perhaps, as the Magician said, you have an overdose,
and they may not agree with you."

"What had you to do with my brains?" asked Scraps.

"A lot," replied Ojo. "Old Margolotte meant to give you only a
few--just enough to keep you going--but when she wasn't looking I added
a good many more, of the best kinds I could find in the Magician's
cupboard."

"Thanks," said the girl, dancing along the path ahead of Ojo and then
dancing back to his side. "If a few brains are good, many brains must
be better."

"But they ought to be evenly balanced," said the boy, "and I had no
time to be careful. From the way you're acting, I guess the dose was
badly mixed."

"Scraps hasn't enough brains to hurt her, so don't worry," remarked the
cat, which was trotting along in a very dainty and graceful manner.
"The only brains worth considering are mine, which are pink. You can
see 'em work."

After walking a long time they came to a little brook that trickled
across the path, and here Ojo sat down to rest and eat something from
his basket. He found that the Magician had given him part of a loaf of
bread and a slice of cheese. He broke off some of the bread and was
surprised to find the loaf just as large as it was before. It was the
same way with the cheese: however much he broke off from the slice, it
remained exactly the same size.

"Ah," said he, nodding wisely; "that's magic. Dr. Pipt has enchanted
the bread and the cheese, so it will last me all through my journey,
however much I eat."

"Why do you put those things into your mouth?" asked Scraps, gazing at
him in astonishment. "Do you need more stuffing? Then why don't you use
cotton, such as I am stuffed with?"

"I don't need that kind," said Ojo.

"But a mouth is to talk with, isn't it?"

"It is also to eat with," replied the boy. "If I didn't put food into
my mouth, and eat it, I would get hungry and starve.

"Ah, I didn't know that," she said. "Give me some."

Ojo handed her a bit of the bread and she put it in her mouth.

"What next?" she asked, scarcely able to speak.

"Chew it and swallow it," said the boy.

Scraps tried that. Her pearl teeth were unable to chew the bread and
beyond her mouth there was no opening. Being unable to swallow she
threw away the bread and laughed.

"I must get hungry and starve, for I can't eat," she said.

"Neither can I," announced the cat; "but I'm not fool enough to try.
Can't you understand that you and I are superior people and not made
like these poor humans?"

"Why should I understand that, or anything else?" asked the girl.
"Don't bother my head by asking conundrums, I beg of you. Just let me
discover myself in my own way."

With this she began amusing herself by leaping across the brook and
back again.

"Be careful, or you'll fall in the water," warned Ojo.

"Never mind."

"You'd better. If you get wet you'll be soggy and can't walk. Your
colors might run, too," he said.

"Don't my colors run whenever I run?" she asked.

"Not in the way I mean. If they get wet, the reds and greens and
yellows and purples of your patches might run into each other and
become just a blur--no color at all, you know."

"Then," said the Patchwork Girl, "I'll be careful, for if I spoiled my
splendid colors I would cease to be beautiful."

"Pah!" sneered the Glass Cat, "such colors are not beautiful; they're
ugly, and in bad taste. Please notice that my body has no color at all.
I'm transparent, except for my exquisite red heart and my lovely pink
brains--you can see 'em work."

"Shoo--shoo--shoo!" cried Scraps, dancing around and laughing. "And
your horrid green eyes, Miss Bungle! You can't see your eyes, but we
can, and I notice you're very proud of what little color you have.
Shoo, Miss Bungle, shoo--shoo--shoo! If you were all colors and many
colors, as I am, you'd be too stuck up for anything." She leaped over
the cat and back again, and the startled Bungle crept close to a tree
to escape her. This made Scraps laugh more heartily than ever, and she
said:

    "Whoop-te-doodle-doo!
    The cat has lost her shoe.
    Her tootsie's bare, but she don't care,
    So what's the odds to you?"


"Dear me, Ojo," said the cat; "don't you think the creature is a little
bit crazy?"

"It may be," he answered, with a puzzled look.

"If she continues her insults I'll scratch off her suspender-button
eyes," declared the cat.

"Don't quarrel, please," pleaded the boy, rising to resume the journey.
"Let us be good comrades and as happy and cheerful as possible, for we
are likely to meet with plenty of trouble on our way."

It was nearly sundown when they came to the edge of the forest and saw
spread out before them a delightful landscape. There were broad blue
fields stretching for miles over the valley, which was dotted
everywhere with pretty, blue domed houses, none of which, however, was
very near to the place where they stood. Just at the point where the
path left the forest stood a tiny house covered with leaves from the
trees, and before this stood a Munchkin man with an axe in his hand. He
seemed very much surprised when Ojo and Scraps and the Glass Cat came
out of the woods, but as the Patchwork Girl approached nearer he sat
down upon a bench and laughed so hard that he could not speak for a
long time.

This man was a woodchopper and lived all alone in the little house. He
had bushy blue whiskers and merry blue eyes and his blue clothes were
quite old and worn.

"Mercy me!" exclaimed the woodchopper, when at last he could stop
laughing. "Who would think such a funny harlequin lived in the Land of
Oz? Where did you come from, Crazy-quilt?"

"Do you mean me?" asked the Patchwork Girl.

"Of course," he replied.

"You misjudge my ancestry. I'm not a crazy-quilt; I'm patchwork," she
said.

"There's no difference," he replied, beginning to laugh again. "When my
old grandmother sews such things together she calls it a crazy-quilt;
but I never thought such a jumble could come to life."

"It was the Magic Powder that did it," explained Ojo.

"Oh, then you have come from the Crooked Magician on the mountain. I
might have known it, for--Well, I declare! here's a glass cat. But the
Magician will get in trouble for this; it's against the law for anyone
to work magic except Glinda the Good and the royal Wizard of Oz. If you
people--or things--or glass spectacles--or crazy-quilts--or whatever
you are, go near the Emerald City, you'll be arrested."

"We're going there, anyhow," declared Scraps, sitting upon the bench
and swinging her stuffed legs.

    "If any of us takes a rest,
    We'll be arrested sure,
    And get no restitution
    'Cause the rest we must endure."


"I see," said the woodchopper, nodding; "you're as crazy as the
crazy-quilt you're made of."

"She really is crazy," remarked the Glass Cat. "But that isn't to be
wondered at when you remember how many different things she's made of.
For my part, I'm made of pure glass--except my jewel heart and my
pretty pink brains. Did you notice my brains, stranger? You can see 'em
work."

"So I can," replied the woodchopper; "but I can't see that they
accomplish much. A glass cat is a useless sort of thing, but a
Patchwork Girl is really useful. She makes me laugh, and laughter is
the best thing in life. There was once a woodchopper, a friend of mine,
who was made all of tin, and I used to laugh every time I saw him."

"A tin woodchopper?" said Ojo. "That is strange."

"My friend wasn't always tin," said the man, "but he was careless with
his axe, and used to chop himself very badly. Whenever he lost an arm
or a leg he had it replaced with tin; so after a while he was all tin."

"And could he chop wood then?" asked the boy.

"He could if he didn't rust his tin joints. But one day he met Dorothy
in the forest and went with her to the Emerald City, where he made his
fortune. He is now one of the favorites of Princess Ozma, and she has
made him the Emperor of the Winkies--the Country where all is yellow."

"Who is Dorothy?" inquired the Patchwork Girl.

"A little maid who used to live in Kansas, but is now a Princess of Oz.
She's Ozma's best friend, they say, and lives with her in the royal
palace."

"Is Dorothy made of tin?" inquired Ojo.

"Is she patchwork, like me?" inquired Scraps.

"No," said the man; "Dorothy is flesh, just as I am. I know of only one
tin person, and that is Nick Chopper, the Tin Woodman; and there will
never be but one Patchwork Girl, for any magician that sees you will
refuse to make another one like you."

"I suppose we shall see the Tin Woodman, for we are going to the
Country of the Winkies," said the boy.

"What for?" asked the woodchopper.

"To get the left wing of a yellow butterfly."

"It is a long journey," declared the man, "and you will go through
lonely parts of Oz and cross rivers and traverse dark forests before
you get there."

"Suits me all right," said Scraps. "I'll get a chance to see the
country."

"You're crazy, girl. Better crawl into a rag-bag and hide there; or
give yourself to some little girl to play with. Those who travel are
likely to meet trouble; that's why I stay at home."

The woodchopper then invited them all to stay the night at his little
hut, but they were anxious to get on and so left him and continued
along the path, which was broader, now, and more distinct.

They expected to reach some other house before it grew dark, but the
twilight was brief and Ojo soon began to fear they had made a mistake
in leaving the woodchopper.

"I can scarcely see the path," he said at last. "Can you see it,
Scraps?"

"No," replied the Patchwork Girl, who was holding fast to the boy's arm
so he could guide her.

"I can see," declared the Glass Cat. "My eyes are better than yours,
and my pink brains--"

"Never mind your pink brains, please," said Ojo hastily; "just run
ahead and show us the way. Wait a minute and I'll tie a string to you;
for then you can lead us."

He got a string from his pocket and tied it around the cat's neck, and
after that the creature guided them along the path. They had proceeded
in this way for about an hour when a twinkling blue light appeared
ahead of them.

"Good! there's a house at last," cried Ojo. "When we reach it the good
people will surely welcome us and give us a night's lodging." But
however far they walked the light seemed to get no nearer, so by and by
the cat stopped short, saying:

"I think the light is traveling, too, and we shall never be able to
catch up with it. But here is a house by the roadside, so why go
farther?"

"Where is the house, Bungle?"

"Just here beside us, Scraps."

Ojo was now able to see a small house near the pathway. It was dark and
silent, but the boy was tired and wanted to rest, so he went up to the
door and knocked.

"Who is there?" cried a voice from within.

"I am Ojo the Unlucky, and with me are Miss Scraps Patchwork and the
Glass Cat," he replied.

"What do you want?" asked the Voice.

"A place to sleep," said Ojo.

"Come in, then; but don't make any noise, and you must go directly to
bed," returned the Voice.

Ojo unlatched the door and entered. It was very dark inside and he
could see nothing at all. But the cat exclaimed: "Why, there's no one
here!"

"There must be," said the boy. "Some one spoke to me."

"I can see everything in the room," replied the cat, "and no one is
present but ourselves. But here are three beds, all made up, so we may
as well go to sleep."

"What is sleep?" inquired the Patchwork Girl.

"It's what you do when you go to bed," said Ojo.

"But why do you go to bed?" persisted the Patchwork Girl.

"Here, here! You are making altogether too much noise," cried the Voice
they had heard before. "Keep quiet, strangers, and go to bed."

The cat, which could see in the dark, looked sharply around for the
owner of the Voice, but could discover no one, although the Voice had
seemed close beside them. She arched her back a little and seemed
afraid. Then she whispered to Ojo: "Come!" and led him to a bed.

With his hands the boy felt of the bed and found it was big and soft,
with feather pillows and plenty of blankets. So he took off his shoes
and hat and crept into the bed. Then the cat led Scraps to another bed
and the Patchwork Girl was puzzled to know what to do with it.

"Lie down and keep quiet," whispered the cat, warningly.

"Can't I sing?" asked Scraps.

"No."

"Can't I whistle?" asked Scraps.

"No."

"Can't I dance till morning, if I want to?" asked Scraps.

"You must keep quiet," said the cat, in a soft voice.

"I don't want to," replied the Patchwork Girl, speaking as loudly as
usual. "What right have you to order me around? If I want to talk, or
yell, or whistle--"

Before she could say anything more an unseen hand seized her firmly and
threw her out of the door, which closed behind her with a sharp slam.
She found herself bumping and rolling in the road and when she got up
and tried to open the door of the house again she found it locked.

"What has happened to Scraps?" asked Ojo.

"Never mind. Let's go to sleep, or something will happen to us,"
answered the Glass Cat.

So Ojo snuggled down in his bed and fell asleep, and he was so tired
that he never wakened until broad daylight.




Chapter Seven

The Troublesome Phonograph


When the boy opened his eyes next morning he looked carefully around
the room. These small Munchkin houses seldom had more than one room in
them. That in which Ojo now found himself had three beds, set all in a
row on one side of it. The Glass Cat lay asleep on one bed, Ojo was in
the second, and the third was neatly made up and smoothed for the day.
On the other side of the room was a round table on which breakfast was
already placed, smoking hot. Only one chair was drawn up to the table,
where a place was set for one person. No one seemed to be in the room
except the boy and Bungle.

Ojo got up and put on his shoes. Finding a toilet stand at the head of
his bed he washed his face and hands and brushed his hair. Then he went
to the table and said:

"I wonder if this is my breakfast?"

"Eat it!" commanded a Voice at his side, so near that Ojo jumped. But
no person could he see.

He was hungry, and the breakfast looked good; so he sat down and ate
all he wanted. Then, rising, he took his hat and wakened the Glass Cat.

"Come on, Bungle," said he; "we must go."

He cast another glance about the room and, speaking to the air, he
said: "Whoever lives here has been kind to me, and I'm much obliged."

There was no answer, so he took his basket and went out the door, the
cat following him. In the middle of the path sat the Patchwork Girl,
playing with pebbles she had picked up.

"Oh, there you are!" she exclaimed cheerfully. "I thought you were
never coming out. It has been daylight a long time."

"What did you do all night?" asked the boy.

"Sat here and watched the stars and the moon," she replied. "They're
interesting. I never saw them before, you know."

"Of course not," said Ojo.

"You were crazy to act so badly and get thrown outdoors," remarked
Bungle, as they renewed their journey.

"That's all right," said Scraps. "If I hadn't been thrown out I
wouldn't have seen the stars, nor the big gray wolf."

"What wolf?" inquired Ojo.

"The one that came to the door of the house three times during the
night."

"I don't see why that should be," said the boy, thoughtfully; "there
was plenty to eat in that house, for I had a fine breakfast, and I
slept in a nice bed."

"Don't you feel tired?" asked the Patchwork Girl, noticing that the boy
yawned.

"Why, yes; I'm as tired as I was last night; and yet I slept very well."

"And aren't you hungry?"

"It's strange," replied Ojo. "I had a good breakfast, and yet I think
I'll now eat some of my crackers and cheese."

Scraps danced up and down the path. Then she sang:

    "Kizzle-kazzle-kore;
    The wolf is at the door,
    There's nothing to eat but a bone without meat,
    And a bill from the grocery store."


"What does that mean?" asked Ojo.

"Don't ask me," replied Scraps. "I say what comes into my head, but of
course I know nothing of a grocery store or bones without meat or--very
much else."

"No," said the cat; "she's stark, staring, raving crazy, and her brains
can't be pink, for they don't work properly."

"Bother the brains!" cried Scraps. "Who cares for 'em, anyhow? Have you
noticed how beautiful my patches are in this sunlight?"

Just then they heard a sound as of footsteps pattering along the path
behind them and all three turned to see what was coming. To their
astonishment they beheld a small round table running as fast as its
four spindle legs could carry it, and to the top was screwed fast a
phonograph with a big gold horn.

"Hold on!" shouted the phonograph. "Wait for me!"

"Goodness me; it's that music thing which the Crooked Magician
scattered the Powder of Life over," said Ojo.

"So it is," returned Bungle, in a grumpy tone of voice; and then, as
the phonograph overtook them, the Glass Cat added sternly: "What are
you doing here, anyhow?"

"I've run away," said the music thing. "After you left, old Dr. Pipt
and I had a dreadful quarrel and he threatened to smash me to pieces if
I didn't keep quiet. Of course I wouldn't do that, because a
talking-machine is supposed to talk and make a noise--and sometimes
music. So I slipped out of the house while the Magician was stirring
his four kettles and I've been running after you all night. Now that
I've found such pleasant company, I can talk and play tunes all I want
to."

Ojo was greatly annoyed by this unwelcome addition to their party. At
first he did not know what to say to the newcomer, but a little thought
decided him not to make friends.

"We are traveling on important business," he declared, "and you'll
excuse me if I say we can't be bothered."

"How very impolite!" exclaimed the phonograph.

"I'm sorry; but it's true," said the boy. "You'll have to go somewhere
else."

"This is very unkind treatment, I must say," whined the phonograph, in
an injured tone. "Everyone seems to hate me, and yet I was intended to
amuse people."

"It isn't you we hate, especially," observed the Glass Cat; "it's your
dreadful music. When I lived in the same room with you I was much
annoyed by your squeaky horn. It growls and grumbles and clicks and
scratches so it spoils the music, and your machinery rumbles so that
the racket drowns every tune you attempt."

"That isn't my fault; it's the fault of my records. I must admit that I
haven't a clear record," answered the machine.

"Just the same, you'll have to go away," said Ojo.

"Wait a minute," cried Scraps. "This music thing interests me. I
remember to have heard music when I first came to life, and I would
like to hear it again. What is your name, my poor abused phonograph?"

"Victor Columbia Edison," it answered.

"Well, I shall call you 'Vic' for short," said the Patchwork Girl. "Go
ahead and play something."

"It'll drive you crazy," warned the cat.

"I'm crazy now, according to your statement. Loosen up and reel out the
music, Vic."

"The only record I have with me," explained the phonograph, "is one the
Magician attached just before we had our quarrel. It's a highly
classical composition."

"A what?" inquired Scraps.

"It is classical music, and is considered the best and most puzzling
ever manufactured. You're supposed to like it, whether you do or not,
and if you don't, the proper thing is to look as if you did.
Understand?"

"Not in the least," said Scraps.

"Then, listen!"

At once the machine began to play and in a few minutes Ojo put his
hands to his ears to shut out the sounds and the cat snarled and Scraps
began to laugh.

"Cut it out, Vic," she said. "That's enough."

But the phonograph continued playing the dreary tune, so Ojo seized the
crank, jerked it free and threw it into the road. However, the moment
the crank struck the ground it bounded back to the machine again and
began winding it up. And still the music played.

"Let's run!" cried Scraps, and they all started and ran down the path
as fast as they could go. But the phonograph was right behind them and
could run and play at the same time. It called out, reproachfully:

"What's the matter? Don't you love classical music?"

"No, Vic," said Scraps, halting. "We will passical the classical and
preserve what joy we have left. I haven't any nerves, thank goodness,
but your music makes my cotton shrink."

"Then turn over my record. There's a rag-time tune on the other side,"
said the machine.

"What's rag-time?"

"The opposite of classical."

"All right," said Scraps, and turned over the record.

The phonograph now began to play a jerky jumble of sounds which proved
so bewildering that after a moment Scraps stuffed her patchwork apron
into the gold horn and cried: "Stop--stop! That's the other extreme.
It's extremely bad!"

Muffled as it was, the phonograph played on.

"If you don't shut off that music I'll smash your record," threatened
Ojo.

The music stopped, at that, and the machine turned its horn from one to
another and said with great indignation: "What's the matter now? Is it
possible you can't appreciate rag-time?"

"Scraps ought to, being rags herself," said the cat; "but I simply
can't stand it; it makes my whiskers curl."

"It is, indeed, dreadful!" exclaimed Ojo, with a shudder.

"It's enough to drive a crazy lady mad," murmured the Patchwork Girl.
"I'll tell you what, Vic," she added as she smoothed out her apron and
put it on again, "for some reason or other you've missed your guess.
You're not a concert; you're a nuisance."

"Music hath charms to soothe the savage breast," asserted the
phonograph sadly.

"Then we're not savages. I advise you to go home and beg the Magician's
pardon."

"Never! He'd smash me."

"That's what we shall do, if you stay here," Ojo declared.

"Run along, Vic, and bother some one else," advised Scraps. "Find some
one who is real wicked, and stay with him till he repents. In that way
you can do some good in the world."

The music thing turned silently away and trotted down a side path,
toward a distant Munchkin village.

"Is that the way we go?" asked Bungle anxiously.

"No," said Ojo; "I think we shall keep straight ahead, for this path is
the widest and best. When we come to some house we will inquire the way
to the Emerald City."




Chapter Eight

The Foolish Owl and the Wise Donkey


On they went, and half an hour's steady walking brought them to a house
somewhat better than the two they had already passed. It stood close to
the roadside and over the door was a sign that read: "Miss Foolish Owl
and Mr. Wise Donkey: Public Advisers."

When Ojo read this sign aloud Scraps said laughingly: "Well, here is a
place to get all the advice we want, maybe more than we need. Let's go
in."

The boy knocked at the door.

"Come in!" called a deep bass voice.

So they opened the door and entered the house, where a little
light-brown donkey, dressed in a blue apron and a blue cap, was engaged
in dusting the furniture with a blue cloth. On a shelf over the window
sat a great blue owl with a blue sunbonnet on her head, blinking her
big round eyes at the visitors.

"Good morning," said the donkey, in his deep voice, which seemed bigger
than he was. "Did you come to us for advice?"

"Why, we came, anyhow," replied Scraps, "and now we are here we may as
well have some advice. It's free, isn't it?"

"Certainly," said the donkey. "Advice doesn't cost anything--unless you
follow it. Permit me to say, by the way, that you are the queerest lot
of travelers that ever came to my shop. Judging you merely by
appearances, I think you'd better talk to the Foolish Owl yonder."

They turned to look at the bird, which fluttered its wings and stared
back at them with its big eyes.

"Hoot-ti-toot-ti-toot!" cried the owl.

    "Fiddle-cum-foo,
    Howdy-do?
    Riddle-cum, tiddle-cum,
    Too-ra-la-loo!"


"That beats your poetry, Scraps," said Ojo.

"It's just nonsense!" declared the Glass Cat.

"But it's good advice for the foolish," said the donkey, admiringly.
"Listen to my partner, and you can't go wrong."

Said the owl in a grumbling voice:

    "Patchwork Girl has come to life;
    No one's sweetheart, no one's wife;
    Lacking sense and loving fun,
    She'll be snubbed by everyone."


"Quite a compliment! Quite a compliment, I declare," exclaimed the
donkey, turning to look at Scraps. "You are certainly a wonder, my
dear, and I fancy you'd make a splendid pincushion. If you belonged to
me, I'd wear smoked glasses when I looked at you."

"Why?" asked the Patchwork Girl.

"Because you are so gay and gaudy."

"It is my beauty that dazzles you," she asserted. "You Munchkin people
all strut around in your stupid blue color, while I--"

"You are wrong in calling me a Munchkin," interrupted the donkey, "for
I was born in the Land of Mo and came to visit the Land of Oz on the
day it was shut off from all the rest of the world. So here I am
obliged to stay, and I confess it is a very pleasant country to live
in."

"Hoot-ti-toot!" cried the owl;

    "Ojo's searching for a charm,
    'Cause Unc Nunkie's come to harm.
    Charms are scarce; they're hard to get;
    Ojo's got a job, you bet!"


"Is the owl so very foolish?" asked the boy.

"Extremely so," replied the donkey. "Notice what vulgar expressions she
uses. But I admire the owl for the reason that she is positively
foolish. Owls are supposed to be so very wise, generally, that a
foolish one is unusual, and you perhaps know that anything or anyone
unusual is sure to be interesting to the wise."

The owl flapped its wings again, muttering these words:

    "It's hard to be a glassy cat--
    No cat can be more hard than that;
    She's so transparent, every act
    Is clear to us, and that's a fact."


"Have you noticed my pink brains?" inquired Bungle, proudly. "You can
see 'em work."

"Not in the daytime," said the donkey. "She can't see very well by day,
poor thing. But her advice is excellent. I advise you all to follow it."

"The owl hasn't given us any advice, as yet," the boy declared.

"No? Then what do you call all those sweet poems?"

"Just foolishness," replied Ojo. "Scraps does the same thing."

"Foolishness! Of course! To be sure! The Foolish Owl must be foolish or
she wouldn't be the Foolish Owl. You are very complimentary to my
partner, indeed," asserted the donkey, rubbing his front hoofs together
as if highly pleased.

"The sign says that you are wise," remarked Scraps to the donkey. "I
wish you would prove it."

"With great pleasure," returned the beast. "Put me to the test, my dear
Patches, and I'll prove my wisdom in the wink of an eye."

"What is the best way to get to the Emerald City?" asked Ojo.

"Walk," said the donkey.

"I know; but what road shall I take?" was the boy's next question.

"The road of yellow bricks, of course. It leads directly to the Emerald
City."

"And how shall we find the road of yellow bricks?"

"By keeping along the path you have been following. You'll come to the
yellow bricks pretty soon, and you'll know them when you see them
because they're the only yellow things in the blue country."

"Thank you," said the boy. "At last you have told me something."

"Is that the extent of your wisdom?" asked Scraps.

"No," replied the donkey; "I know many other things, but they wouldn't
interest you. So I'll give you a last word of advice: move on, for the
sooner you do that the sooner you'll get to the Emerald City of Oz."

"Hoot-ti-toot-ti-toot-ti-too!" screeched the owl;

    "Off you go! fast or slow,
    Where you're going you don't know.
    Patches, Bungle, Munchkin lad,
    Facing fortunes good and bad,
    Meeting dangers grave and sad,
    Sometimes worried, sometimes glad--
    Where you're going you don't know,
    Nor do I, but off you go!"


"Sounds like a hint, to me," said the Patchwork Girl.

"Then let's take it and go," replied Ojo.

They said good-bye to the Wise Donkey and the Foolish Owl and at once
resumed their journey.




Chapter Nine

They Meet the Woozy


"There seem to be very few houses around here, after all," remarked
Ojo, after they had walked for a time in silence.

"Never mind," said Scraps; "we are not looking for houses, but rather
the road of yellow bricks. Won't it be funny to run across something
yellow in this dismal blue country?"

"There are worse colors than yellow in this country," asserted the
Glass Cat, in a spiteful tone.

"Oh; do you mean the pink pebbles you call your brains, and your red
heart and green eyes?" asked the Patchwork Girl.

"No; I mean you, if you must know it," growled the cat.

"You're jealous!" laughed Scraps. "You'd give your whiskers for a
lovely variegated complexion like mine."

"I wouldn't!" retorted the cat. "I've the clearest complexion in the
world, and I don't employ a beauty-doctor, either."

"I see you don't," said Scraps.

"Please don't quarrel," begged Ojo. "This is an important journey, and
quarreling makes me discouraged. To be brave, one must be cheerful, so
I hope you will be as good-tempered as possible."

They had traveled some distance when suddenly they faced a high fence
which barred any further progress straight ahead. It ran directly
across the road and enclosed a small forest of tall trees, set close
together. When the group of adventurers peered through the bars of the
fence they thought this forest looked more gloomy and forbidding than
any they had ever seen before.

They soon discovered that the path they had been following now made a
bend and passed around the enclosure, but what made Ojo stop and look
thoughtful was a sign painted on the fence which read:

    "BEWARE OF THE WOOZY!"


"That means," he said, "that there's a Woozy inside that fence, and the
Woozy must be a dangerous animal or they wouldn't tell people to beware
of it."

"Let's keep out, then," replied Scraps. "That path is outside the
fence, and Mr. Woozy may have all his little forest to himself, for all
we care."

"But one of our errands is to find a Woozy," Ojo explained. "The
Magician wants me to get three hairs from the end of a Woozy's tail."

"Let's go on and find some other Woozy," suggested the cat. "This one
is ugly and dangerous, or they wouldn't cage him up. Maybe we shall
find another that is tame and gentle."

"Perhaps there isn't any other, at all," answered Ojo. "The sign
doesn't say: 'Beware a Woozy'; it says: 'Beware the Woozy,' which may
mean there's only one in all the Land of Oz."

"Then," said Scraps, "suppose we go in and find him? Very likely if we
ask him politely to let us pull three hairs out of the tip of his tail
he won't hurt us."

"It would hurt him, I'm sure, and that would make him cross," said the
cat.

"You needn't worry, Bungle," remarked the Patchwork Girl; "for if there
is danger you can climb a tree. Ojo and I are not afraid; are we, Ojo?"

"I am, a little," the boy admitted; "but this danger must be faced, if
we intend to save poor Unc Nunkie. How shall we get over the fence?"

"Climb," answered Scraps, and at once she began climbing up the rows of
bars. Ojo followed and found it more easy than he had expected. When
they got to the top of the fence they began to get down on the other
side and soon were in the forest. The Glass Cat, being small, crept
between the lower bars and joined them.

Here there was no path of any sort, so they entered the woods, the boy
leading the way, and wandered through the trees until they were nearly
in the center of the forest. They now came upon a clear space in which
stood a rocky cave.

So far they had met no living creature, but when Ojo saw the cave he
knew it must be the den of the Woozy.

It is hard to face any savage beast without a sinking of the heart, but
still more terrifying is it to face an unknown beast, which you have
never seen even a picture of. So there is little wonder that the pulses
of the Munchkin boy beat fast as he and his companions stood facing the
cave. The opening was perfectly square, and about big enough to admit a
goat.

"I guess the Woozy is asleep," said Scraps. "Shall I throw in a stone,
to waken him?"

"No; please don't," answered Ojo, his voice trembling a little. "I'm in
no hurry."

But he had not long to wait, for the Woozy heard the sound of voices
and came trotting out of his cave. As this is the only Woozy that has
ever lived, either in the Land of Oz or out of it, I must describe it
to you.

The creature was all squares and flat surfaces and edges. Its head was
an exact square, like one of the building-blocks a child plays with;
therefore it had no ears, but heard sounds through two openings in the
upper corners. Its nose, being in the center of a square surface, was
flat, while the mouth was formed by the opening of the lower edge of
the block. The body of the Woozy was much larger than its head, but was
likewise block-shaped--being twice as long as it was wide and high. The
tail was square and stubby and perfectly straight, and the four legs
were made in the same way, each being four-sided. The animal was
covered with a thick, smooth skin and had no hair at all except at the
extreme end of its tail, where there grew exactly three stiff, stubby
hairs. The beast was dark blue in color and his face was not fierce nor
ferocious in expression, but rather good-humored and droll.

Seeing the strangers, the Woozy folded his hind legs as if they had
been hinged and sat down to look his visitors over.

"Well, well," he exclaimed; "what a queer lot you are! At first I
thought some of those miserable Munchkin farmers had come to annoy me,
but I am relieved to find you in their stead. It is plain to me that
you are a remarkable group--as remarkable in your way as I am in
mine--and so you are welcome to my domain. Nice place, isn't it? But
lonesome--dreadfully lonesome."

"Why did they shut you up here?" asked Scraps, who was regarding the
queer, square creature with much curiosity.

"Because I eat up all the honey-bees which the Munchkin farmers who
live around here keep to make them honey."

"Are you fond of eating honey-bees?" inquired the boy.

"Very. They are really delicious. But the farmers did not like to lose
their bees and so they tried to destroy me. Of course they couldn't do
that."

"Why not?"

"My skin is so thick and tough that nothing can get through it to hurt
me. So, finding they could not destroy me, they drove me into this
forest and built a fence around me. Unkind, wasn't it?"

"But what do you eat now?" asked Ojo.

"Nothing at all. I've tried the leaves from the trees and the mosses
and creeping vines, but they don't seem to suit my taste. So, there
being no honey-bees here, I've eaten nothing for years.

"You must be awfully hungry," said the boy. "I've got some bread and
cheese in my basket. Would you like that kind of food?"

"Give me a nibble and I will try it; then I can tell you better whether
it is grateful to my appetite," returned the Woozy.

So the boy opened his basket and broke a piece off the loaf of bread.
He tossed it toward the Woozy, who cleverly caught it in his mouth and
ate it in a twinkling.

"That's rather good," declared the animal. "Any more?"

"Try some cheese," said Ojo, and threw down a piece.

The Woozy ate that, too, and smacked its long, thin lips.

"That's mighty good!" it exclaimed. "Any more?"

"Plenty," replied Ojo. So he sat down on a Stump and fed the Woozy
bread and cheese for a long time; for, no matter how much the boy broke
off, the loaf and the slice remained just as big.

"That'll do," said the Woozy, at last; "I'm quite full. I hope the
strange food won't give me indigestion."

"I hope not," said Ojo. "It's what I eat."

"Well, I must say I'm much obliged, and I'm glad you came," announced
the beast. "Is there anything I can do in return for your kindness?"

"Yes," said Ojo earnestly, "you have it in your power to do me a great
favor, if you will."

"What is it?" asked the Woozy. "Name the favor and I will grant it."

"I--I want three hairs from the tip of your tail," said Ojo, with some
hesitation.

"Three hairs! Why, that's all I have--on my tail or anywhere else,"
exclaimed the beast.

"I know; but I want them very much."

"They are my sole ornaments, my prettiest feature," said the Woozy,
uneasily. "If I give up those three hairs I--I'm just a blockhead."

"Yet I must have them," insisted the boy, firmly, and he then told the
Woozy all about the accident to Unc Nunkie and Margolotte, and how the
three hairs were to be a part of the magic charm that would restore
them to life. The beast listened with attention and when Ojo had
finished the recital it said, with a sigh:

"I always keep my word, for I pride myself on being square. So you may
have the three hairs, and welcome. I think, under such circumstances,
it would be selfish in me to refuse you."

"Thank you! Thank you very much," cried the boy, joyfully. "May I pull
out the hairs now?"

"Any time you like," answered the Woozy.

So Ojo went up to the queer creature and taking hold of one of the
hairs began to pull. He pulled harder. He pulled with all his might;
but the hair remained fast.

"What's the trouble?" asked the Woozy, which Ojo had dragged here and
there all around the clearing in his endeavor to pull out the hair.

"It won't come," said the boy, panting.

"I was afraid of that," declared the beast. "You'll have to pull
harder."

"I'll help you," exclaimed Scraps, coming to the boy's side. "You pull
the hair, and I'll pull you, and together we ought to get it out
easily."

"Wait a jiffy," called the Woozy, and then it went to a tree and hugged
it with its front paws, so that its body couldn't be dragged around by
the pull. "All ready, now. Go ahead!"

Ojo grasped the hair with both hands and pulled with all his strength,
while Scraps seized the boy around his waist and added her strength to
his. But the hair wouldn't budge. Instead, it slipped out of Ojo's
hands and he and Scraps both rolled upon the ground in a heap and never
stopped until they bumped against the rocky cave.

"Give it up," advised the Glass Cat, as the boy arose and assisted the
Patchwork Girl to her feet. "A dozen strong men couldn't pull out those
hairs. I believe they're clinched on the under side of the Woozy's
thick skin."

"Then what shall I do?" asked the boy, despairingly. "If on our return
I fail to take these three hairs to the Crooked Magician, the other
things I have come to seek will be of no use at all, and we cannot
restore Unc Nunkie and Margolotte to life."

"They're goners, I guess," said the Patchwork Girl.

"Never mind," added the cat. "I can't see that old Unc and Margolotte
are worth all this trouble, anyhow."

But Ojo did not feel that way. He was so disheartened that he sat down
upon a stump and began to cry.

The Woozy looked at the boy thoughtfully.

"Why don't you take me with you?" asked the beast. "Then, when at last
you get to the Magician's house, he can surely find some way to pull
out those three hairs."

Ojo was overjoyed at this suggestion.

"That's it!" he cried, wiping away the tears and springing to his feet
with a smile. "If I take the three hairs to the Magician, it won't
matter if they are still in your body."

"It can't matter in the least," agreed the Woozy.

"Come on, then," said the boy, picking up his basket; "let us start at
once. I have several other things to find, you know."

But the Glass Cat gave a little laugh and inquired in her scornful way:

"How do you intend to get the beast out of this forest?"

That puzzled them all for a time.

"Let us go to the fence, and then we may find a way," suggested Scraps.
So they walked through the forest to the fence, reaching it at a point
exactly opposite that where they had entered the enclosure.

"How did you get in?" asked the Woozy.

"We climbed over," answered Ojo.

"I can't do that," said the beast. "I'm a very swift runner, for I can
overtake a honey-bee as it flies; and I can jump very high, which is
the reason they made such a tall fence to keep me in. But I can't climb
at all, and I'm too big to squeeze between the bars of the fence."

Ojo tried to think what to do.

"Can you dig?" he asked.

"No," answered the Woozy, "for I have no claws. My feet are quite flat
on the bottom of them. Nor can I gnaw away the boards, as I have no
teeth."

"You're not such a terrible creature, after all," remarked Scraps.

"You haven't heard me growl, or you wouldn't say that," declared the
Woozy. "When I growl, the sound echoes like thunder all through the
valleys and woodlands, and children tremble with fear, and women cover
their heads with their aprons, and big men run and hide. I suppose
there is nothing in the world so terrible to listen to as the growl of
a Woozy."

"Please don't growl, then," begged Ojo, earnestly.

"There is no danger of my growling, for I am not angry. Only when angry
do I utter my fearful, ear-splitting, soul-shuddering growl. Also, when
I am angry, my eyes flash fire, whether I growl or not."

"Real fire?" asked Ojo.

"Of course, real fire. Do you suppose they'd flash imitation fire?"
inquired the Woozy, in an injured tone.

"In that case, I've solved the riddle," cried Scraps, dancing with
glee. "Those fence-boards are made of wood, and if the Woozy stands
close to the fence and lets his eyes flash fire, they might set fire to
the fence and burn it up. Then he could walk away with us easily, being
free."

"Ah, I have never thought of that plan, or I would have been free long
ago," said the Woozy. "But I cannot flash fire from my eyes unless I am
very angry."

"Can't you get angry 'bout something, please?" asked Ojo.

"I'll try. You just say 'Krizzle-Kroo' to me."

"Will that make you angry?" inquired the boy.

"Terribly angry."

"What does it mean?" asked Scraps.

"I don't know; that's what makes me so angry," replied the Woozy.

He then stood close to the fence, with his head near one of the boards,
and Scraps called out "Krizzle-Kroo!" Then Ojo said "Krizzle-Kroo!" and
the Glass Cat said "Krizzle-Kroo!" The Woozy began to tremble with
anger and small sparks darted from his eyes. Seeing this, they all
cried "Krizzle-Kroo!" together, and that made the beast's eyes flash
fire so fiercely that the fence-board caught the sparks and began to
smoke. Then it burst into flame, and the Woozy stepped back and said
triumphantly:

"Aha! That did the business, all right. It was a happy thought for you
to yell all together, for that made me as angry as I have ever been.
Fine sparks, weren't they?"

"Reg'lar fireworks," replied Scraps, admiringly.

In a few moments the board had burned to a distance of several feet,
leaving an opening big enough for them all to pass through. Ojo broke
some branches from a tree and with them whipped the fire until it was
extinguished.

"We don't want to burn the whole fence down," said he, "for the flames
would attract the attention of the Munchkin farmers, who would then
come and capture the Woozy again. I guess they'll be rather surprised
when they find he's escaped."

"So they will," declared the Woozy, chuckling gleefully. "When they
find I'm gone the farmers will be badly scared, for they'll expect me
to eat up their honey-bees, as I did before."

"That reminds me," said the boy, "that you must promise not to eat
honey-bees while you are in our company."

"None at all?"

"Not a bee. You would get us all into trouble, and we can't afford to
have any more trouble than is necessary. I'll feed you all the bread
and cheese you want, and that must satisfy you."

"All right; I'll promise," said the Woozy, cheerfully. "And when I
promise anything you can depend on it, 'cause I'm square."

"I don't see what difference that makes," observed the Patchwork Girl,
as they found the path and continued their journey. "The shape doesn't
make a thing honest, does it?"

"Of course it does," returned the Woozy, very decidedly. "No one could
trust that Crooked Magician, for instance, just because he is crooked;
but a square Woozy couldn't do anything crooked if he wanted to."

"I am neither square nor crooked," said Scraps, looking down at her
plump body.

"No; you're round, so you're liable to do anything," asserted the
Woozy. "Do not blame me, Miss Gorgeous, if I regard you with suspicion.
Many a satin ribbon has a cotton back."

Scraps didn't understand this, but she had an uneasy misgiving that she
had a cotton back herself. It would settle down, at times, and make her
squat and dumpy, and then she had to roll herself in the road until her
body stretched out again.




Chapter Ten

Shaggy Man to the Rescue


They had not gone very far before Bungle, who had run on ahead, came
bounding back to say that the road of yellow bricks was just before
them. At once they hurried forward to see what this famous road looked
like.

It was a broad road, but not straight, for it wandered over hill and
dale and picked out the easiest places to go. All its length and
breadth was paved with smooth bricks of a bright yellow color, so it
was smooth and level except in a few places where the bricks had
crumbled or been removed, leaving holes that might cause the unwary to
stumble.

"I wonder," said Ojo, looking up and down the road, "which way to go."

"Where are you bound for?" asked the Woozy.

"The Emerald City," he replied.

"Then go west," said the Woozy. "I know this road pretty well, for I've
chased many a honey-bee over it."

"Have you ever been to the Emerald City?" asked Scraps.

"No. I am very shy by nature, as you may have noticed, so I haven't
mingled much in society."

"Are you afraid of men?" inquired the Patchwork Girl.

"Me? With my heart-rending growl--my horrible, shudderful growl? I
should say not. I am not afraid of anything," declared the Woozy.

"I wish I could say the same," sighed Ojo. "I don't think we need be
afraid when we get to the Emerald City, for Unc Nunkie has told me that
Ozma, our girl Ruler, is very lovely and kind, and tries to help
everyone who is in trouble. But they say there are many dangers lurking
on the road to the great Fairy City, and so we must be very careful."

"I hope nothing will break me," said the Glass Cat, in a nervous voice.
"I'm a little brittle, you know, and can't stand many hard knocks."

"If anything should fade the colors of my lovely patches it would break
my heart," said the Patchwork Girl.

"I'm not sure you have a heart," Ojo reminded her.

"Then it would break my cotton," persisted Scraps. "Do you think they
are all fast colors, Ojo?" she asked anxiously.

"They seem fast enough when you run," he replied; and then, looking
ahead of them, he exclaimed: "Oh, what lovely trees!"

They were certainly pretty to look upon and the travelers hurried
forward to observe them more closely.

"Why, they are not trees at all," said Scraps; "they are just monstrous
plants."

That is what they really were: masses of great broad leaves which rose
from the ground far into the air, until they towered twice as high as
the top of the Patchwork Girl's head, who was a little taller than Ojo.
The plants formed rows on both sides of the road and from each plant
rose a dozen or more of the big broad leaves, which swayed continually
from side to side, although no wind was blowing. But the most curious
thing about the swaying leaves was their color. They seemed to have a
general groundwork of blue, but here and there other colors glinted at
times through the blue--gorgeous yellows, turning to pink, purple,
orange and scarlet, mingled with more sober browns and grays--each
appearing as a blotch or stripe anywhere on a leaf and then
disappearing, to be replaced by some other color of a different shape.
The changeful coloring of the great leaves was very beautiful, but it
was bewildering, as well, and the novelty of the scene drew our
travelers close to the line of plants, where they stood watching them
with rapt interest.

Suddenly a leaf bent lower than usual and touched the Patchwork Girl.
Swiftly it enveloped her in its embrace, covering her completely in its
thick folds, and then it swayed back upon its stem.

"Why, she's gone!" gasped Ojo, in amazement, and listening carefully he
thought he could hear the muffled screams of Scraps coming from the
center of the folded leaf. But, before he could think what he ought to
do to save her, another leaf bent down and captured the Glass Cat,
rolling around the little creature until she was completely hidden, and
then straightening up again upon its stem.

"Look out," cried the Woozy. "Run! Run fast, or you are lost."

Ojo turned and saw the Woozy running swiftly up the road. But the last
leaf of the row of plants seized the beast even as he ran and instantly
he disappeared from sight.

The boy had no chance to escape. Half a dozen of the great leaves were
bending toward him from different directions and as he stood hesitating
one of them clutched him in its embrace. In a flash he was in the dark.
Then he felt himself gently lifted until he was swaying in the air,
with the folds of the leaf hugging him on all sides.

At first he struggled hard to escape, crying out in anger: "Let me go!
Let me go!" But neither struggles nor protests had any effect whatever.
The leaf held him firmly and he was a prisoner.

Then Ojo quieted himself and tried to think. Despair fell upon him when
he remembered that all his little party had been captured, even as he
was, and there was none to save them.

"I might have expected it," he sobbed, miserably. "I'm Ojo the Unlucky,
and something dreadful was sure to happen to me."

He pushed against the leaf that held him and found it to be soft, but
thick and firm. It was like a great bandage all around him and he found
it difficult to move his body or limbs in order to change their
position.

The minutes passed and became hours. Ojo wondered how long one could
live in such a condition and if the leaf would gradually sap his
strength and even his life, in order to feed itself. The little
Munchkin boy had never heard of any person dying in the Land of Oz, but
he knew one could suffer a great deal of pain. His greatest fear at
this time was that he would always remain imprisoned in the beautiful
leaf and never see the light of day again.

No sound came to him through the leaf; all around was intense silence.
Ojo wondered if Scraps had stopped screaming, or if the folds of the
leaf prevented his hearing her. By and by he thought he heard a
whistle, as of some one whistling a tune. Yes; it really must be some
one whistling, he decided, for he could follow the strains of a pretty
Munchkin melody that Unc Nunkie used to sing to him. The sounds were
low and sweet and, although they reached Ojo's ears very faintly, they
were clear and harmonious.

Could the leaf whistle, Ojo wondered? Nearer and nearer came the sounds
and then they seemed to be just the other side of the leaf that was
hugging him.

Suddenly the whole leaf toppled and fell, carrying the boy with it, and
while he sprawled at full length the folds slowly relaxed and set him
free. He scrambled quickly to his feet and found that a strange man was
standing before him--a man so curious in appearance that the boy stared
with round eyes.

He was a big man, with shaggy whiskers, shaggy eyebrows, shaggy
hair--but kindly blue eyes that were gentle as those of a cow. On his
head was a green velvet hat with a jeweled band, which was all shaggy
around the brim. Rich but shaggy laces were at his throat; a coat with
shaggy edges was decorated with diamond buttons; the velvet breeches
had jeweled buckles at the knees and shags all around the bottoms. On
his breast hung a medallion bearing a picture of Princess Dorothy of
Oz, and in his hand, as he stood looking at Ojo, was a sharp knife
shaped like a dagger.

"Oh!" exclaimed Ojo, greatly astonished at the sight of this stranger;
and then he added: "Who has saved me, sir?"

"Can't you see?" replied the other, with a smile; "I'm the Shaggy Man."

"Yes; I can see that," said the boy, nodding. "Was it you who rescued
me from the leaf?"

"None other, you may be sure. But take care, or I shall have to rescue
you again."

Ojo gave a jump, for he saw several broad leaves leaning toward him;
but the Shaggy Man began to whistle again, and at the sound the leaves
all straightened up on their stems and kept still.

The man now took Ojo's arm and led him up the road, past the last of
the great plants, and not till he was safely beyond their reach did he
cease his whistling.

"You see, the music charms 'em," said he. "Singing or whistling--it
doesn't matter which--makes 'em behave, and nothing else will. I always
whistle as I go by 'em and so they always let me alone. To-day as I
went by, whistling, I saw a leaf curled and knew there must be
something inside it. I cut down the leaf with my knife and--out you
popped. Lucky I passed by, wasn't it?"

"You were very kind," said Ojo, "and I thank you. Will you please
rescue my companions, also?"

"What companions?" asked the Shaggy Man.

"The leaves grabbed them all," said the boy. "There's a Patchwork Girl
and--"

"A what?"

"A girl made of patchwork, you know. She's alive and her name is
Scraps. And there's a Glass Cat--"

"Glass?" asked the Shaggy Man.

"All glass."

"And alive?"

"Yes," said Ojo; "she has pink brains. And there's a Woozy--"

"What's a Woozy?" inquired the Shaggy Man.

"Why, I--I--can't describe it," answered the boy, greatly perplexed.
"But it's a queer animal with three hairs on the tip of its tail that
won't come out and--"

"What won't come out?" asked the Shaggy Man; "the tail?"

"The hairs won't come out. But you'll see the Woozy, if you'll please
rescue it, and then you'll know just what it is."

"Of course," said the Shaggy Man, nodding his shaggy head. And then he
walked back among the plants, still whistling, and found the three
leaves which were curled around Ojo's traveling companions. The first
leaf he cut down released Scraps, and on seeing her the Shaggy Man
threw back his shaggy head, opened wide his mouth and laughed so
shaggily and yet so merrily that Scraps liked him at once. Then he took
off his hat and made her a low bow, saying:

"My dear, you're a wonder. I must introduce you to my friend the
Scarecrow."

When he cut down the second leaf he rescued the Glass Cat, and Bungle
was so frightened that she scampered away like a streak and soon had
joined Ojo, when she sat beside him panting and trembling. The last
plant of all the row had captured the Woozy, and a big bunch in the
center of the curled leaf showed plainly where he was. With his sharp
knife the Shaggy Man sliced off the stem of the leaf and as it fell and
unfolded out trotted the Woozy and escaped beyond the reach of any more
of the dangerous plants.




Chapter Eleven

A Good Friend


Soon the entire party was gathered on the road of yellow bricks, quite
beyond the reach of the beautiful but treacherous plants. The Shaggy
Man, staring first at one and then at the other, seemed greatly pleased
and interested.

"I've seen queer things since I came to the Land of Oz," said he, "but
never anything queerer than this band of adventurers. Let us sit down a
while, and have a talk and get acquainted."

"Haven't you always lived in the Land of Oz?" asked the Munchkin boy.

"No; I used to live in the big, outside world. But I came here once
with Dorothy, and Ozma let me stay."

"How do you like Oz?" asked Scraps. "Isn't the country and the climate
grand?"

"It's the finest country in all the world, even if it is a fairyland,
and I'm happy every minute I live in it," said the Shaggy Man. "But
tell me something about yourselves."

So Ojo related the story of his visit to the house of the Crooked
Magician, and how he met there the Glass Cat, and how the Patchwork
Girl was brought to life and of the terrible accident to Unc Nunkie and
Margolotte. Then he told how he had set out to find the five different
things which the Magician needed to make a charm that would restore the
marble figures to life, one requirement being three hairs from a
Woozy's tail.

"We found the Woozy," explained the boy, "and he agreed to give us the
three hairs; but we couldn't pull them out. So we had to bring the
Woozy along with us."

"I see," returned the Shaggy Man, who had listened with interest to the
story. "But perhaps I, who am big and strong, can pull those three
hairs from the Woozy's tail."

"Try it, if you like," said the Woozy.

So the Shaggy Man tried it, but pull as hard as he could he failed to
get the hairs out of the Woozy's tail. So he sat down again and wiped
his shaggy face with a shaggy silk handkerchief and said:

"It doesn't matter. If you can keep the Woozy until you get the rest of
the things you need, you can take the beast and his three hairs to the
Crooked Magician and let him find a way to extract 'em. What are the
other things you are to find?"

"One," said Ojo, "is a six-leaved clover."

"You ought to find that in the fields around the Emerald City," said
the Shaggy Man. "There is a Law against picking six-leaved clovers, but
I think I can get Ozma to let you have one."

"Thank you," replied Ojo. "The next thing is the left wing of a yellow
butterfly."

"For that you must go to the Winkie Country," the Shaggy Man declared.
"I've never noticed any butterflies there, but that is the yellow
country of Oz and it's ruled by a good friend of mine, the Tin Woodman."

"Oh, I've heard of him!" exclaimed Ojo. "He must be a wonderful man."

"So he is, and his heart is wonderfully kind. I'm sure the Tin Woodman
will do all in his power to help you to save your Unc Nunkie and poor
Margolotte."

"The next thing I must find," said the Munchkin boy, "is a gill of
water from a dark well."

"Indeed! Well, that is more difficult," said the Shaggy Man, scratching
his left ear in a puzzled way. "I've never heard of a dark well; have
you?"

"No," said Ojo.

"Do you know where one may be found?" inquired the Shaggy Man.

"I can't imagine," said Ojo.

"Then we must ask the Scarecrow."

"The Scarecrow! But surely, sir, a scarecrow can't know anything."

"Most scarecrows don't, I admit," answered the Shaggy Man. "But this
Scarecrow of whom I speak is very intelligent. He claims to possess the
best brains in all Oz."

"Better than mine?" asked Scraps.

"Better than mine?" echoed the Glass Cat. "Mine are pink, and you can
see 'em work."

"Well, you can't see the Scarecrow's brains work, but they do a lot of
clever thinking," asserted the Shaggy Man. "If anyone knows where a
dark well is, it's my friend the Scarecrow."

"Where does he live?" inquired Ojo.

"He has a splendid castle in the Winkie Country, near to the palace of
his friend the Tin Woodman, and he is often to be found in the Emerald
City, where he visits Dorothy at the royal palace."

"Then we will ask him about the dark well," said Ojo.

"But what else does this Crooked Magician want?" asked the Shaggy Man.

"A drop of oil from a live man's body."

"Oh; but there isn't such a thing."

"That is what I thought," replied Ojo; "but the Crooked Magician said
it wouldn't be called for by the recipe if it couldn't be found, and
therefore I must search until I find it."

"I wish you good luck," said the Shaggy Man, shaking his head
doubtfully; "but I imagine you'll have a hard job getting a drop of oil
from a live man's body. There's blood in a body, but no oil."

"There's cotton in mine," said Scraps, dancing a little jig.

"I don't doubt it," returned the Shaggy Man admiringly. "You're a
regular comforter and as sweet as patchwork can be. All you lack is
dignity."

"I hate dignity," cried Scraps, kicking a pebble high in the air and
then trying to catch it as it fell. "Half the fools and all the wise
folks are dignified, and I'm neither the one nor the other."

"She's just crazy," explained the Glass Cat.

The Shaggy Man laughed.

"She's delightful, in her way," he said. "I'm sure Dorothy will be
pleased with her, and the Scarecrow will dote on her. Did you say you
were traveling toward the Emerald City?"

"Yes," replied Ojo. "I thought that the best place to go, at first,
because the six-leaved clover may be found there."

"I'll go with you," said the Shaggy Man, "and show you the way."

"Thank you," exclaimed Ojo. "I hope it won't put you out any."

"No," said the other, "I wasn't going anywhere in particular. I've been
a rover all my life, and although Ozma has given me a suite of
beautiful rooms in her palace I still get the wandering fever once in a
while and start out to roam the country over. I've been away from the
Emerald City several weeks, this time, and now that I've met you and
your friends I'm sure it will interest me to accompany you to the great
city of Oz and introduce you to my friends."

"That will be very nice," said the boy, gratefully.

"I hope your friends are not dignified," observed Scraps.

"Some are, and some are not," he answered; "but I never criticise my
friends. If they are really true friends, they may be anything they
like, for all of me."

"There's some sense in that," said Scraps, nodding her queer head in
approval. "Come on, and let's get to the Emerald City as soon as
possible." With this she ran up the path, skipping and dancing, and
then turned to await them.

"It is quite a distance from here to the Emerald City," remarked the
Shaggy Man, "so we shall not get there to-day, nor to-morrow. Therefore
let us take the jaunt in an easy manner. I'm an old traveler and have
found that I never gain anything by being in a hurry. 'Take it easy' is
my motto. If you can't take it easy, take it as easy as you can."

After walking some distance over the road of yellow bricks Ojo said he
was hungry and would stop to eat some bread and cheese. He offered a
portion of the food to the Shaggy Man, who thanked him but refused it.

"When I start out on my travels," said he, "I carry along enough square
meals to last me several weeks. Think I'll indulge in one now, as long
as we're stopping anyway."

Saying this, he took a bottle from his pocket and shook from it a
tablet about the size of one of Ojo's finger-nails.

"That," announced the Shaggy Man, "is a square meal, in condensed form.
Invention of the great Professor Woggle-Bug, of the Royal College of
Athletics. It contains soup, fish, roast meat, salad, apple-dumplings,
ice cream and chocolate-drops, all boiled down to this small size, so
it can be conveniently carried and swallowed when you are hungry and
need a square meal."

"I'm square," said the Woozy. "Give me one, please."

So the Shaggy Man gave the Woozy a tablet from his bottle and the beast
ate it in a twinkling.

"You have now had a six course dinner," declared the Shaggy Man.

"Pshaw!" said the Woozy, ungratefully, "I want to taste something.
There's no fun in that sort of eating."

"One should only eat to sustain life," replied the Shaggy Man, "and
that tablet is equal to a peck of other food."

"I don't care for it. I want something I can chew and taste," grumbled
the Woozy.

"You are quite wrong, my poor beast," said the Shaggy Man in a tone of
pity. "Think how tired your jaws would get chewing a square meal like
this, if it were not condensed to the size of a small tablet--which you
can swallow in a jiffy."

"Chewing isn't tiresome; it's fun," maintained the Woozy. "I always
chew the honey-bees when I catch them. Give me some bread and cheese,
Ojo."

"No, no! You've already eaten a big dinner!" protested the Shaggy Man.

"May be," answered the Woozy; "but I guess I'll fool myself by munching
some bread and cheese. I may not be hungry, having eaten all those
things you gave me, but I consider this eating business a matter of
taste, and I like to realize what's going into me."

Ojo gave the beast what he wanted, but the Shaggy Man shook his shaggy
head reproachfully and said there was no animal so obstinate or hard to
convince as a Woozy.

At this moment a patter of footsteps was heard, and looking up they saw
the live phonograph standing before them. It seemed to have passed
through many adventures since Ojo and his comrades last saw the
machine, for the varnish of its wooden case was all marred and dented
and scratched in a way that gave it an aged and disreputable appearance.

"Dear me!" exclaimed Ojo, staring hard. "What has happened to you?"

"Nothing much," replied the phonograph in a sad and depressed voice.
"I've had enough things thrown at me, since I left you, to stock a
department store and furnish half a dozen bargain-counters."

"Are you so broken up that you can't play?" asked Scraps.

"No; I still am able to grind out delicious music. Just now I've a
record on tap that is really superb," said the phonograph, growing more
cheerful.

"That is too bad," remarked Ojo. "We've no objection to you as a
machine, you know; but as a music-maker we hate you."

"Then why was I ever invented?" demanded the machine, in a tone of
indignant protest.

They looked at one another inquiringly, but no one could answer such a
puzzling question. Finally the Shaggy Man said:

"I'd like to hear the phonograph play."

Ojo sighed. "We've been very happy since we met you, sir," he said.

"I know. But a little misery, at times, makes one appreciate happiness
more. Tell me, Phony, what is this record like, which you say you have
on tap?"

"It's a popular song, sir. In all civilized lands the common people
have gone wild over it."

"Makes civilized folks wild folks, eh? Then it's dangerous."

"Wild with joy, I mean," explained the phonograph. "Listen. This song
will prove a rare treat to you, I know. It made the author rich--for an
author. It is called 'My Lulu.'"

Then the phonograph began to play. A strain of odd, jerky sounds was
followed by these words, sung by a man through his nose with great
vigor of expression:

    "Ah wants mah Lulu, mah coal-black Lulu;
    Ah wants mah loo-loo, loo-loo, loo-loo, Lu!
    Ah loves mah Lulu, mah coal-black Lulu,
    There ain't nobody else loves loo-loo, Lu!"


"Here--shut that off!" cried the Shaggy Man, springing to his feet.
"What do you mean by such impertinence?"

"It's the latest popular song," declared the phonograph, speaking in a
sulky tone of voice.

"A popular song?"

"Yes. One that the feeble-minded can remember the words of and those
ignorant of music can whistle or sing. That makes a popular song
popular, and the time is coming when it will take the place of all
other songs."

"That time won't come to us, just yet," said the Shaggy Man, sternly:
"I'm something of a singer myself, and I don't intend to be throttled
by any Lulus like your coal-black one. I shall take you all apart, Mr.
Phony, and scatter your pieces far and wide over the country, as a
matter of kindness to the people you might meet if allowed to run
around loose. Having performed this painful duty I shall--"

But before he could say more the phonograph turned and dashed up the
road as fast as its four table-legs could carry it, and soon it had
entirely disappeared from their view.

The Shaggy Man sat down again and seemed well pleased. "Some one else
will save me the trouble of scattering that phonograph," said he; "for
it is not possible that such a music-maker can last long in the Land of
Oz. When you are rested, friends, let us go on our way."

During the afternoon the travelers found themselves in a lonely and
uninhabited part of the country. Even the fields were no longer
cultivated and the country began to resemble a wilderness. The road of
yellow bricks seemed to have been neglected and became uneven and more
difficult to walk upon. Scrubby under-brush grew on either side of the
way, while huge rocks were scattered around in abundance.

But this did not deter Ojo and his friends from trudging on, and they
beguiled the journey with jokes and cheerful conversation. Toward
evening they reached a crystal spring which gushed from a tall rock by
the roadside and near this spring stood a deserted cabin. Said the
Shaggy Man, halting here:

"We may as well pass the night here, where there is shelter for our
heads and good water to drink. Road beyond here is pretty bad; worst we
shall have to travel; so let's wait until morning before we tackle it."

They agreed to this and Ojo found some brushwood in the cabin and made
a fire on the hearth. The fire delighted Scraps, who danced before it
until Ojo warned her she might set fire to herself and burn up. After
that the Patchwork Girl kept at a respectful distance from the darting
flames, but the Woozy lay down before the fire like a big dog and
seemed to enjoy its warmth.

For supper the Shaggy Man ate one of his tablets, but Ojo stuck to his
bread and cheese as the most satisfying food. He also gave a portion to
the Woozy.

When darkness came on and they sat in a circle on the cabin floor,
facing the firelight--there being no furniture of any sort in the
place--Ojo said to the Shaggy Man:

"Won't you tell us a story?"

"I'm not good at stories," was the reply; "but I sing like a bird."

"Raven, or crow?" asked the Glass Cat.

"Like a song bird. I'll prove it. I'll sing a song I composed myself.
Don't tell anyone I'm a poet; they might want me to write a book. Don't
tell 'em I can sing, or they'd want me to make records for that awful
phonograph. Haven't time to be a public benefactor, so I'll just sing
you this little song for your own amusement."

They were glad enough to be entertained, and listened with interest
while the Shaggy Man chanted the following verses to a tune that was
not unpleasant:

    "I'll sing a song of Ozland, where wondrous creatures dwell
    And fruits and flowers and shady bowers abound in every dell,
    Where magic is a science and where no one shows surprise
    If some amazing thing takes place before his very eyes.

    Our Ruler's a bewitching girl whom fairies love to please;
    She's always kept her magic sceptre to enforce decrees
    To make her people happy, for her heart is kind and true
    And to aid the needy and distressed is what she longs to do.

    And then there's Princess Dorothy, as sweet as any rose,
    A lass from Kansas, where they don't grow fairies, I suppose;
    And there's the brainy Scarecrow, with a body stuffed with straw,
    Who utters words of wisdom rare that fill us all with awe.

    I'll not forget Nick Chopper, the Woodman made of Tin,
    Whose tender heart thinks killing time is quite a dreadful sin,
    Nor old Professor Woggle-Bug, who's highly magnified
    And looks so big to everyone that he is filled with pride.

    Jack Pumpkinhead's a dear old chum who might be called a chump,
    But won renown by riding round upon a magic Gump;
    The Sawhorse is a splendid steed and though he's made of wood
    He does as many thrilling stunts as any meat horse could.

    And now I'll introduce a beast that ev'ryone adores--
    The Cowardly Lion shakes with fear 'most ev'ry time he roars,
    And yet he does the bravest things that any lion might,
    Because he knows that cowardice is not considered right.

    There's Tik-Tok--he's a clockwork man and quite a funny sight--
    He talks and walks mechanically, when he's wound up tight;
    And we've a Hungry Tiger who would babies love to eat
    But never does because we feed him other kinds of meat.

    It's hard to name all of the freaks this noble Land's acquired;
    'Twould make my song so very long that you would soon be tired;
    But give attention while I mention one wise Yellow Hen
    And Nine fine Tiny Piglets living in a golden pen.

    Just search the whole world over--sail the seas from coast to coast--
    No other nation in creation queerer folk can boast;
    And now our rare museum will include a Cat of Glass,
    A Woozy, and--last but not least--a crazy Patchwork Lass."


Ojo was so pleased with this song that he applauded the singer by
clapping his hands, and Scraps followed suit by clapping her padded
fingers together, although they made no noise. The cat pounded on the
floor with her glass paws--gently, so as not to break them--and the
Woozy, which had been asleep, woke up to ask what the row was about.

"I seldom sing in public, for fear they might want me to start an opera
company," remarked the Shaggy Man, who was pleased to know his effort
was appreciated. "Voice, just now, is a little out of training; rusty,
perhaps."

"Tell me," said the Patchwork Girl earnestly, "do all those queer
people you mention really live in the Land of Oz?"

"Every one of 'em. I even forgot one thing: Dorothy's Pink Kitten."

"For goodness sake!" exclaimed Bungle, sitting up and looking
interested. "A Pink Kitten? How absurd! Is it glass?"

"No; just ordinary kitten."

"Then it can't amount to much. I have pink brains, and you can see 'em
work."

"Dorothy's kitten is all pink--brains and all--except blue eyes. Name's
Eureka. Great favorite at the royal palace," said the Shaggy Man,
yawning.

The Glass Cat seemed annoyed.

"Do you think a pink kitten--common meat--is as pretty as I am?" she
asked.

"Can't say. Tastes differ, you know," replied the Shaggy Man, yawning
again. "But here's a pointer that may be of service to you: make
friends with Eureka and you'll be solid at the palace."

"I'm solid now; solid glass."

"You don't understand," rejoined the Shaggy Man, sleepily. "Anyhow,
make friends with the Pink Kitten and you'll be all right. If the Pink
Kitten despises you, look out for breakers."

"Would anyone at the royal palace break a Glass Cat?"

"Might. You never can tell. Advise you to purr soft and look humble--if
you can. And now I'm going to bed."

Bungle considered the Shaggy Man's advice so carefully that her pink
brains were busy long after the others of the party were fast asleep.




Chapter Twelve

The Giant Porcupine


Next morning they started out bright and early to follow the road of
yellow bricks toward the Emerald City. The little Munchkin boy was
beginning to feel tired from the long walk, and he had a great many
things to think of and consider besides the events of the journey. At
the wonderful Emerald City, which he would presently reach, were so
many strange and curious people that he was half afraid of meeting them
and wondered if they would prove friendly and kind. Above all else, he
could not drive from his mind the important errand on which he had
come, and he was determined to devote every energy to finding the
things that were necessary to prepare the magic recipe. He believed
that until dear Unc Nunkie was restored to life he could feel no joy in
anything, and often he wished that Unc could be with him, to see all
the astonishing things Ojo was seeing. But alas Unc Nunkie was now a
marble statue in the house of the Crooked Magician and Ojo must not
falter in his efforts to save him.

The country through which they were passing was still rocky and
deserted, with here and there a bush or a tree to break the dreary
landscape. Ojo noticed one tree, especially, because it had such long,
silky leaves and was so beautiful in shape. As he approached it he
studied the tree earnestly, wondering if any fruit grew on it or if it
bore pretty flowers.

Suddenly he became aware that he had been looking at that tree a long
time--at least for five minutes--and it had remained in the same
position, although the boy had continued to walk steadily on. So he
stopped short, and when he stopped, the tree and all the landscape, as
well as his companions, moved on before him and left him far behind.

Ojo uttered such a cry of astonishment that it aroused the Shaggy Man,
who also halted. The others then stopped, too, and walked back to the
boy.

"What's wrong?" asked the Shaggy Man.

"Why, we're not moving forward a bit, no matter how fast we walk,"
declared Ojo. "Now that we have stopped, we are moving backward! Can't
you see? Just notice that rock."

Scraps looked down at her feet and said: "The yellow bricks are not
moving."

"But the whole road is," answered Ojo.

"True; quite true," agreed the Shaggy Man. "I know all about the tricks
of this road, but I have been thinking of something else and didn't
realize where we were."

"It will carry us back to where we started from," predicted Ojo,
beginning to be nervous.

"No," replied the Shaggy Man; "it won't do that, for I know a trick to
beat this tricky road. I've traveled this way before, you know. Turn
around, all of you, and walk backward."

"What good will that do?" asked the cat.

"You'll find out, if you obey me," said the Shaggy Man.

So they all turned their backs to the direction in which they wished to
go and began walking backward. In an instant Ojo noticed they were
gaining ground and as they proceeded in this curious way they soon
passed the tree which had first attracted his attention to their
difficulty.

"How long must we keep this up, Shags?" asked Scraps, who was
constantly tripping and tumbling down, only to get up again with a
laugh at her mishap.

"Just a little way farther," replied the Shaggy Man.

A few minutes later he called to them to turn about quickly and step
forward, and as they obeyed the order they found themselves treading
solid ground.

"That task is well over," observed the Shaggy Man. "It's a little
tiresome to walk backward, but that is the only way to pass this part
of the road, which has a trick of sliding back and carrying with it
anyone who is walking upon it."

With new courage and energy they now trudged forward and after a time
came to a place where the road cut through a low hill, leaving high
banks on either side of it. They were traveling along this cut, talking
together, when the Shaggy Man seized Scraps with one arm and Ojo with
another and shouted: "Stop!"

"What's wrong now?" asked the Patchwork Girl.

"See there!" answered the Shaggy Man, pointing with his finger.

Directly in the center of the road lay a motionless object that
bristled all over with sharp quills, which resembled arrows. The body
was as big as a ten-bushel-basket, but the projecting quills made it
appear to be four times bigger.

"Well, what of it?" asked Scraps.

"That is Chiss, who causes a lot of trouble along this road," was the
reply.

"Chiss! What is Chiss?

"I think it is merely an overgrown porcupine, but here in Oz they
consider Chiss an evil spirit. He's different from a reg'lar porcupine,
because he can throw his quills in any direction, which an American
porcupine cannot do. That's what makes old Chiss so dangerous. If we
get too near, he'll fire those quills at us and hurt us badly."

"Then we will be foolish to get too near," said Scraps.

"I'm not afraid," declared the Woozy. "The Chiss is cowardly, I'm sure,
and if it ever heard my awful, terrible, frightful growl, it would be
scared stiff."

"Oh; can you growl?" asked the Shaggy Man.

"That is the only ferocious thing about me," asserted the Woozy with
evident pride. "My growl makes an earthquake blush and the thunder
ashamed of itself. If I growled at that creature you call Chiss, it
would immediately think the world had cracked in two and bumped against
the sun and moon, and that would cause the monster to run as far and as
fast as its legs could carry it."

"In that case," said the Shaggy Man, "you are now able to do us all a
great favor. Please growl."

"But you forget," returned the Woozy; "my tremendous growl would also
frighten you, and if you happen to have heart disease you might expire."

"True; but we must take that risk," decided the Shaggy Man, bravely.
"Being warned of what is to occur we must try to bear the terrific
noise of your growl; but Chiss won't expect it, and it will scare him
away."

The Woozy hesitated.

"I'm fond of you all, and I hate to shock you," it said.

"Never mind," said Ojo.

"You may be made deaf."

"If so, we will forgive you."

"Very well, then," said the Woozy in a determined voice, and advanced a
few steps toward the giant porcupine. Pausing to look back, it asked:
"All ready?"

"All ready!" they answered.

"Then cover up your ears and brace yourselves firmly. Now, then--look
out!"

The Woozy turned toward Chiss, opened wide its mouth and said:

"Quee-ee-ee-eek."

"Go ahead and growl," said Scraps.

"Why, I--I did growl!" retorted the Woozy, who seemed much astonished.

"What, that little squeak?" she cried.

"It is the most awful growl that ever was heard, on land or sea, in
caverns or in the sky," protested the Woozy. "I wonder you stood the
shock so well. Didn't you feel the ground tremble? I suppose Chiss is
now quite dead with fright."

The Shaggy Man laughed merrily.

"Poor Wooz!" said he; "your growl wouldn't scare a fly."

The Woozy seemed to be humiliated and surprised. It hung its head a
moment, as if in shame or sorrow, but then it said with renewed
confidence: "Anyhow, my eyes can flash fire; and good fire, too; good
enough to set fire to a fence!"

"That is true," declared Scraps; "I saw it done myself. But your
ferocious growl isn't as loud as the tick of a beetle--or one of Ojo's
snores when he's fast asleep."

"Perhaps," said the Woozy, humbly, "I have been mistaken about my
growl. It has always sounded very fearful to me, but that may have been
because it was so close to my ears."

"Never mind," Ojo said soothingly; "it is a great talent to be able to
flash fire from your eyes. No one else can do that."

As they stood hesitating what to do Chiss stirred and suddenly a shower
of quills came flying toward them, almost filling the air, they were so
many. Scraps realized in an instant that they had gone too near to
Chiss for safety, so she sprang in front of Ojo and shielded him from
the darts, which stuck their points into her own body until she
resembled one of those targets they shoot arrows at in archery games.
The Shaggy Man dropped flat on his face to avoid the shower, but one
quill struck him in the leg and went far in. As for the Glass Cat, the
quills rattled off her body without making even a scratch, and the skin
of the Woozy was so thick and tough that he was not hurt at all.

When the attack was over they all ran to the Shaggy Man, who was
moaning and groaning, and Scraps promptly pulled the quill out of his
leg. Then up he jumped and ran over to Chiss, putting his foot on the
monster's neck and holding it a prisoner. The body of the great
porcupine was now as smooth as leather, except for the holes where the
quills had been, for it had shot every single quill in that one wicked
shower.

"Let me go!" it shouted angrily. "How dare you put your foot on Chiss?"

"I'm going to do worse than that, old boy," replied the Shaggy Man.
"You have annoyed travelers on this road long enough, and now I shall
put an end to you."

"You can't!" returned Chiss. "Nothing can kill me, as you know
perfectly well."

"Perhaps that is true," said the Shaggy Man in a tone of
disappointment. "Seems to me I've been told before that you can't be
killed. But if I let you go, what will you do?"

"Pick up my quills again," said Chiss in a sulky voice.

"And then shoot them at more travelers? No; that won't do. You must
promise me to stop throwing quills at people."

"I won't promise anything of the sort," declared Chiss.

"Why not?"

"Because it is my nature to throw quills, and every animal must do what
Nature intends it to do. It isn't fair for you to blame me. If it were
wrong for me to throw quills, then I wouldn't be made with quills to
throw. The proper thing for you to do is to keep out of my way."

"Why, there's some sense in that argument," admitted the Shaggy Man,
thoughtfully; "but people who are strangers, and don't know you are
here, won't be able to keep out of your way."

"Tell you what," said Scraps, who was trying to pull the quills out of
her own body, "let's gather up all the quills and take them away with
us; then old Chiss won't have any left to throw at people."

"Ah, that's a clever idea. You and Ojo must gather up the quills while
I hold Chiss a prisoner; for, if I let him go, he will get some of his
quills and be able to throw them again."

So Scraps and Ojo picked up all the quills and tied them in a bundle so
they might easily be carried. After this the Shaggy Man released Chiss
and let him go, knowing that he was harmless to injure anyone.

"It's the meanest trick I ever heard of," muttered the porcupine
gloomily. "How would you like it, Shaggy Man, if I took all your shags
away from you?"

"If I threw my shags and hurt people, you would be welcome to capture
them," was the reply.

Then they walked on and left Chiss standing in the road sullen and
disconsolate. The Shaggy Man limped as he walked, for his wound still
hurt him, and Scraps was much annoyed because the quills had left a
number of small holes in her patches.

When they came to a flat stone by the roadside the Shaggy Man sat down
to rest, and then Ojo opened his basket and took out the bundle of
charms the Crooked Magician had given him.

"I am Ojo the Unlucky," he said, "or we would never have met that
dreadful porcupine. But I will see if I can find anything among these
charms which will cure your leg."

Soon he discovered that one of the charms was labelled: "For flesh
wounds," and this the boy separated from the others. It was only a bit
of dried root, taken from some unknown shrub, but the boy rubbed it
upon the wound made by the quill and in a few moments the place was
healed entirely and the Shaggy Man's leg was as good as ever.

"Rub it on the holes in my patches," suggested Scraps, and Ojo tried
it, but without any effect.

"The charm you need is a needle and thread," said the Shaggy Man. "But
do not worry, my dear; those holes do not look badly, at all."

"They'll let in the air, and I don't want people to think I'm airy, or
that I've been stuck up," said the Patchwork Girl.

"You were certainly stuck up until we pulled out those quills,"
observed Ojo, with a laugh.

So now they went on again and coming presently to a pond of muddy water
they tied a heavy stone to the bundle of quills and sunk it to the
bottom of the pond, to avoid carrying it farther.




Chapter Thirteen

Scraps and the Scarecrow


From here on the country improved and the desert places began to give
way to fertile spots; still no houses were yet to be seen near the
road. There were some hills, with valleys between them, and on reaching
the top of one of these hills the travelers found before them a high
wall, running to the right and the left as far as their eyes could
reach. Immediately in front of them, where the wall crossed the
roadway, stood a gate having stout iron bars that extended from top to
bottom. They found, on coming nearer, that this gate was locked with a
great padlock, rusty through lack of use.

"Well," said Scraps, "I guess we'll stop here."

"It's a good guess," replied Ojo. "Our way is barred by this great wall
and gate. It looks as if no one had passed through in many years."

"Looks are deceiving," declared the Shaggy Man, laughing at their
disappointed faces, "and this barrier is the most deceiving thing in
all Oz."

"It prevents our going any farther, anyhow," said Scraps. "There is no
one to mind the gate and let people through, and we've no key to the
padlock."

"True," replied Ojo, going a little nearer to peep through the bars of
the gate. "What shall we do, Shaggy Man? If we had wings we might fly
over the wall, but we cannot climb it and unless we get to the Emerald
City I won't be able to find the things to restore Unc Nunkie to life."

"All very true," answered the Shaggy Man, quietly; "but I know this
gate, having passed through it many times."

"How?" they all eagerly inquired.

"I'll show you how," said he. He stood Ojo in the middle of the road
and placed Scraps just behind him, with her padded hands on his
shoulders. After the Patchwork Girl came the Woozy, who held a part of
her skirt in his mouth. Then, last of all, was the Glass Cat, holding
fast to the Woozy's tail with her glass jaws.

"Now," said the Shaggy Man, "you must all shut your eyes tight, and
keep them shut until I tell you to open them."

"I can't," objected Scraps. "My eyes are buttons, and they won't shut."

So the Shaggy Man tied his red handkerchief over the Patchwork Girl's
eyes and examined all the others to make sure they had their eyes fast
shut and could see nothing.

"What's the game, anyhow--blind-man's-buff?" asked Scraps.

"Keep quiet!" commanded the Shaggy Man, sternly. "All ready? Then
follow me."

He took Ojo's hand and led him forward over the road of yellow bricks,
toward the gate. Holding fast to one another they all followed in a
row, expecting every minute to bump against the iron bars. The Shaggy
Man also had his eyes closed, but marched straight ahead, nevertheless,
and after he had taken one hundred steps, by actual count, he stopped
and said:

"Now you may open your eyes."

They did so, and to their astonishment found the wall and the gateway
far behind them, while in front the former Blue Country of the
Munchkins had given way to green fields, with pretty farm-houses
scattered among them.

"That wall," explained the Shaggy Man, "is what is called an optical
illusion. It is quite real while you have your eyes open, but if you
are not looking at it the barrier doesn't exist at all. It's the same
way with many other evils in life; they seem to exist, and yet it's all
seeming and not true. You will notice that the wall--or what we thought
was a wall--separates the Munchkin Country from the green country that
surrounds the Emerald City, which lies exactly in the center of Oz.
There are two roads of yellow bricks through the Munchkin Country, but
the one we followed is the best of the two. Dorothy once traveled the
other way, and met with more dangers than we did. But all our troubles
are over for the present, as another day's journey will bring us to the
great Emerald City."

They were delighted to know this, and proceeded with new courage. In a
couple of hours they stopped at a farmhouse, where the people were very
hospitable and invited them to dinner. The farm folk regarded Scraps
with much curiosity but no great astonishment, for they were accustomed
to seeing extraordinary people in the Land of Oz.

The woman of this house got her needle and thread and sewed up the
holes made by the porcupine quills in the Patchwork Girl's body, after
which Scraps was assured she looked as beautiful as ever.

"You ought to have a hat to wear," remarked the woman, "for that would
keep the sun from fading the colors of your face. I have some patches
and scraps put away, and if you will wait two or three days I'll make
you a lovely hat that will match the rest of you."

"Never mind the hat," said Scraps, shaking her yarn braids; "it's a
kind offer, but we can't stop. I can't see that my colors have faded a
particle, as yet; can you?"

"Not much," replied the woman. "You are still very gorgeous, in spite
of your long journey."

The children of the house wanted to keep the Glass Cat to play with, so
Bungle was offered a good home if she would remain; but the cat was too
much interested in Ojo's adventures and refused to stop.

"Children are rough playmates," she remarked to the Shaggy Man, "and
although this home is more pleasant than that of the Crooked Magician I
fear I would soon be smashed to pieces by the boys and girls."

After they had rested themselves they renewed their journey, finding
the road now smooth and pleasant to walk upon and the country growing
more beautiful the nearer they drew to the Emerald City.

By and by Ojo began to walk on the green grass, looking carefully
around him.

"What are you trying to find?" asked Scraps.

"A six-leaved clover," said he.

"Don't do that!" exclaimed the Shaggy Man, earnestly. "It's against the
Law to pick a six-leaved clover. You must wait until you get Ozma's
consent."

"She wouldn't know it," declared the boy.

"Ozma knows many things," said the Shaggy Man. "In her room is a Magic
Picture that shows any scene in the Land of Oz where strangers or
travelers happen to be. She may be watching the picture of us even now,
and noticing everything that we do."

"Does she always watch the Magic Picture?" asked Ojo.

"Not always, for she has many other things to do; but, as I said, she
may be watching us this very minute."

"I don't care," said Ojo, in an obstinate tone of voice; "Ozma's only a
girl."

The Shaggy Man looked at him in surprise.

"You ought to care for Ozma," said he, "if you expect to save your
uncle. For, if you displease our powerful Ruler, your journey will
surely prove a failure; whereas, if you make a friend of Ozma, she will
gladly assist you. As for her being a girl, that is another reason why
you should obey her laws, if you are courteous and polite. Everyone in
Oz loves Ozma and hates her enemies, for she is as just as she is
powerful."

Ojo sulked a while, but finally returned to the road and kept away from
the green clover. The boy was moody and bad tempered for an hour or two
afterward, because he could really see no harm in picking a six-leaved
clover, if he found one, and in spite of what the Shaggy Man had said
he considered Ozma's law to be unjust.

They presently came to a beautiful grove of tall and stately trees,
through which the road wound in sharp curves--first one way and then
another. As they were walking through this grove they heard some one in
the distance singing, and the sounds grew nearer and nearer until they
could distinguish the words, although the bend in the road still hid
the singer. The song was something like this:

    "Here's to the hale old bale of straw
    That's cut from the waving grain,
    The sweetest sight man ever saw
    In forest, dell or plain.
    It fills me with a crunkling joy
    A straw-stack to behold,
    For then I pad this lucky boy
    With strands of yellow gold."


"Ah!" exclaimed the Shaggy Man; "here comes my friend the Scarecrow."

"What, a live Scarecrow?" asked Ojo.

"Yes; the one I told you of. He's a splendid fellow, and very
intelligent. You'll like him, I'm sure."

Just then the famous Scarecrow of Oz came around the bend in the road,
riding astride a wooden Sawhorse which was so small that its rider's
legs nearly touched the ground.

The Scarecrow wore the blue dress of the Munchkins, in which country he
was made, and on his head was set a peaked hat with a flat brim trimmed
with tinkling bells. A rope was tied around his waist to hold him in
shape, for he was stuffed with straw in every part of him except the
top of his head, where at one time the Wizard of Oz had placed sawdust,
mixed with needles and pins, to sharpen his wits. The head itself was
merely a bag of cloth, fastened to the body at the neck, and on the
front of this bag was painted the face--ears, eyes, nose and mouth.

The Scarecrow's face was very interesting, for it bore a comical and
yet winning expression, although one eye was a bit larger than the
other and ears were not mates. The Munchkin farmer who had made the
Scarecrow had neglected to sew him together with close stitches and
therefore some of the straw with which he was stuffed was inclined to
stick out between the seams. His hands consisted of padded white
gloves, with the fingers long and rather limp, and on his feet he wore
Munchkin boots of blue leather with broad turns at the tops of them.

The Sawhorse was almost as curious as its rider. It had been rudely
made, in the beginning, to saw logs upon, so that its body was a short
length of a log, and its legs were stout branches fitted into four
holes made in the body. The tail was formed by a small branch that had
been left on the log, while the head was a gnarled bump on one end of
the body. Two knots of wood formed the eyes, and the mouth was a gash
chopped in the log. When the Sawhorse first came to life it had no ears
at all, and so could not hear; but the boy who then owned him had
whittled two ears out of bark and stuck them in the head, after which
the Sawhorse heard very distinctly.

This queer wooden horse was a great favorite with Princess Ozma, who
had caused the bottoms of its legs to be shod with plates of gold, so
the wood would not wear away. Its saddle was made of cloth-of-gold
richly encrusted with precious gems. It had never worn a bridle.

As the Scarecrow came in sight of the party of travelers, he reined in
his wooden steed and dismounted, greeting the Shaggy Man with a smiling
nod. Then he turned to stare at the Patchwork Girl in wonder, while she
in turn stared at him.

"Shags," he whispered, drawing the Shaggy Man aside, "pat me into
shape, there's a good fellow!"

While his friend punched and patted the Scarecrow's body, to smooth out
the humps, Scraps turned to Ojo and whispered: "Roll me out, please;
I've sagged down dreadfully from walking so much and men like to see a
stately figure."

She then fell upon the ground and the boy rolled her back and forth
like a rolling-pin, until the cotton had filled all the spaces in her
patchwork covering and the body had lengthened to its fullest extent.
Scraps and the Scarecrow both finished their hasty toilets at the same
time, and again they faced each other.

"Allow me, Miss Patchwork," said the Shaggy Man, "to present my friend,
the Right Royal Scarecrow of Oz. Scarecrow, this is Miss Scraps
Patches; Scraps, this is the Scarecrow. Scarecrow--Scraps;
Scraps--Scarecrow."

They both bowed with much dignity.

"Forgive me for staring so rudely," said the Scarecrow, "but you are
the most beautiful sight my eyes have ever beheld."

"That is a high compliment from one who is himself so beautiful,"
murmured Scraps, casting down her suspender-button eyes by lowering her
head. "But, tell me, good sir, are you not a trifle lumpy?"

"Yes, of course; that's my straw, you know. It bunches up, sometimes,
in spite of all my efforts to keep it even. Doesn't your straw ever
bunch?"

"Oh, I'm stuffed with cotton," said Scraps. "It never bunches, but it's
inclined to pack down and make me sag."

"But cotton is a high-grade stuffing. I may say it is even more
stylish, not to say aristocratic, than straw," said the Scarecrow
politely. "Still, it is but proper that one so entrancingly lovely
should have the best stuffing there is going. I--er--I'm so glad I've
met you, Miss Scraps! Introduce us again, Shaggy."

"Once is enough," replied the Shaggy Man, laughing at his friend's
enthusiasm.

"Then tell me where you found her, and--Dear me, what a queer cat! What
are you made of--gelatine?"

"Pure glass," answered the cat, proud to have attracted the Scarecrow's
attention. "I am much more beautiful than the Patchwork Girl. I'm
transparent, and Scraps isn't; I've pink brains--you can see 'em work;
and I've a ruby heart, finely polished, while Scraps hasn't any heart
at all."

"No more have I," said the Scarecrow, shaking hands with Scraps, as if
to congratulate her on the fact. "I've a friend, the Tin Woodman, who
has a heart, but I find I get along pretty well without one. And
so--Well, well! here's a little Munchkin boy, too. Shake hands, my
little man. How are you?"

Ojo placed his hand in the flabby stuffed glove that served the
Scarecrow for a hand, and the Scarecrow pressed it so cordially that
the straw in his glove crackled.

Meantime, the Woozy had approached the Sawhorse and begun to sniff at
it. The Sawhorse resented this familiarity and with a sudden kick
pounded the Woozy squarely on its head with one gold-shod foot.

"Take that, you monster!" it cried angrily.

The Woozy never even winked.

"To be sure," he said; "I'll take anything I have to. But don't make me
angry, you wooden beast, or my eyes will flash fire and burn you up."

The Sawhorse rolled its knot eyes wickedly and kicked again, but the
Woozy trotted away and said to the Scarecrow:

"What a sweet disposition that creature has! I advise you to chop it up
for kindling-wood and use me to ride upon. My back is flat and you
can't fall off."

"I think the trouble is that you haven't been properly introduced,"
said the Scarecrow, regarding the Woozy with much wonder, for he had
never seen such a queer animal before.

"The Sawhorse is the favorite steed of Princess Ozma, the Ruler of the
Land of Oz, and he lives in a stable decorated with pearls and
emeralds, at the rear of the royal palace. He is swift as the wind,
untiring, and is kind to his friends. All the people of Oz respect the
Sawhorse highly, and when I visit Ozma she sometimes allows me to ride
him--as I am doing to-day. Now you know what an important personage the
Sawhorse is, and if some one--perhaps yourself--will tell me your name,
your rank and station, and your history, it will give me pleasure to
relate them to the Sawhorse. This will lead to mutual respect and
friendship."

The Woozy was somewhat abashed by this speech and did not know how to
reply. But Ojo said:

"This square beast is called the Woozy, and he isn't of much importance
except that he has three hairs growing on the tip of his tail."

The Scarecrow looked and saw that this was true.

"But," said he, in a puzzled way, "what makes those three hairs
important? The Shaggy Man has thousands of hairs, but no one has ever
accused him of being important."

So Ojo related the sad story of Unc Nunkie's transformation into a
marble statue, and told how he had set out to find the things the
Crooked Magician wanted, in order to make a charm that would restore
his uncle to life. One of the requirements was three hairs from a
Woozy's tail, but not being able to pull out the hairs they had been
obliged to take the Woozy with them.

The Scarecrow looked grave as he listened and he shook his head several
times, as if in disapproval.

"We must see Ozma about this matter," he said. "That Crooked Magician
is breaking the Law by practicing magic without a license, and I'm not
sure Ozma will allow him to restore your uncle to life."

"Already I have warned the boy of that," declared the Shaggy Man.

At this Ojo began to cry. "I want my Unc Nunkie!" he exclaimed. "I know
how he can be restored to life, and I'm going to do it--Ozma or no
Ozma! What right has this girl Ruler to keep my Unc Nunkie a statue
forever?"

"Don't worry about that just now," advised the Scarecrow. "Go on to the
Emerald City, and when you reach it have the Shaggy Man take you to see
Dorothy. Tell her your story and I'm sure she will help you. Dorothy is
Ozma's best friend, and if you can win her to your side your uncle is
pretty safe to live again." Then he turned to the Woozy and said: "I'm
afraid you are not important enough to be introduced to the Sawhorse,
after all."

"I'm a better beast than he is," retorted the Woozy, indignantly. "My
eyes can flash fire, and his can't."

"Is this true?" inquired the Scarecrow, turning to the Munchkin boy.

"Yes," said Ojo, and told how the Woozy had set fire to the fence.

"Have you any other accomplishments?" asked the Scarecrow.

"I have a most terrible growl--that is, sometimes," said the Woozy, as
Scraps laughed merrily and the Shaggy Man smiled. But the Patchwork
Girl's laugh made the Scarecrow forget all about the Woozy. He said to
her:

"What an admirable young lady you are, and what jolly good company! We
must be better acquainted, for never before have I met a girl with such
exquisite coloring or such natural, artless manners."

"No wonder they call you the Wise Scarecrow," replied Scraps.

"When you arrive at the Emerald City I will see you again," continued
the Scarecrow. "Just now I am going to call upon an old friend--an
ordinary young lady named Jinjur--who has promised to repaint my left
ear for me. You may have noticed that the paint on my left ear has
peeled off and faded, which affects my hearing on that side. Jinjur
always fixes me up when I get weather-worn."

"When do you expect to return to the Emerald City?" asked the Shaggy
Man.

"I'll be there this evening, for I'm anxious to have a long talk with
Miss Scraps. How is it, Sawhorse; are you equal to a swift run?"

"Anything that suits you suits me," returned the wooden horse.

So the Scarecrow mounted to the jeweled saddle and waved his hat, when
the Sawhorse darted away so swiftly that they were out of sight in an
instant.




Chapter Fourteen

Ojo Breaks the Law


"What a queer man," remarked the Munchkin boy, when the party had
resumed its journey.

"And so nice and polite," added Scraps, bobbing her head. "I think he
is the handsomest man I've seen since I came to life."

"Handsome is as handsome does," quoted the Shaggy Man; "but we must
admit that no living scarecrow is handsomer. The chief merit of my
friend is that he is a great thinker, and in Oz it is considered good
policy to follow his advice."

"I didn't notice any brains in his head," observed the Glass Cat.

"You can't see 'em work, but they're there, all right," declared the
Shaggy Man. "I hadn't much confidence in his brains myself, when first
I came to Oz, for a humbug Wizard gave them to him; but I was soon
convinced that the Scarecrow is really wise; and, unless his brains
make him so, such wisdom is unaccountable."

"Is the Wizard of Oz a humbug?" asked Ojo.

"Not now. He was once, but he has reformed and now assists Glinda the
Good, who is the Royal Sorceress of Oz and the only one licensed to
practice magic or sorcery. Glinda has taught our old Wizard a good many
clever things, so he is no longer a humbug."

They walked a little while in silence and then Ojo said:

"If Ozma forbids the Crooked Magician to restore Unc Nunkie to life,
what shall I do?"

The Shaggy Man shook his head.

"In that case you can't do anything," he said. "But don't be
discouraged yet. We will go to Princess Dorothy and tell her your
troubles, and then we will let her talk to Ozma. Dorothy has the
kindest little heart in the world, and she has been through so many
troubles herself that she is sure to sympathize with you."

"Is Dorothy the little girl who came here from Kansas?" asked the boy.

"Yes. In Kansas she was Dorothy Gale. I used to know her there, and she
brought me to the Land of Oz. But now Ozma has made her a Princess, and
Dorothy's Aunt Em and Uncle Henry are here, too." Here the Shaggy Man
uttered a long sigh, and then he continued: "It's a queer country, this
Land of Oz; but I like it, nevertheless."

"What is queer about it?" asked Scraps.

"You, for instance," said he.

"Did you see no girls as beautiful as I am in your own country?" she
inquired.

"None with the same gorgeous, variegated beauty," he confessed. "In
America a girl stuffed with cotton wouldn't be alive, nor would anyone
think of making a girl out of a patchwork quilt."

"What a queer country America must be!" she exclaimed in great
surprise. "The Scarecrow, whom you say is wise, told me I am the most
beautiful creature he has ever seen."

"I know; and perhaps you are--from a scarecrow point of view," replied
the Shaggy Man; but why he smiled as he said it Scraps could not
imagine.

As they drew nearer to the Emerald City the travelers were filled with
admiration for the splendid scenery they beheld. Handsome houses stood
on both sides of the road and each had a green lawn before it as well
as a pretty flower garden.

"In another hour," said the Shaggy Man, "we shall come in sight of the
walls of the Royal City."

He was walking ahead, with Scraps, and behind them came the Woozy and
the Glass Cat. Ojo had lagged behind, for in spite of the warnings he
had received the boy's eyes were fastened on the clover that bordered
the road of yellow bricks and he was eager to discover if such a thing
as a six-leaved clover really existed.

Suddenly he stopped short and bent over to examine the ground more
closely. Yes; here at last was a clover with six spreading leaves. He
counted them carefully, to make sure. In an instant his heart leaped
with joy, for this was one of the important things he had come for--one
of the things that would restore dear Unc Nunkie to life.

He glanced ahead and saw that none of his companions was looking back.
Neither were any other people about, for it was midway between two
houses. The temptation was too strong to be resisted.

"I might search for weeks and weeks, and never find another six-leaved
clover," he told himself, and quickly plucking the stem from the plant
he placed the prized clover in his basket, covering it with the other
things he carried there. Then, trying to look as if nothing had
happened, he hurried forward and overtook his comrades.

The Emerald City, which is the most splendid as well as the most
beautiful city in any fairyland, is surrounded by a high, thick wall of
green marble, polished smooth and set with glistening emeralds. There
are four gates, one facing the Munchkin Country, one facing the Country
of the Winkies, one facing the Country of the Quadlings and one facing
the Country of the Gillikins. The Emerald City lies directly in the
center of these four important countries of Oz. The gates had bars of
pure gold, and on either side of each gateway were built high towers,
from which floated gay banners. Other towers were set at distances
along the walls, which were broad enough for four people to walk
abreast upon.

This enclosure, all green and gold and glittering with precious gems,
was indeed a wonderful sight to greet our travelers, who first observed
it from the top of a little hill; but beyond the wall was the vast city
it surrounded, and hundreds of jeweled spires, domes and minarets,
flaunting flags and banners, reared their crests far above the towers
of the gateways. In the center of the city our friends could see the
tops of many magnificent trees, some nearly as tall as the spires of
the buildings, and the Shaggy Man told them that these trees were in
the royal gardens of Princess Ozma.

They stood a long time on the hilltop, feasting their eyes on the
splendor of the Emerald City.

"Whee!" exclaimed Scraps, clasping her padded hands in ecstacy,
"that'll do for me to live in, all right. No more of the Munchkin
Country for these patches--and no more of the Crooked Magician!"

"Why, you belong to Dr. Pipt," replied Ojo, looking at her in
amazement. "You were made for a servant, Scraps, so you are personal
property and not your own mistress."

"Bother Dr. Pipt! If he wants me, let him come here and get me. I'll
not go back to his den of my own accord; that's certain. Only one place
in the Land of Oz is fit to live in, and that's the Emerald City. It's
lovely! It's almost as beautiful as I am, Ojo."

"In this country," remarked the Shaggy Man, "people live wherever our
Ruler tells them to. It wouldn't do to have everyone live in the
Emerald City, you know, for some must plow the land and raise grains
and fruits and vegetables, while others chop wood in the forests, or
fish in the rivers, or herd the sheep and the cattle."

"Poor things!" said Scraps.

"I'm not sure they are not happier than the city people," replied the
Shaggy Man. "There's a freedom and independence in country life that
not even the Emerald City can give one. I know that lots of the city
people would like to get back to the land. The Scarecrow lives in the
country, and so do the Tin Woodman and Jack Pumpkinhead; yet all three
would be welcome to live in Ozma's palace if they cared to. Too much
splendor becomes tiresome, you know. But, if we're to reach the Emerald
City before sundown, we must hurry, for it is yet a long way off."

The entrancing sight of the city had put new energy into them all and
they hurried forward with lighter steps than before. There was much to
interest them along the roadway, for the houses were now set more
closely together and they met a good many people who were coming or
going from one place or another. All these seemed happy-faced, pleasant
people, who nodded graciously to the strangers as they passed, and
exchanged words of greeting.

At last they reached the great gateway, just as the sun was setting and
adding its red glow to the glitter of the emeralds on the green walls
and spires. Somewhere inside the city a band could be heard playing
sweet music; a soft, subdued hum, as of many voices, reached their
ears; from the neighboring yards came the low mooing of cows waiting to
be milked.

They were almost at the gate when the golden bars slid back and a tall
soldier stepped out and faced them. Ojo thought he had never seen so
tall a man before. The soldier wore a handsome green and gold uniform,
with a tall hat in which was a waving plume, and he had a belt thickly
encrusted with jewels. But the most peculiar thing about him was his
long green beard, which fell far below his waist and perhaps made him
seem taller than he really was.

"Halt!" said the Soldier with the Green Whiskers, not in a stern voice
but rather in a friendly tone.

They halted before he spoke and stood looking at him.

"Good evening, Colonel," said the Shaggy Man. "What's the news since I
left? Anything important?"

"Billina has hatched out thirteen new chickens," replied the Soldier
with the Green Whiskers, "and they're the cutest little fluffy yellow
balls you ever saw. The Yellow Hen is mighty proud of those children, I
can tell you."

"She has a right to be," agreed the Shaggy Man. "Let me see; that's
about seven thousand chicks she has hatched out; isn't it, General?"

"That, at least," was the reply. "You will have to visit Billina and
congratulate her."

"It will give me pleasure to do that," said the Shaggy Man. "But you
will observe that I have brought some strangers home with me. I am
going to take them to see Dorothy."

"One moment, please," said the soldier, barring their way as they
started to enter the gate. "I am on duty, and I have orders to execute.
Is anyone in your party named Ojo the Unlucky?"

"Why, that's me!" cried Ojo, astonished at hearing his name on the lips
of a stranger.

The Soldier with the Green Whiskers nodded. "I thought so," said he,
"and I am sorry to announce that it is my painful duty to arrest you."

"Arrest me!" exclaimed the boy. "What for?"

"I haven't looked to see," answered the soldier. Then he drew a paper
from his breast pocket and glanced at it. "Oh, yes; you are to be
arrested for willfully breaking one of the Laws of Oz."

"Breaking a law!" said Scraps. "Nonsense, Soldier; you're joking."

"Not this time," returned the soldier, with a sigh. "My dear
child--what are you, a rummage sale or a guess-me-quick?--in me you
behold the Body-Guard of our gracious Ruler, Princess Ozma, as well as
the Royal Army of Oz and the Police Force of the Emerald City."

"And only one man!" exclaimed the Patchwork Girl.

"Only one, and plenty enough. In my official positions I've had nothing
to do for a good many years--so long that I began to fear I was
absolutely useless--until to-day. An hour ago I was called to the
presence of her Highness, Ozma of Oz, and told to arrest a boy named
Ojo the Unlucky, who was journeying from the Munchkin Country to the
Emerald City and would arrive in a short time. This command so
astonished me that I nearly fainted, for it is the first time anyone
has merited arrest since I can remember. You are rightly named Ojo the
Unlucky, my poor boy, since you have broken a Law of Oz.

"But you are wrong," said Scraps. "Ozma is wrong--you are all
wrong--for Ojo has broken no Law."

"Then he will soon be free again," replied the Soldier with the Green
Whiskers. "Anyone accused of crime is given a fair trial by our Ruler
and has every chance to prove his innocence. But just now Ozma's orders
must be obeyed."

With this he took from his pocket a pair of handcuffs made of gold and
set with rubies and diamonds, and these he snapped over Ojo's wrists.




Chapter Fifteen

Ozma's Prisoner


The boy was so bewildered by this calamity that he made no resistance
at all. He knew very well he was guilty, but it surprised him that Ozma
also knew it. He wondered how she had found out so soon that he had
picked the six-leaved clover. He handed his basket to Scraps and said:

"Keep that, until I get out of prison. If I never get out, take it to
the Crooked Magician, to whom it belongs."

The Shaggy Man had been gazing earnestly in the boy's face, uncertain
whether to defend him or not; but something he read in Ojo's expression
made him draw back and refuse to interfere to save him. The Shaggy Man
was greatly surprised and grieved, but he knew that Ozma never made
mistakes and so Ojo must really have broken the Law of Oz.

The Soldier with the Green Whiskers now led them all through the gate
and into a little room built in the wall. Here sat a jolly little man,
richly dressed in green and having around his neck a heavy gold chain
to which a number of great golden keys were attached. This was the
Guardian of the Gate and at the moment they entered his room he was
playing a tune upon a mouth-organ.

"Listen!" he said, holding up his hand for silence. "I've just composed
a tune called 'The Speckled Alligator.' It's in patch-time, which is
much superior to rag-time, and I've composed it in honor of the
Patchwork Girl, who has just arrived."

"How did you know I had arrived?" asked Scraps, much interested.

"It's my business to know who's coming, for I'm the Guardian of the
Gate. Keep quiet while I play you 'The Speckled Alligator.'"

It wasn't a very bad tune, nor a very good one, but all listened
respectfully while he shut his eyes and swayed his head from side to
side and blew the notes from the little instrument. When it was all
over the Soldier with the Green Whiskers said:

"Guardian, I have here a prisoner."

"Good gracious! A prisoner?" cried the little man, jumping up from his
chair. "Which one? Not the Shaggy Man?"

"No; this boy."

"Ah; I hope his fault is as small as himself," said the Guardian of the
Gate. "But what can he have done, and what made him do it?"

"Can't say," replied the soldier. "All I know is that he has broken the
Law."

"But no one ever does that!"

"Then he must be innocent, and soon will be released. I hope you are
right, Guardian. Just now I am ordered to take him to prison. Get me a
prisoner's robe from your Official Wardrobe."

The Guardian unlocked a closet and took from it a white robe, which the
soldier threw over Ojo. It covered him from head to foot, but had two
holes just in front of his eyes, so he could see where to go. In this
attire the boy presented a very quaint appearance.

As the Guardian unlocked a gate leading from his room into the streets
of the Emerald City, the Shaggy Man said to Scraps:

"I think I shall take you directly to Dorothy, as the Scarecrow
advised, and the Glass Cat and the Woozy may come with us. Ojo must go
to prison with the Soldier with the Green Whiskers, but he will be well
treated and you need not worry about him."

"What will they do with him?" asked Scraps.

"That I cannot tell. Since I came to the Land of Oz no one has ever
been arrested or imprisoned--until Ojo broke the Law."

"Seems to me that girl Ruler of yours is making a big fuss over
nothing," remarked Scraps, tossing her yarn hair out of her eyes with a
jerk of her patched head. "I don't know what Ojo has done, but it
couldn't be anything very bad, for you and I were with him all the
time."

The Shaggy Man made no reply to this speech and presently the Patchwork
Girl forgot all about Ojo in her admiration of the wonderful city she
had entered.

They soon separated from the Munchkin boy, who was led by the Soldier
with the Green Whiskers down a side street toward the prison. Ojo felt
very miserable and greatly ashamed of himself, but he was beginning to
grow angry because he was treated in such a disgraceful manner. Instead
of entering the splendid Emerald City as a respectable traveler who was
entitled to a welcome and to hospitality, he was being brought in as a
criminal, handcuffed and in a robe that told all he met of his deep
disgrace.

Ojo was by nature gentle and affectionate and if he had disobeyed the
Law of Oz it was to restore his dear Unc Nunkie to life. His fault was
more thoughtless than wicked, but that did not alter the fact that he
had committed a fault. At first he had felt sorrow and remorse, but the
more he thought about the unjust treatment he had received--unjust
merely because he considered it so--the more he resented his arrest,
blaming Ozma for making foolish laws and then punishing folks who broke
them. Only a six-leaved clover! A tiny green plant growing neglected
and trampled under foot. What harm could there be in picking it? Ojo
began to think Ozma must be a very bad and oppressive Ruler for such a
lovely fairyland as Oz. The Shaggy Man said the people loved her; but
how could they?

The little Munchkin boy was so busy thinking these things--which many
guilty prisoners have thought before him--that he scarcely noticed all
the splendor of the city streets through which they passed. Whenever
they met any of the happy, smiling people, the boy turned his head away
in shame, although none knew who was beneath the robe.

By and by they reached a house built just beside the great city wall,
but in a quiet, retired place. It was a pretty house, neatly painted
and with many windows. Before it was a garden filled with blooming
flowers. The Soldier with the Green Whiskers led Ojo up the gravel path
to the front door, on which he knocked.

A woman opened the door and, seeing Ojo in his white robe, exclaimed:

"Goodness me! A prisoner at last. But what a small one, Soldier."

"The size doesn't matter, Tollydiggle, my dear. The fact remains that
he is a prisoner," said the soldier. "And, this being the prison, and
you the jailer, it is my duty to place the prisoner in your charge."

"True. Come in, then, and I'll give you a receipt for him."

They entered the house and passed through a hall to a large circular
room, where the woman pulled the robe off from Ojo and looked at him
with kindly interest. The boy, on his part, was gazing around him in
amazement, for never had he dreamed of such a magnificent apartment as
this in which he stood. The roof of the dome was of colored glass,
worked into beautiful designs. The walls were paneled with plates of
gold decorated with gems of great size and many colors, and upon the
tiled floor were soft rugs delightful to walk upon. The furniture was
framed in gold and upholstered in satin brocade and it consisted of
easy chairs, divans and stools in great variety. Also there were
several tables with mirror tops and cabinets filled with rare and
curious things. In one place a case filled with books stood against the
wall, and elsewhere Ojo saw a cupboard containing all sorts of games.

"May I stay here a little while before I go to prison?" asked the boy,
pleadingly.

"Why, this is your prison," replied Tollydiggle, "and in me behold your
jailor. Take off those handcuffs, Soldier, for it is impossible for
anyone to escape from this house."

"I know that very well," replied the soldier and at once unlocked the
handcuffs and released the prisoner.

The woman touched a button on the wall and lighted a big chandelier
that hung suspended from the ceiling, for it was growing dark outside.
Then she seated herself at a desk and asked:

"What name?"

"Ojo the Unlucky," answered the Soldier with the Green Whiskers.

"Unlucky? Ah, that accounts for it," said she. "What crime?"

"Breaking a Law of Oz."

"All right. There's your receipt, Soldier; and now I'm responsible for
the prisoner. I'm glad of it, for this is the first time I've ever had
anything to do, in my official capacity," remarked the jailer, in a
pleased tone.

"It's the same with me, Tollydiggle," laughed the soldier. "But my task
is finished and I must go and report to Ozma that I've done my duty
like a faithful Police Force, a loyal Army and an honest Body-Guard--as
I hope I am."

Saying this, he nodded farewell to Tollydiggle and Ojo and went away.

"Now, then," said the woman briskly, "I must get you some supper, for
you are doubtless hungry. What would you prefer: planked whitefish,
omelet with jelly or mutton-chops with gravy?"

Ojo thought about it. Then he said: "I'll take the chops, if you
please."

"Very well; amuse yourself while I'm gone; I won't be long," and then
she went out by a door and left the prisoner alone.

Ojo was much astonished, for not only was this unlike any prison he had
ever heard of, but he was being treated more as a guest than a
criminal. There were many windows and they had no locks. There were
three doors to the room and none were bolted. He cautiously opened one
of the doors and found it led into a hallway. But he had no intention
of trying to escape. If his jailor was willing to trust him in this way
he would not betray her trust, and moreover a hot supper was being
prepared for him and his prison was very pleasant and comfortable. So
he took a book from the case and sat down in a big chair to look at the
pictures.

This amused him until the woman came in with a large tray and spread a
cloth on one of the tables. Then she arranged his supper, which proved
the most varied and delicious meal Ojo had ever eaten in his life.

Tollydiggle sat near him while he ate, sewing on some fancy work she
held in her lap. When he had finished she cleared the table and then
read to him a story from one of the books.

"Is this really a prison?" he asked, when she had finished reading.

"Indeed it is," she replied. "It is the only prison in the Land of Oz."

"And am I a prisoner?"

"Bless the child! Of course."

"Then why is the prison so fine, and why are you so kind to me?" he
earnestly asked.

Tollydiggle seemed surprised by the question, but she presently
answered:

"We consider a prisoner unfortunate. He is unfortunate in two
ways--because he has done something wrong and because he is deprived of
his liberty. Therefore we should treat him kindly, because of his
misfortune, for otherwise he would become hard and bitter and would not
be sorry he had done wrong. Ozma thinks that one who has committed a
fault did so because he was not strong and brave; therefore she puts
him in prison to make him strong and brave. When that is accomplished
he is no longer a prisoner, but a good and loyal citizen and everyone
is glad that he is now strong enough to resist doing wrong. You see, it
is kindness that makes one strong and brave; and so we are kind to our
prisoners."

Ojo thought this over very carefully. "I had an idea," said he, "that
prisoners were always treated harshly, to punish them."

"That would be dreadful!" cried Tollydiggle. "Isn't one punished enough
in knowing he has done wrong? Don't you wish, Ojo, with all your heart,
that you had not been disobedient and broken a Law of Oz?"

"I--I hate to be different from other people," he admitted.

"Yes; one likes to be respected as highly as his neighbors are," said
the woman. "When you are tried and found guilty, you will be obliged to
make amends, in some way. I don't know just what Ozma will do to you,
because this is the first time one of us has broken a Law; but you may
be sure she will be just and merciful. Here in the Emerald City people
are too happy and contented ever to do wrong; but perhaps you came from
some faraway corner of our land, and having no love for Ozma carelessly
broke one of her Laws."

"Yes," said Ojo, "I've lived all my life in the heart of a lonely
forest, where I saw no one but dear Unc Nunkie."

"I thought so," said Tollydiggle. "But now we have talked enough, so
let us play a game until bedtime."




Chapter Sixteen

Princess Dorothy


Dorothy Gale was sitting in one of her rooms in the royal palace, while
curled up at her feet was a little black dog with a shaggy coat and
very bright eyes. She wore a plain white frock, without any jewels or
other ornaments except an emerald-green hair-ribbon, for Dorothy was a
simple little girl and had not been in the least spoiled by the
magnificence surrounding her. Once the child had lived on the Kansas
prairies, but she seemed marked for adventure, for she had made several
trips to the Land of Oz before she came to live there for good. Her
very best friend was the beautiful Ozma of Oz, who loved Dorothy so
well that she kept her in her own palace, so as to be near her. The
girl's Uncle Henry and Aunt Em--the only relatives she had in the
world--had also been brought here by Ozma and given a pleasant home.
Dorothy knew almost everybody in Oz, and it was she who had discovered
the Scarecrow, the Tin Woodman and the Cowardly Lion, as well as
Tik-Tok the Clockwork Man. Her life was very pleasant now, and although
she had been made a Princess of Oz by her friend Ozma she did not care
much to be a Princess and remained as sweet as when she had been plain
Dorothy Gale of Kansas.

Dorothy was reading in a book this evening when Jellia Jamb, the
favorite servant-maid of the palace, came to say that the Shaggy Man
wanted to see her.

"All right," said Dorothy; "tell him to come right up."

"But he has some queer creatures with him--some of the queerest I've
ever laid eyes on," reported Jellia.

"Never mind; let 'em all come up," replied Dorothy.

But when the door opened to admit not only the Shaggy Man, but Scraps,
the Woozy and the Glass Cat, Dorothy jumped up and looked at her
strange visitors in amazement. The Patchwork Girl was the most curious
of all and Dorothy was uncertain at first whether Scraps was really
alive or only a dream or a nightmare. Toto, her dog, slowly uncurled
himself and going to the Patchwork Girl sniffed at her inquiringly; but
soon he lay down again, as if to say he had no interest in such an
irregular creation.

"You're a new one to me," Dorothy said reflectively, addressing the
Patchwork Girl. "I can't imagine where you've come from."

"Who, me?" asked Scraps, looking around the pretty room instead of at
the girl. "Oh, I came from a bed-quilt, I guess. That's what they say,
anyhow. Some call it a crazy-quilt and some a patchwork quilt. But my
name is Scraps--and now you know all about me."

"Not quite all," returned Dorothy with a smile. "I wish you'd tell me
how you came to be alive."

"That's an easy job," said Scraps, sitting upon a big upholstered chair
and making the springs bounce her up and down. "Margolotte wanted a
slave, so she made me out of an old bed-quilt she didn't use. Cotton
stuffing, suspender-button eyes, red velvet tongue, pearl beads for
teeth. The Crooked Magician made a Powder of Life, sprinkled me with it
and--here I am. Perhaps you've noticed my different colors. A very
refined and educated gentleman named the Scarecrow, whom I met, told me
I am the most beautiful creature in all Oz, and I believe it."

"Oh! Have you met our Scarecrow, then?" asked Dorothy, a little puzzled
to understand the brief history related.

"Yes; isn't he jolly?"

"The Scarecrow has many good qualities," replied Dorothy. "But I'm
sorry to hear all this 'bout the Crooked Magician. Ozma'll be mad as
hops when she hears he's been doing magic again. She told him not to."

"He only practices magic for the benefit of his own family," explained
Bungle, who was keeping at a respectful distance from the little black
dog.

"Dear me," said Dorothy; "I hadn't noticed you before. Are you glass,
or what?"

"I'm glass, and transparent, too, which is more than can be said of
some folks," answered the cat. "Also I have some lovely pink brains;
you can see 'em work."

"Oh; is that so? Come over here and let me see."

The Glass Cat hesitated, eyeing the dog.

"Send that beast away and I will," she said.

"Beast! Why, that's my dog Toto, an' he's the kindest dog in all the
world. Toto knows a good many things, too; 'most as much as I do, I
guess."

"Why doesn't he say anything?" asked Bungle.

"He can't talk, not being a fairy dog," explained Dorothy. "He's just a
common United States dog; but that's a good deal; and I understand him,
and he understands me, just as well as if he could talk."

Toto, at this, got up and rubbed his head softly against Dorothy's
hand, which she held out to him, and he looked up into her face as if
he had understood every word she had said.

"This cat, Toto," she said to him, "is made of glass, so you mustn't
bother it, or chase it, any more than you do my Pink Kitten. It's
prob'ly brittle and might break if it bumped against anything."

"Woof!" said Toto, and that meant he understood.

The Glass Cat was so proud of her pink brains that she ventured to come
close to Dorothy, in order that the girl might "see 'em work." This was
really interesting, but when Dorothy patted the cat she found the glass
cold and hard and unresponsive, so she decided at once that Bungle
would never do for a pet.

"What do you know about the Crooked Magician who lives on the
mountain?" asked Dorothy.

"He made me," replied the cat; "so I know all about him. The Patchwork
Girl is new--three or four days old--but I've lived with Dr. Pipt for
years; and, though I don't much care for him, I will say that he has
always refused to work magic for any of the people who come to his
house. He thinks there's no harm in doing magic things for his own
family, and he made me out of glass because the meat cats drink too
much milk. He also made Scraps come to life so she could do the
housework for his wife Margolotte."

"Then why did you both leave him?" asked Dorothy.

"I think you'd better let me explain that," interrupted the Shaggy Man,
and then he told Dorothy all of Ojo's story and how Unc Nunkie and
Margolotte had accidentally been turned to marble by the Liquid of
Petrifaction. Then he related how the boy had started out in search of
the things needed to make the magic charm, which would restore the
unfortunates to life, and how he had found the Woozy and taken him
along because he could not pull the three hairs out of its tail.
Dorothy listened to all this with much interest, and thought that so
far Ojo had acted very well. But when the Shaggy Man told her of the
Munchkin boy's arrest by the Soldier with the Green Whiskers, because
he was accused of wilfully breaking a Law of Oz, the little girl was
greatly shocked.

"What do you s'pose he's done?" she asked.

"I fear he has picked a six-leaved clover," answered the Shaggy Man,
sadly. "I did not see him do it, and I warned him that to do so was
against the Law; but perhaps that is what he did, nevertheless."

"I'm sorry 'bout that," said Dorothy gravely, "for now there will be no
one to help his poor uncle and Margolotte 'cept this Patchwork Girl,
the Woozy and the Glass Cat."

"Don't mention it," said Scraps. "That's no affair of mine. Margolotte
and Unc Nunkie are perfect strangers to me, for the moment I came to
life they came to marble."

"I see," remarked Dorothy with a sigh of regret; "the woman forgot to
give you a heart."

"I'm glad she did," retorted the Patchwork Girl. "A heart must be a
great annoyance to one. It makes a person feel sad or sorry or devoted
or sympathetic--all of which sensations interfere with one's happiness."

"I have a heart," murmured the Glass Cat. "It's made of a ruby; but I
don't imagine I shall let it bother me about helping Unc Nunkie and
Margolotte."

"That's a pretty hard heart of yours," said Dorothy. "And the Woozy, of
course--"

"Why, as for me," observed the Woozy, who was reclining on the floor
with his legs doubled under him, so that he looked much like a square
box, "I have never seen those unfortunate people you are speaking of,
and yet I am sorry for them, having at times been unfortunate myself.
When I was shut up in that forest I longed for some one to help me, and
by and by Ojo came and did help me. So I'm willing to help his uncle.
I'm only a stupid beast, Dorothy, but I can't help that, and if you'll
tell me what to do to help Ojo and his uncle, I'll gladly do it."

Dorothy walked over and patted the Woozy on his square head.

"You're not pretty," she said, "but I like you. What are you able to
do; anything 'special?"

"I can make my eyes flash fire--real fire--when I'm angry. When anyone
says: 'Krizzle-Kroo' to me I get angry, and then my eyes flash fire."

"I don't see as fireworks could help Ojo's uncle," remarked Dorothy.
"Can you do anything else?"

"I--I thought I had a very terrifying growl," said the Woozy, with
hesitation; "but perhaps I was mistaken."

"Yes," said the Shaggy Man, "you were certainly wrong about that." Then
he turned to Dorothy and added: "What will become of the Munchkin boy?"

"I don't know," she said, shaking her head thoughtfully. "Ozma will see
him 'bout it, of course, and then she'll punish him. But how, I don't
know, 'cause no one ever has been punished in Oz since I knew anything
about the place. Too bad, Shaggy Man, isn't it?"

While they were talking Scraps had been roaming around the room and
looking at all the pretty things it contained. She had carried Ojo's
basket in her hand, until now, when she decided to see what was inside
it. She found the bread and cheese, which she had no use for, and the
bundle of charms, which were curious but quite a mystery to her. Then,
turning these over, she came upon the six-leaved clover which the boy
had plucked.

Scraps was quick-witted, and although she had no heart she recognized
the fact that Ojo was her first friend. She knew at once that because
the boy had taken the clover he had been imprisoned, and she understood
that Ojo had given her the basket so they would not find the clover in
his possession and have proof of his crime. So, turning her head to see
that no one noticed her, she took the clover from the basket and
dropped it into a golden vase that stood on Dorothy's table. Then she
came forward and said to Dorothy:

"I wouldn't care to help Ojo's uncle, but I will help Ojo. He did not
break the Law--no one can prove he did--and that green-whiskered
soldier had no right to arrest him."

"Ozma ordered the boy's arrest," said Dorothy, "and of course she knew
what she was doing. But if you can prove Ojo is innocent they will set
him free at once."

"They'll have to prove him guilty, won't they?'' asked Scraps.

"I s'pose so."

"Well, they can't do that," declared the Patchwork Girl.

As it was nearly time for Dorothy to dine with Ozma, which she did
every evening, she rang for a servant and ordered the Woozy taken to a
nice room and given plenty of such food as he liked best.

"That's honey-bees," said the Woozy.

"You can't eat honey-bees, but you'll be given something just as nice,"
Dorothy told him. Then she had the Glass Cat taken to another room for
the night and the Patchwork Girl she kept in one of her own rooms, for
she was much interested in the strange creature and wanted to talk with
her again and try to understand her better.




Chapter Seventeen

Ozma and Her Friends


The Shaggy Man had a room of his own in the royal palace, so there he
went to change his shaggy suit of clothes for another just as shaggy
but not so dusty from travel. He selected a costume of pea-green and
pink satin and velvet, with embroidered shags on all the edges and
iridescent pearls for ornaments. Then he bathed in an alabaster pool
and brushed his shaggy hair and whiskers the wrong way to make them
still more shaggy. This accomplished, and arrayed in his splendid
shaggy garments, he went to Ozma's banquet hall and found the
Scarecrow, the Wizard and Dorothy already assembled there. The
Scarecrow had made a quick trip and returned to the Emerald City with
his left ear freshly painted.

A moment later, while they all stood in waiting, a servant threw open a
door, the orchestra struck up a tune and Ozma of Oz entered.

Much has been told and written concerning the beauty of person and
character of this sweet girl Ruler of the Land of Oz--the richest, the
happiest and most delightful fairyland of which we have any knowledge.
Yet with all her queenly qualities Ozma was a real girl and enjoyed the
things in life that other real girls enjoy. When she sat on her
splendid emerald throne in the great Throne Room of her palace and made
laws and settled disputes and tried to keep all her subjects happy and
contented, she was as dignified and demure as any queen might be; but
when she had thrown aside her jeweled robe of state and her sceptre,
and had retired to her private apartments, the girl--joyous,
light-hearted and free--replaced the sedate Ruler.

In the banquet hall to-night were gathered only old and trusted
friends, so here Ozma was herself--a mere girl. She greeted Dorothy
with a kiss, the Shaggy Man with a smile, the little old Wizard with a
friendly handshake and then she pressed the Scarecrow's stuffed arm and
cried merrily:

"What a lovely left ear! Why, it's a hundred times better than the old
one."

"I'm glad you like it," replied the Scarecrow, well pleased. "Jinjur
did a neat job, didn't she? And my hearing is now perfect. Isn't it
wonderful what a little paint will do, if it's properly applied?"

"It really is wonderful," she agreed, as they all took their seats;
"but the Sawhorse must have made his legs twinkle to have carried you
so far in one day. I didn't expect you back before to-morrow, at the
earliest."

"Well," said the Scarecrow, "I met a charming girl on the road and
wanted to see more of her, so I hurried back."

Ozma laughed.

"I know," she returned; "it's the Patchwork Girl. She is certainly
bewildering, if not strictly beautiful."

"Have you seen her, then?" the straw man eagerly asked.

"Only in my Magic Picture, which shows me all scenes of interest in the
Land of Oz."

"I fear the picture didn't do her justice," said the Scarecrow.

"It seemed to me that nothing could be more gorgeous," declared Ozma.
"Whoever made that patchwork quilt, from which Scraps was formed, must
have selected the gayest and brightest bits of cloth that ever were
woven."

"I am glad you like her," said the Scarecrow in a satisfied tone.
Although the straw man did not eat, not being made so he could, he
often dined with Ozma and her companions, merely for the pleasure of
talking with them. He sat at the table and had a napkin and plate, but
the servants knew better than to offer him food. After a little while
he asked: "Where is the Patchwork Girl now?"

"In my room," replied Dorothy. "I've taken a fancy to her; she's so
queer and--and--uncommon."

"She's half crazy, I think," added the Shaggy Man.

"But she is so beautiful!" exclaimed the Scarecrow, as if that fact
disarmed all criticism. They all laughed at his enthusiasm, but the
Scarecrow was quite serious. Seeing that he was interested in Scraps
they forbore to say anything against her. The little band of friends
Ozma had gathered around her was so quaintly assorted that much care
must be exercised to avoid hurting their feelings or making any one of
them unhappy. It was this considerate kindness that held them close
friends and enabled them to enjoy one another's society.

Another thing they avoided was conversing on unpleasant subjects, and
for that reason Ojo and his troubles were not mentioned during the
dinner. The Shaggy Man, however, related his adventures with the
monstrous plants which had seized and enfolded the travelers, and told
how he had robbed Chiss, the giant porcupine, of the quills which it
was accustomed to throw at people. Both Dorothy and Ozma were pleased
with this exploit and thought it served Chiss right.

Then they talked of the Woozy, which was the most remarkable animal any
of them had ever before seen--except, perhaps, the live Sawhorse. Ozma
had never known that her dominions contained such a thing as a Woozy,
there being but one in existence and this being confined in his forest
for many years. Dorothy said she believed the Woozy was a good beast,
honest and faithful; but she added that she did not care much for the
Glass Cat.

"Still," said the Shaggy Man, "the Glass Cat is very pretty and if she
were not so conceited over her pink brains no one would object to her
as a companion."

The Wizard had been eating silently until now, when he looked up and
remarked:

"That Powder of Life which is made by the Crooked Magician is really a
wonderful thing. But Dr. Pipt does not know its true value and he uses
it in the most foolish ways."

"I must see about that," said Ozma, gravely. Then she smiled again and
continued in a lighter tone: "It was Dr. Pipt's famous Powder of Life
that enabled me to become the Ruler of Oz."

"I've never heard that story," said the Shaggy Man, looking at Ozma
questioningly.

"Well, when I was a baby girl I was stolen by an old Witch named Mombi
and transformed into a boy," began the girl Ruler. "I did not know who
I was and when I grew big enough to work, the Witch made me wait upon
her and carry wood for the fire and hoe in the garden. One day she came
back from a journey bringing some of the Powder of Life, which Dr. Pipt
had given her. I had made a pumpkin-headed man and set it up in her
path to frighten her, for I was fond of fun and hated the Witch. But
she knew what the figure was and to test her Powder of Life she
sprinkled some of it on the man I had made. It came to life and is now
our dear friend Jack Pumpkinhead. That night I ran away with Jack to
escape punishment, and I took old Mombi's Powder of Life with me.
During our journey we came upon a wooden Sawhorse standing by the road
and I used the magic powder to bring it to life. The Sawhorse has been
with me ever since. When I got to the Emerald City the good Sorceress,
Glinda, knew who I was and restored me to my proper person, when I
became the rightful Ruler of this land. So you see had not old Mombi
brought home the Powder of Life I might never have run away from her
and become Ozma of Oz, nor would we have had Jack Pumpkinhead and the
Sawhorse to comfort and amuse us."

That story interested the Shaggy Man very much, as well as the others,
who had often heard it before. The dinner being now concluded, they all
went to Ozma's drawing-room, where they passed a pleasant evening
before it came time to retire.




Chapter Eighteen

Ojo is Forgiven


The next morning the Soldier with the Green Whiskers went to the prison
and took Ojo away to the royal palace, where he was summoned to appear
before the girl Ruler for judgment. Again the soldier put upon the boy
the jeweled handcuffs and white prisoner's robe with the peaked top and
holes for the eyes. Ojo was so ashamed, both of his disgrace and the
fault he had committed, that he was glad to be covered up in this way,
so that people could not see him or know who he was. He followed the
Soldier with the Green Whiskers very willingly, anxious that his fate
might be decided as soon as possible.

The inhabitants of the Emerald City were polite people and never jeered
at the unfortunate; but it was so long since they had seen a prisoner
that they cast many curious looks toward the boy and many of them
hurried away to the royal palace to be present during the trial.

When Ojo was escorted into the great Throne Room of the palace he found
hundreds of people assembled there. In the magnificent emerald throne,
which sparkled with countless jewels, sat Ozma of Oz in her Robe of
State, which was embroidered with emeralds and pearls. On her right,
but a little lower, was Dorothy, and on her left the Scarecrow. Still
lower, but nearly in front of Ozma, sat the wonderful Wizard of Oz and
on a small table beside him was the golden vase from Dorothy's room,
into which Scraps had dropped the stolen clover.

At Ozma's feet crouched two enormous beasts, each the largest and most
powerful of its kind. Although these beasts were quite free, no one
present was alarmed by them; for the Cowardly Lion and the Hungry Tiger
were well known and respected in the Emerald City and they always
guarded the Ruler when she held high court in the Throne Room. There
was still another beast present, but this one Dorothy held in her arms,
for it was her constant companion, the little dog Toto. Toto knew the
Cowardly Lion and the Hungry Tiger and often played and romped with
them, for they were good friends.

Seated on ivory chairs before Ozma, with a clear space between them and
the throne, were many of the nobility of the Emerald City, lords and
ladies in beautiful costumes, and officials of the kingdom in the royal
uniforms of Oz. Behind these courtiers were others of less importance,
filling the great hall to the very doors.

At the same moment that the Soldier with the Green Whiskers arrived
with Ojo, the Shaggy Man entered from a side door, escorting the
Patchwork Girl, the Woozy and the Glass Cat. All these came to the
vacant space before the throne and stood facing the Ruler.

"Hullo, Ojo," said Scraps; "how are you?"

"All right," he replied; but the scene awed the boy and his voice
trembled a little with fear. Nothing could awe the Patchwork Girl, and
although the Woozy was somewhat uneasy in these splendid surroundings
the Glass Cat was delighted with the sumptuousness of the court and the
impressiveness of the occasion--pretty big words but quite expressive.

At a sign from Ozma the soldier removed Ojo's white robe and the boy
stood face to face with the girl who was to decide his punishment. He
saw at a glance how lovely and sweet she was, and his heart gave a
bound of joy, for he hoped she would be merciful.

Ozma sat looking at the prisoner a long time. Then she said gently:

"One of the Laws of Oz forbids anyone to pick a six-leaved clover. You
are accused of having broken this Law, even after you had been warned
not to do so."

Ojo hung his head and while he hesitated how to reply the Patchwork
Girl stepped forward and spoke for him.

"All this fuss is about nothing at all," she said, facing Ozma
unabashed. "You can't prove he picked the six-leaved clover, so you've
no right to accuse him of it. Search him, if you like, but you won't
find the clover; look in his basket and you'll find it's not there. He
hasn't got it, so I demand that you set this poor Munchkin boy free."

The people of Oz listened to this defiance in amazement and wondered at
the queer Patchwork Girl who dared talk so boldly to their Ruler. But
Ozma sat silent and motionless and it was the little Wizard who
answered Scraps.

"So the clover hasn't been picked, eh?" he said. "I think it has. I
think the boy hid it in his basket, and then gave the basket to you. I
also think you dropped the clover into this vase, which stood in
Princess Dorothy's room, hoping to get rid of it so it would not prove
the boy guilty. You're a stranger here, Miss Patches, and so you don't
know that nothing can be hidden from our powerful Ruler's Magic
Picture--nor from the watchful eyes of the humble Wizard of Oz. Look,
all of you!" With these words he waved his hands toward the vase on the
table, which Scraps now noticed for the first time.

From the mouth of the vase a plant sprouted, slowly growing before
their eyes until it became a beautiful bush, and on the topmost branch
appeared the six-leaved clover which Ojo had unfortunately picked.

The Patchwork Girl looked at the clover and said: "Oh, so you've found
it. Very well; prove he picked it, if you can."

Ozma turned to Ojo.

"Did you pick the six-leaved clover?" she asked.

"Yes," he replied. "I knew it was against the Law, but I wanted to save
Unc Nunkie and I was afraid if I asked your consent to pick it you
would refuse me."

"What caused you to think that?" asked the Ruler.

"Why, it seemed to me a foolish law, unjust and unreasonable. Even now
I can see no harm in picking a six-leaved clover. And I--I had not seen
the Emerald City, then, nor you, and I thought a girl who would make
such a silly Law would not be likely to help anyone in trouble."

Ozma regarded him musingly, her chin resting upon her hand; but she was
not angry. On the contrary she smiled a little at her thoughts and then
grew sober again.

"I suppose a good many laws seem foolish to those people who do not
understand them," she said; "but no law is ever made without some
purpose, and that purpose is usually to protect all the people and
guard their welfare. As you are a stranger, I will explain this Law
which to you seems so foolish. Years ago there were many Witches and
Magicians in the Land of Oz, and one of the things they often used in
making their magic charms and transformations was a six-leaved clover.
These Witches and Magicians caused so much trouble among my people,
often using their powers for evil rather than good, that I decided to
forbid anyone to practice magic or sorcery except Glinda the Good and
her assistant, the Wizard of Oz, both of whom I can trust to use their
arts only to benefit my people and to make them happier. Since I issued
that Law the Land of Oz has been far more peaceful and quiet; but I
learned that some of the Witches and Magicians were still practicing
magic on the sly and using the six-leaved clovers to make their potions
and charms. Therefore I made another Law forbidding anyone from
plucking a six-leaved clover or from gathering other plants and herbs
which the Witches boil in their kettles to work magic with. That has
almost put an end to wicked sorcery in our land, so you see the Law was
not a foolish one, but wise and just; and, in any event, it is wrong to
disobey a Law."

Ojo knew she was right and felt greatly mortified to realize he had
acted and spoken so ridiculously. But he raised his head and looked
Ozma in the face, saying:

"I am sorry I have acted wrongly and broken your Law. I did it to save
Unc Nunkie, and thought I would not be found out. But I am guilty of
this act and whatever punishment you think I deserve I will suffer
willingly."

Ozma smiled more brightly, then, and nodded graciously.

"You are forgiven," she said. "For, although you have committed a
serious fault, you are now penitent and I think you have been punished
enough. Soldier, release Ojo the Lucky and--"

"I beg your pardon; I'm Ojo the Unlucky," said the boy.

"At this moment you are lucky," said she. "Release him, Soldier, and
let him go free."

The people were glad to hear Ozma's decree and murmured their approval.
As the royal audience was now over, they began to leave the Throne Room
and soon there were none remaining except Ojo and his friends and Ozma
and her favorites.

The girl Ruler now asked Ojo to sit down and tell her all his story,
which he did, beginning at the time he had left his home in the forest
and ending with his arrival at the Emerald City and his arrest. Ozma
listened attentively and was thoughtful for some moments after the boy
had finished speaking. Then she said:

"The Crooked Magician was wrong to make the Glass Cat and the Patchwork
Girl, for it was against the Law. And if he had not unlawfully kept the
bottle of Liquid of Petrifaction standing on his shelf, the accident to
his wife Margolotte and to Unc Nunkie could not have occurred. I can
understand, however, that Ojo, who loves his uncle, will be unhappy
unless he can save him. Also I feel it is wrong to leave those two
victims standing as marble statues, when they ought to be alive. So I
propose we allow Dr. Pipt to make the magic charm which will save them,
and that we assist Ojo to find the things he is seeking. What do you
think, Wizard?"

"That is perhaps the best thing to do," replied the Wizard. "But after
the Crooked Magician has restored those poor people to life you must
take away his magic powers."

"I will," promised Ozma.

"Now tell me, please, what magic things must you find?" continued the
Wizard, addressing Ojo.

"The three hairs from the Woozy's tail I have," said the boy. "That is,
I have the Woozy, and the hairs are in his tail. The six-leaved clover
I--I--"

"You may take it and keep it," said Ozma. "That will not be breaking
the Law, for it is already picked, and the crime of picking it is
forgiven."

"Thank you!" cried Ojo gratefully. Then he continued: "The next thing I
must find is a gill of water from a dark well."

The Wizard shook his head. "That," said he, "will be a hard task, but
if you travel far enough you may discover it."

"I am willing to travel for years, if it will save Unc Nunkie,"
declared Ojo, earnestly.

"Then you'd better begin your journey at once," advised the Wizard.

Dorothy had been listening with interest to this conversation. Now she
turned to Ozma and asked: "May I go with Ojo, to help him?"

"Would you like to?" returned Ozma.

"Yes. I know Oz pretty well, but Ojo doesn't know it at all. I'm sorry
for his uncle and poor Margolotte and I'd like to help save them. May I
go?"

"If you wish to," replied Ozma.

"If Dorothy goes, then I must go to take care of her," said the
Scarecrow, decidedly. "A dark well can only be discovered in some
out-of-the-way place, and there may be dangers there."

"You have my permission to accompany Dorothy," said Ozma. "And while
you are gone I will take care of the Patchwork Girl."

"I'll take care of myself," announced Scraps, "for I'm going with the
Scarecrow and Dorothy. I promised Ojo to help him find the things he
wants and I'll stick to my promise."

"Very well," replied Ozma. "But I see no need for Ojo to take the Glass
Cat and the Woozy."

"I prefer to remain here," said the cat. "I've nearly been nicked half
a dozen times, already, and if they're going into dangers it's best for
me to keep away from them."

"Let Jellia Jamb keep her till Ojo returns," suggested Dorothy. "We
won't need to take the Woozy, either, but he ought to be saved because
of the three hairs in his tail."

"Better take me along," said the Woozy. "My eyes can flash fire, you
know, and I can growl--a little."

"I'm sure you'll be safer here," Ozma decided, and the Woozy made no
further objection to the plan.

After consulting together they decided that Ojo and his party should
leave the very next day to search for the gill of water from a dark
well, so they now separated to make preparations for the journey.

Ozma gave the Munchkin boy a room in the palace for that night and the
afternoon he passed with Dorothy--getting acquainted, as she said--and
receiving advice from the Shaggy Man as to where they must go. The
Shaggy Man had wandered in many parts of Oz, and so had Dorothy, for
that matter, yet neither of them knew where a dark well was to be found.

"If such a thing is anywhere in the settled parts of Oz," said Dorothy,
"we'd prob'ly have heard of it long ago. If it's in the wild parts of
the country, no one there would need a dark well. P'raps there isn't
such a thing."

"Oh, there must be!" returned Ojo, positively; "or else the recipe of
Dr. Pipt wouldn't call for it."

"That's true," agreed Dorothy; "and, if it's anywhere in the Land of
Oz, we're bound to find it."

"Well, we're bound to search for it, anyhow," said the Scarecrow. "As
for finding it, we must trust to luck."

"Don't do that," begged Ojo, earnestly. "I'm called Ojo the Unlucky,
you know."




Chapter Nineteen

Trouble with the Tottenhots


A day's journey from the Emerald City brought the little band of
adventurers to the home of Jack Pumpkinhead, which was a house formed
from the shell of an immense pumpkin. Jack had made it himself and was
very proud of it. There was a door, and several windows, and through
the top was stuck a stovepipe that led from a small stove inside. The
door was reached by a flight of three steps and there was a good floor
on which was arranged some furniture that was quite comfortable.

It is certain that Jack Pumpkinhead might have had a much finer house
to live in had he wanted it, for Ozma loved the stupid fellow, who had
been her earliest companion; but Jack preferred his pumpkin house, as
it matched himself very well, and in this he was not so stupid, after
all.

The body of this remarkable person was made of wood, branches of trees
of various sizes having been used for the purpose. This wooden
framework was covered by a red shirt--with white spots in it--blue
trousers, a yellow vest, a jacket of green-and-gold and stout leather
shoes. The neck was a sharpened stick on which the pumpkin head was
set, and the eyes, ears, nose and mouth were carved on the skin of the
pumpkin, very like a child's jack-o'-lantern.

The house of this interesting creation stood in the center of a vast
pumpkin-field, where the vines grew in profusion and bore pumpkins of
extraordinary size as well as those which were smaller. Some of the
pumpkins now ripening on the vines were almost as large as Jack's
house, and he told Dorothy he intended to add another pumpkin to his
mansion.

The travelers were cordially welcomed to this quaint domicile and
invited to pass the night there, which they had planned to do. The
Patchwork Girl was greatly interested in Jack and examined him
admiringly.

"You are quite handsome," she said; "but not as really beautiful as the
Scarecrow."

Jack turned, at this, to examine the Scarecrow critically, and his old
friend slyly winked one painted eye at him.

"There is no accounting for tastes," remarked the Pumpkinhead, with a
sigh. "An old crow once told me I was very fascinating, but of course
the bird might have been mistaken. Yet I have noticed that the crows
usually avoid the Scarecrow, who is a very honest fellow, in his way,
but stuffed. I am not stuffed, you will observe; my body is good solid
hickory."

"I adore stuffing," said the Patchwork Girl.

"Well, as for that, my head is stuffed with pumpkin-seeds," declared
Jack. "I use them for brains, and when they are fresh I am
intellectual. Just now, I regret to say, my seeds are rattling a bit,
so I must soon get another head."

"Oh; do you change your head?" asked Ojo.

"To be sure. Pumpkins are not permanent, more's the pity, and in time
they spoil. That is why I grow such a great field of pumpkins--that I
may select a new head whenever necessary."

"Who carves the faces on them?" inquired the boy.

"I do that myself. I lift off my old head, place it on a table before
me, and use the face for a pattern to go by. Sometimes the faces I
carve are better than others--more expressive and cheerful, you
know--but I think they average very well."

Before she had started on the journey Dorothy had packed a knapsack
with the things she might need, and this knapsack the Scarecrow carried
strapped to his back. The little girl wore a plain gingham dress and a
checked sunbonnet, as she knew they were best fitted for travel. Ojo
also had brought along his basket, to which Ozma had added a bottle of
"Square Meal Tablets" and some fruit. But Jack Pumpkinhead grew a lot
of things in his garden besides pumpkins, so he cooked for them a fine
vegetable soup and gave Dorothy, Ojo and Toto, the only ones who found
it necessary to eat, a pumpkin pie and some green cheese. For beds they
must use the sweet dried grasses which Jack had strewn along one side
of the room, but that satisfied Dorothy and Ojo very well. Toto, of
course, slept beside his little mistress.

The Scarecrow, Scraps and the Pumpkinhead were tireless and had no need
to sleep, so they sat up and talked together all night; but they stayed
outside the house, under the bright stars, and talked in low tones so
as not to disturb the sleepers. During the conversation the Scarecrow
explained their quest for a dark well, and asked Jack's advice where to
find it.

The Pumpkinhead considered the matter gravely.

"That is going to be a difficult task," said he, "and if I were you I'd
take any ordinary well and enclose it, so as to make it dark."

"I fear that wouldn't do," replied the Scarecrow. "The well must be
naturally dark, and the water must never have seen the light of day,
for otherwise the magic charm might not work at all."

"How much of the water do you need?" asked Jack.

"A gill."

"How much is a gill?"

"Why--a gill is a gill, of course," answered the Scarecrow, who did not
wish to display his ignorance.

"I know!" cried Scraps. "Jack and Jill went up the hill to fetch--"

"No, no; that's wrong," interrupted the Scarecrow. "There are two kinds
of gills, I think; one is a girl, and the other is--"

"A gillyflower," said Jack.

"No; a measure."

"How big a measure?"

"Well, I'll ask Dorothy."

So next morning they asked Dorothy, and she said:

"I don't just know how much a gill is, but I've brought along a gold
flask that holds a pint. That's more than a gill, I'm sure, and the
Crooked Magician may measure it to suit himself. But the thing that's
bothering us most, Jack, is to find the well."

Jack gazed around the landscape, for he was standing in the doorway of
his house.

"This is a flat country, so you won't find any dark wells here," said
he. "You must go into the mountains, where rocks and caverns are."

"And where is that?" asked Ojo.

"In the Quadling Country, which lies south of here," replied the
Scarecrow. "I've known all along that we must go to the mountains."

"So have I," said Dorothy.

"But--goodness me!--the Quadling Country is full of dangers," declared
Jack. "I've never been there myself, but--"

"I have," said the Scarecrow. "I've faced the dreadful Hammerheads,
which have no arms and butt you like a goat; and I've faced the
Fighting Trees, which bend down their branches to pound and whip you,
and had many other adventures there."

"It's a wild country," remarked Dorothy, soberly, "and if we go there
we're sure to have troubles of our own. But I guess we'll have to go,
if we want that gill of water from the dark well."

So they said good-bye to the Pumpkinhead and resumed their travels,
heading now directly toward the South Country, where mountains and
rocks and caverns and forests of great trees abounded. This part of the
Land of Oz, while it belonged to Ozma and owed her allegiance, was so
wild and secluded that many queer peoples hid in its jungles and lived
in their own way, without even a knowledge that they had a Ruler in the
Emerald City. If they were left alone, these creatures never troubled
the inhabitants of the rest of Oz, but those who invaded their domains
encountered many dangers from them.

It was a two days journey from Jack Pumkinhead's house to the edge of
the Quadling Country, for neither Dorothy nor Ojo could walk very fast
and they often stopped by the wayside to rest. The first night they
slept on the broad fields, among the buttercups and daisies, and the
Scarecrow covered the children with a gauze blanket taken from his
knapsack, so they would not be chilled by the night air. Toward evening
of the second day they reached a sandy plain where walking was
difficult; but some distance before them they saw a group of palm
trees, with many curious black dots under them; so they trudged bravely
on to reach that place by dark and spend the night under the shelter of
the trees.

The black dots grew larger as they advanced and although the light was
dim Dorothy thought they looked like big kettles turned upside down.
Just beyond this place a jumble of huge, jagged rocks lay scattered,
rising to the mountains behind them.

Our travelers preferred to attempt to climb these rocks by daylight,
and they realized that for a time this would be their last night on the
plains.

Twilight had fallen by the time they came to the trees, beneath which
were the black, circular objects they had marked from a distance.
Dozens of them were scattered around and Dorothy bent near to one,
which was about as tall as she was, to examine it more closely. As she
did so the top flew open and out popped a dusky creature, rising its
length into the air and then plumping down upon the ground just beside
the little girl. Another and another popped out of the circular,
pot-like dwelling, while from all the other black objects came popping
more creatures--very like jumping-jacks when their boxes are
unhooked--until fully a hundred stood gathered around our little group
of travelers.

By this time Dorothy had discovered they were people, tiny and
curiously formed, but still people. Their skins were dusky and their
hair stood straight up, like wires, and was brilliant scarlet in color.
Their bodies were bare except for skins fastened around their waists
and they wore bracelets on their ankles and wrists, and necklaces, and
great pendant earrings.

Toto crouched beside his mistress and wailed as if he did not like
these strange creatures a bit. Scraps began to mutter something about
"hoppity, poppity, jumpity, dump!" but no one paid any attention to
her. Ojo kept close to the Scarecrow and the Scarecrow kept close to
Dorothy; but the little girl turned to the queer creatures and asked:

"Who are you?"

They answered this question all together, in a sort of chanting chorus,
the words being as follows:

    "We're the jolly Tottenhots;
    We do not like the day,
    But in the night 'tis our delight
    To gambol, skip and play.

    "We hate the sun and from it run,
    The moon is cool and clear,
    So on this spot each Tottenhot
    Waits for it to appear.

    "We're ev'ry one chock full of fun,
    And full of mischief, too;
    But if you're gay and with us play
    We'll do no harm to you.


"Glad to meet you, Tottenhots," said the Scarecrow solemnly. "But you
mustn't expect us to play with you all night, for we've traveled all
day and some of us are tired."

"And we never gamble," added the Patchwork Girl. "It's against the Law."

These remarks were greeted with shouts of laughter by the impish
creatures and one seized the Scarecrow's arm and was astonished to find
the straw man whirl around so easily. So the Tottenhot raised the
Scarecrow high in the air and tossed him over the heads of the crowd.
Some one caught him and tossed him back, and so with shouts of glee
they continued throwing the Scarecrow here and there, as if he had been
a basket-ball.

Presently another imp seized Scraps and began to throw her about, in
the same way. They found her a little heavier than the Scarecrow but
still light enough to be tossed like a sofa-cushion, and they were
enjoying the sport immensely when Dorothy, angry and indignant at the
treatment her friends were receiving, rushed among the Tottenhots and
began slapping and pushing them until she had rescued the Scarecrow and
the Patchwork Girl and held them close on either side of her. Perhaps
she would not have accomplished this victory so easily had not Toto
helped her, barking and snapping at the bare legs of the imps until
they were glad to flee from his attack. As for Ojo, some of the
creatures had attempted to toss him, also, but finding his body too
heavy they threw him to the ground and a row of the imps sat on him and
held him from assisting Dorothy in her battle.

The little brown folks were much surprised at being attacked by the
girl and the dog, and one or two who had been slapped hardest began to
cry. Then suddenly they gave a shout, all together, and disappeared in
a flash into their various houses, the tops of which closed with a
series of pops that sounded like a bunch of firecrackers being exploded.

The adventurers now found themselves alone, and Dorothy asked anxiously:

"Is anybody hurt?"

"Not me," answered the Scarecrow. "They have given my straw a good
shaking up and taken all the lumps out of it. I am now in splendid
condition and am really obliged to the Tottenhots for their kind
treatment."

"I feel much the same way," said Scraps. "My cotton stuffing had sagged
a good deal with the day's walking and they've loosened it up until I
feel as plump as a sausage. But the play was a little rough and I'd had
quite enough of it when you interfered."

"Six of them sat on me," said Ojo, "but as they are so little they
didn't hurt me much."

Just then the roof of the house in front of them opened and a Tottenhot
stuck his head out, very cautiously, and looked at the strangers.

"Can't you take a joke?" he asked, reproachfully; "haven't you any fun
in you at all?"

"If I had such a quality," replied the Scarecrow, "your people would
have knocked it out of me. But I don't bear grudges. I forgive you."

"So do I," added Scraps. "That is, if you behave yourselves after this."

"It was just a little rough-house, that's all," said the Tottenhot.
"But the question is not if we will behave, but if you will behave? We
can't be shut up here all night, because this is our time to play; nor
do we care to come out and be chewed up by a savage beast or slapped by
an angry girl. That slapping hurts like sixty; some of my folks are
crying about it. So here's the proposition: you let us alone and we'll
let you alone."

"You began it," declared Dorothy.

"Well, you ended it, so we won't argue the matter. May we come out
again? Or are you still cruel and slappy?"

"Tell you what we'll do," said Dorothy. "We're all tired and want to
sleep until morning. If you'll let us get into your house, and stay
there until daylight, you can play outside all you want to."

"That's a bargain!" cried the Tottenhot eagerly, and he gave a queer
whistle that brought his people popping out of their houses on all
sides. When the house before them was vacant, Dorothy and Ojo leaned
over the hole and looked in, but could see nothing because it was so
dark. But if the Tottenhots slept there all day the children thought
they could sleep there at night, so Ojo lowered himself down and found
it was not very deep.

"There's a soft cushion all over," said he. "Come on in."

Dorothy handed Toto to the boy and then climbed in herself. After her
came Scraps and the Scarecrow, who did not wish to sleep but preferred
to keep out of the way of the mischievous Tottenhots.

There seemed no furniture in the round den, but soft cushions were
strewn about the floor and these they found made very comfortable beds.
They did not close the hole in the roof but left it open to admit air.
It also admitted the shouts and ceaseless laughter of the impish
Tottenhots as they played outside, but Dorothy and Ojo, being weary
from their journey, were soon fast asleep.

Toto kept an eye open, however, and uttered low, threatening growls
whenever the racket made by the creatures outside became too
boisterous; and the Scarecrow and the Patchwork Girl sat leaning
against the wall and talked in whispers all night long. No one
disturbed the travelers until daylight, when in popped the Tottenhot
who owned the place and invited them to vacate his premises.




Chapter Twenty

The Captive Yoop


As they were preparing to leave, Dorothy asked: "Can you tell us where
there is a dark well?"

"Never heard of such a thing," said the Tottenhot. "We live our lives
in the dark, mostly, and sleep in the daytime; but we've never seen a
dark well, or anything like one."

"Does anyone live on those mountains beyond here?" asked the Scarecrow.

"Lots of people. But you'd better not visit them. We never go there,"
was the reply.

"What are the people like?" Dorothy inquired.

"Can't say. We've been told to keep away from the mountain paths, and
so we obey. This sandy desert is good enough for us, and we're not
disturbed here," declared the Tottenhot.

So they left the man snuggling down to sleep in his dusky dwelling, and
went out into the sunshine, taking the path that led toward the rocky
places. They soon found it hard climbing, for the rocks were uneven and
full of sharp points and edges, and now there was no path at all.
Clambering here and there among the boulders they kept steadily on,
gradually rising higher and higher until finally they came to a great
rift in a part of the mountain, where the rock seemed to have split in
two and left high walls on either side.

"S'pose we go this way," suggested Dorothy; "it's much easier walking
than to climb over the hills."

"How about that sign?" asked Ojo.

"What sign?" she inquired.

The Munchkin boy pointed to some words painted on the wall of rock
beside them, which Dorothy had not noticed. The words read:

    "LOOK OUT FOR YOOP."


The girl eyed this sign a moment and turned to the Scarecrow, asking:

"Who is Yoop; or what is Yoop?"

The straw man shook his head. Then looked at Toto and the dog said
"Woof!"

"Only way to find out is to go on," said Scraps.

This being quite true, they went on. As they proceeded, the walls of
rock on either side grew higher and higher. Presently they came upon
another sign which read:

    "BEWARE THE CAPTIVE YOOP."


"Why, as for that," remarked Dorothy, "if Yoop is a captive there's no
need to beware of him. Whatever Yoop happens to be, I'd much rather
have him a captive than running around loose."

"So had I," agreed the Scarecrow, with a nod of his painted head.

"Still," said Scraps, reflectively:

    "Yoop-te-hoop-te-loop-te-goop!
    Who put noodles in the soup?
    We may beware but we don't care,
    And dare go where we scare the Yoop."


"Dear me! Aren't you feeling a little queer, just now?" Dorothy asked
the Patchwork Girl.

"Not queer, but crazy," said Ojo. "When she says those things I'm sure
her brains get mixed somehow and work the wrong way.

"I don't see why we are told to beware the Yoop unless he is
dangerous," observed the Scarecrow in a puzzled tone.

"Never mind; we'll find out all about him when we get to where he is,"
replied the little girl.

The narrow canyon turned and twisted this way and that, and the rift
was so small that they were able to touch both walls at the same time
by stretching out their arms. Toto had run on ahead, frisking
playfully, when suddenly he uttered a sharp bark of fear and came
running back to them with his tail between his legs, as dogs do when
they are frightened.

"Ah," said the Scarecrow, who was leading the way, "we must be near
Yoop."

Just then, as he rounded a sharp turn, the Straw man stopped so
suddenly that all the others bumped against him.

"What is it?" asked Dorothy, standing on tip-toes to look over his
shoulder. But then she saw what it was and cried "Oh!" in a tone of
astonishment.

In one of the rock walls--that at their left--was hollowed a great
cavern, in front of which was a row of thick iron bars, the tops and
bottoms being firmly fixed in the solid rock. Over this cavern was a
big sign, which Dorothy read with much curiosity, speaking the words
aloud that all might know what they said:

    "MISTER YOOP--HIS CAVE

    The Largest Untamed Giant in Captivity.
    Height, 21 Feet.--(And yet he has but 2 feet.)
    Weight, 1640 Pounds.--(But he waits all the time.)
    Age, 400 Years 'and Up' (as they say in the
      Department Store advertisements).
    Temper, Fierce and Ferocious.--(Except when asleep.)
    Appetite, Ravenous.--(Prefers Meat People and
      Orange Marmalade.)

    STRANGERS APPROACHING THIS CAVE DO SO AT THEIR
      OWN PERIL!

    P.S.--Don't feed the Giant yourself."


"Very well," said Ojo, with a sigh; "let's go back."

"It's a long way back," declared Dorothy.

"So it is," remarked the Scarecrow, "and it means a tedious climb over
those sharp rocks if we can't use this passage. I think it will be best
to run by the Giant's cave as fast as we can go. Mister Yoop seems to
be asleep just now."

But the Giant wasn't asleep. He suddenly appeared at the front of his
cavern, seized the iron bars in his great hairy hands and shook them
until they rattled in their sockets. Yoop was so tall that our friends
had to tip their heads way back to look into his face, and they noticed
he was dressed all in pink velvet, with silver buttons and braid. The
Giant's boots were of pink leather and had tassels on them and his hat
was decorated with an enormous pink ostrich feather, carefully curled.

"Yo-ho!" he said in a deep bass voice; "I smell dinner."

"I think you are mistaken," replied the Scarecrow. "There is no orange
marmalade around here."

"Ah, but I eat other things," asserted Mister Yoop. "That is, I eat
them when I can get them. But this is a lonely place, and no good meat
has passed by my cave for many years; so I'm hungry."

"Haven't you eaten anything in many years?" asked Dorothy.

"Nothing except six ants and a monkey. I thought the monkey would taste
like meat people, but the flavor was different. I hope you will taste
better, for you seem plump and tender."

"Oh, I'm not going to be eaten," said Dorothy.

"Why not?"

"I shall keep out of your way," she answered.

"How heartless!" wailed the Giant, shaking the bars again. "Consider
how many years it is since I've eaten a single plump little girl! They
tell me meat is going up, but if I can manage to catch you I'm sure it
will soon be going down. And I'll catch you if I can."

With this the Giant pushed his big arms, which looked like tree-trunks
(except that tree-trunks don't wear pink velvet) between the iron bars,
and the arms were so long that they touched the opposite wall of the
rock passage. Then he extended them as far as he could reach toward our
travelers and found he could almost touch the Scarecrow--but not quite.

"Come a little nearer, please," begged the Giant.

"I'm a Scarecrow."

"A Scarecrow? Ugh! I don't care a straw for a scarecrow. Who is that
bright-colored delicacy behind you?"

"Me?" asked Scraps. "I'm a Patchwork Girl, and I'm stuffed with cotton."

"Dear me," sighed the Giant in a disappointed tone; "that reduces my
dinner from four to two--and the dog. I'll save the dog for dessert."

Toto growled, keeping a good distance away.

"Back up," said the Scarecrow to those behind him. "Let us go back a
little way and talk this over."

So they turned and went around the bend in the passage, where they were
out of sight of the cave and Mister Yoop could not hear them.

"My idea," began the Scarecrow, when they had halted, "is to make a
dash past the cave, going on a run."

"He'd grab us," said Dorothy.

"Well, he can't grab but one at a time, and I'll go first. As soon as
he grabs me the rest of you can slip past him, out of his reach, and he
will soon let me go because I am not fit to eat."

They decided to try this plan and Dorothy took Toto in her arms, so as
to protect him. She followed just after the Scarecrow. Then came Ojo,
with Scraps the last of the four. Their hearts beat a little faster
than usual as they again approached the Giant's cave, this time moving
swiftly forward.

It turned out about the way the Scarecrow had planned. Mister Yoop was
quite astonished to see them come flying toward him, and thrusting his
arms between the bars he seized the Scarecrow in a firm grip. In the
next instant he realized, from the way the straw crunched between his
fingers, that he had captured the non-eatable man, but during that
instant of delay Dorothy and Ojo had slipped by the Giant and were out
of reach. Uttering a howl of rage the monster threw the Scarecrow after
them with one hand and grabbed Scraps with the other.

The poor Scarecrow went whirling through the air and so cleverly was he
aimed that he struck Ojo's back and sent the boy tumbling head over
heels, and he tripped Dorothy and sent her, also, sprawling upon the
ground. Toto flew out of the little girl's arms and landed some
distance ahead, and all were so dazed that it was a moment before they
could scramble to their feet again. When they did so they turned to
look toward the Giant's cave, and at that moment the ferocious Mister
Yoop threw the Patchwork Girl at them.

Down went all three again, in a heap, with Scraps on top. The Giant
roared so terribly that for a time they were afraid he had broken
loose; but he hadn't. So they sat in the road and looked at one another
in a rather bewildered way, and then began to feel glad.

"We did it!" exclaimed the Scarecrow, with satisfaction. "And now we
are free to go on our way."

"Mister Yoop is very impolite," declared Scraps. "He jarred me
terribly. It's lucky my stitches are so fine and strong, for otherwise
such harsh treatment might rip me up the back."

"Allow me to apologize for the Giant," said the Scarecrow, raising the
Patchwork Girl to her feet and dusting her skirt with his stuffed
hands. "Mister Yoop is a perfect stranger to me, but I fear, from the
rude manner in which he has acted, that he is no gentleman."

Dorothy and Ojo laughed at this statement and Toto barked as if he
understood the joke, after which they all felt better and resumed the
journey in high spirits.

"Of course," said the little girl, when they had walked a way along the
passage, "it was lucky for us the Giant was caged; for, if he had
happened to be loose, he--he--"

"Perhaps, in that case, he wouldn't be hungry any more," said Ojo
gravely.




Chapter Twenty-One

Hip Hopper the Champion


They must have had good courage to climb all those rocks, for after
getting out of the canyon they encountered more rock hills to be
surmounted. Toto could jump from one rock to another quite easily, but
the others had to creep and climb with care, so that after a whole day
of such work Dorothy and Ojo found themselves very tired.

As they gazed upward at the great mass of tumbled rocks that covered
the steep incline, Dorothy gave a little groan and said:

"That's going to be a ter'ble hard climb, Scarecrow. I wish we could
find the dark well without so much trouble."

"Suppose," said Ojo, "you wait here and let me do the climbing, for
it's on my account we're searching for the dark well. Then, if I don't
find anything, I'll come back and join you."

"No," replied the little girl, shaking her head positively, "we'll all
go together, for that way we can help each other. If you went alone,
something might happen to you, Ojo."

So they began the climb and found it indeed difficult, for a way. But
presently, in creeping over the big crags, they found a path at their
feet which wound in and out among the masses of rock and was quite
smooth and easy to walk upon. As the path gradually ascended the
mountain, although in a roundabout way, they decided to follow it.

"This must be the road to the Country of the Hoppers," said the
Scarecrow.

"Who are the Hoppers?" asked Dorothy.

"Some people Jack Pumpkinhead told me about," he replied.

"I didn't hear him," replied the girl.

"No; you were asleep," explained the Scarecrow. "But he told Scraps and
me that the Hoppers and the Horners live on this mountain."

"He said in the mountain," declared Scraps; "but of course he meant on
it."

"Didn't he say what the Hoppers and Horners were like?" inquired
Dorothy.

"No; he only said they were two separate nations, and that the Horners
were the most important."

"Well, if we go to their country we'll find out all about 'em," said
the girl. "But I've never heard Ozma mention those people, so they
can't be very important."

"Is this mountain in the Land of Oz?" asked Scraps.

"Course it is," answered Dorothy. "It's in the South Country of the
Quadlings. When one comes to the edge of Oz, in any direction, there is
nothing more to be seen at all. Once you could see sandy desert all
around Oz; but now it's diff'rent, and no other people can see us, any
more than we can see them."

"If the mountain is under Ozma's rule, why doesn't she know about the
Hoppers and the Horners?" Ojo asked.

"Why, it's a fairyland," explained Dorothy, "and lots of queer people
live in places so tucked away that those in the Emerald City never even
hear of 'em. In the middle of the country it's diff'rent, but when you
get around the edges you're sure to run into strange little corners
that surprise you. I know, for I've traveled in Oz a good deal, and so
has the Scarecrow."

"Yes," admitted the straw man, "I've been considerable of a traveler,
in my time, and I like to explore strange places. I find I learn much
more by traveling than by staying at home."

During this conversation they had been walking up the steep pathway and
now found themselves well up on the mountain. They could see nothing
around them, for the rocks beside their path were higher than their
heads. Nor could they see far in front of them, because the path was so
crooked. But suddenly they stopped, because the path ended and there
was no place to go. Ahead was a big rock lying against the side of the
mountain, and this blocked the way completely.

"There wouldn't be a path, though, if it didn't go somewhere," said the
Scarecrow, wrinkling his forehead in deep thought.

"This is somewhere, isn't it?" asked the Patchwork Girl, laughing at
the bewildered looks of the others.

    "The path is locked, the way is blocked,
    Yet here we've innocently flocked;
    And now we're here it's rather queer
    There's no front door that can be knocked."


"Please don't, Scraps," said Ojo. "You make me nervous."

"Well," said Dorothy, "I'm glad of a little rest, for that's a drea'ful
steep path."

As she spoke she leaned against the edge of the big rock that stood in
their way. To her surprise it slowly swung backward and showed behind
it a dark hole that looked like the mouth of a tunnel.

"Why, here's where the path goes to!" she exclaimed.

"So it is," answered the Scarecrow. "But the question is, do we want to
go where the path does?"

"It's underground; right inside the mountain," said Ojo, peering into
the dark hole. "Perhaps there's a well there; and, if there is, it's
sure to be a dark one."

"Why, that's true enough!" cried Dorothy with eagerness. "Let's go in,
Scarecrow; 'cause, if others have gone, we're pretty safe to go, too."

Toto looked in and barked, but he did not venture to enter until the
Scarecrow had bravely gone first. Scraps followed closely after the
straw man and then Ojo and Dorothy timidly stepped inside the tunnel.
As soon as all of them had passed the big rock, it slowly turned and
filled up the opening again; but now they were no longer in the dark,
for a soft, rosy light enabled them to see around them quite distinctly.

It was only a passage, wide enough for two of them to walk
abreast--with Toto in between them--and it had a high, arched roof.
They could not see where the light which flooded the place so
pleasantly came from, for there were no lamps anywhere visible. The
passage ran straight for a little way and then made a bend to the right
and another sharp turn to the left, after which it went straight again.
But there were no side passages, so they could not lose their way.

After proceeding some distance, Toto, who had gone on ahead, began to
bark loudly. They ran around a bend to see what was the matter and
found a man sitting on the floor of the passage and leaning his back
against the wall. He had probably been asleep before Toto's barks
aroused him, for he was now rubbing his eyes and staring at the little
dog with all his might.

There was something about this man that Toto objected to, and when he
slowly rose to his foot they saw what it was. He had but one leg, set
just below the middle of his round, fat body; but it was a stout leg
and had a broad, flat foot at the bottom of it, on which the man seemed
to stand very well. He had never had but this one leg, which looked
something like a pedestal, and when Toto ran up and made a grab at the
man's ankle he hopped first one way and then another in a very active
manner, looking so frightened that Scraps laughed aloud.

Toto was usually a well behaved dog, but this time he was angry and
snapped at the man's leg again and again. This filled the poor fellow
with fear, and in hopping out of Toto's reach he suddenly lost his
balance and tumbled heel over head upon the floor. When he sat up he
kicked Toto on the nose and made the dog howl angrily, but Dorothy now
ran forward and caught Toto's collar, holding him back.

"Do you surrender?" she asked the man.

"Who? Me?" asked the Hopper.

"Yes; you," said the little girl.

"Am I captured?" he inquired.

"Of course. My dog has captured you," she said.

"Well," replied the man, "if I'm captured I must surrender, for it's
the proper thing to do. I like to do everything proper, for it saves
one a lot of trouble."

"It does, indeed," said Dorothy. "Please tell us who you are."

"I'm Hip Hopper--Hip Hopper, the Champion."

"Champion what?" she asked in surprise.

"Champion wrestler. I'm a very strong man, and that ferocious animal
which you are so kindly holding is the first living thing that has ever
conquered me."

"And you are a Hopper?" she continued.

"Yes. My people live in a great city not far from here. Would you like
to visit it?"

"I'm not sure," she said with hesitation. "Have you any dark wells in
your city?"

"I think not. We have wells, you know, but they're all well lighted,
and a well lighted well cannot well be a dark well. But there may be
such a thing as a very dark well in the Horner Country, which is a
black spot on the face of the earth."

"Where is the Horner Country?" Ojo inquired.

"The other side of the mountain. There's a fence between the Hopper
Country and the Horner Country, and a gate in the fence; but you can't
pass through just now, because we are at war with the Horners."

"That's too bad," said the Scarecrow. "What seems to be the trouble?"

"Why, one of them made a very insulting remark about my people. He said
we were lacking in understanding, because we had only one leg to a
person. I can't see that legs have anything to do with understanding
things. The Horners each have two legs, just as you have. That's one
leg too many, it seems to me."

"No," declared Dorothy, "it's just the right number."

"You don't need them," argued the Hopper, obstinately. "You've only one
head, and one body, and one nose and mouth. Two legs are quite
unnecessary, and they spoil one's shape."

"But how can you walk, with only one leg?" asked Ojo.

"Walk! Who wants to walk?" exclaimed the man. "Walking is a terribly
awkward way to travel. I hop, and so do all my people. It's so much
more graceful and agreeable than walking."

"I don't agree with you," said the Scarecrow. "But tell me, is there
any way to get to the Horner Country without going through the city of
the Hoppers?"

"Yes; there is another path from the rocky lowlands, outside the
mountain, that leads straight to the entrance of the Horner Country.
But it's a long way around, so you'd better come with me. Perhaps they
will allow you to go through the gate; but we expect to conquer them
this afternoon, if we get time, and then you may go and come as you
please."

They thought it best to take the Hopper's advice, and asked him to lead
the way. This he did in a series of hops, and he moved so swiftly in
this strange manner that those with two legs had to run to keep up with
him.




Chapter Twenty-Two

The Joking Horners


It was not long before they left the passage and came to a great cave,
so high that it must have reached nearly to the top of the mountain
within which it lay. It was a magnificent cave, illumined by the soft,
invisible light, so that everything in it could be plainly seen. The
walls were of polished marble, white with veins of delicate colors
running through it, and the roof was arched and fantastic and beautiful.

Built beneath this vast dome was a pretty village--not very large, for
there seemed not more than fifty houses altogether--and the dwellings
were of marble and artistically designed. No grass nor flowers nor
trees grew in this cave, so the yards surrounding the houses carved in
designs both were smooth and bare and had low walls around them to mark
their boundaries.

In the streets and the yards of the houses were many people all having
one leg growing below their bodies and all hopping here and there
whenever they moved. Even the children stood firmly upon their single
legs and never lost their balance.

"All hail, Champion!" cried a man in the first group of Hoppers they
met; "whom have you captured?"

"No one," replied the Champion in a gloomy voice; "these strangers have
captured me."

"Then," said another, "we will rescue you, and capture them, for we are
greater in number."

"No," answered the Champion, "I can't allow it. I've surrendered, and
it isn't polite to capture those you've surrendered to."

"Never mind that," said Dorothy. "We will give you your liberty and set
you free."

"Really?" asked the Champion in joyous tones.

"Yes," said the little girl; "your people may need you to help conquer
the Horners."

At this all the Hoppers looked downcast and sad. Several more had
joined the group by this time and quite a crowd of curious men, women
and children surrounded the strangers.

"This war with our neighbors is a terrible thing," remarked one of the
women. "Some one is almost sure to get hurt."

"Why do you say that, madam?" inquired the Scarecrow.

"Because the horns of our enemies are sharp, and in battle they will
try to stick those horns into our warriors," she replied.

"How many horns do the Horners have?" asked Dorothy.

"Each has one horn in the center of his forehead," was the answer.

"Oh, then they're unicorns," declared the Scarecrow.

"No; they're Horners. We never go to war with them if we can help it,
on account of their dangerous horns; but this insult was so great and
so unprovoked that our brave men decided to fight, in order to be
revenged," said the woman.

"What weapons do you fight with?" the Scarecrow asked.

"We have no weapons," explained the Champion. "Whenever we fight the
Horners, our plan is to push them back, for our arms are longer than
theirs."

"Then you are better armed," said Scraps.

"Yes; but they have those terrible horns, and unless we are careful
they prick us with the points," returned the Champion with a shudder.
"That makes a war with them dangerous, and a dangerous war cannot be a
pleasant one."

"I see very clearly," remarked the Scarecrow, "that you are going to
have trouble in conquering those Horners--unless we help you."

"Oh!" cried the Hoppers in a chorus; "can you help us? Please do! We
will be greatly obliged! It would please us very much!" and by these
exclamations the Scarecrow knew that his speech had met with favor.

"How far is it to the Horner Country?" he asked.

"Why, it's just the other side of the fence," they answered, and the
Champion added:

"Come with me, please, and I'll show you the Horners."

So they followed the Champion and several others through the streets
and just beyond the village came to a very high picket fence, built all
of marble, which seemed to divide the great cave into two equal parts.

But the part inhabited by the Horners was in no way as grand in
appearance as that of the Hoppers. Instead of being marble, the walls
and roof were of dull gray rock and the square houses were plainly made
of the same material. But in extent the city was much larger than that
of the Hoppers and the streets were thronged with numerous people who
busied themselves in various ways.

Looking through the open pickets of the fence our friends watched the
Horners, who did not know they were being watched by strangers, and
found them very unusual in appearance. They were little folks in size
and had bodies round as balls and short legs and arms. Their heads were
round, too, and they had long, pointed ears and a horn set in the
center of the forehead. The horns did not seem very terrible, for they
were not more than six inches long; but they were ivory white and sharp
pointed, and no wonder the Hoppers feared them.

The skins of the Horners were light brown, but they wore snow-white
robes and were bare-footed. Dorothy thought the most striking thing
about them was their hair, which grew in three distinct colors on each
and every head--red, yellow and green. The red was at the bottom and
sometimes hung over their eyes; then came a broad circle of yellow and
the green was at the top and formed a brush-shaped top-knot.

None of the Horners was yet aware of the presence of strangers, who
watched the little brown people for a time and then went to the big
gate in the center of the dividing fence. It was locked on both sides
and over the latch was a sign reading:

    "WAR IS DECLARED"


"Can't we go through?" asked Dorothy.

"Not now," answered the Champion.

"I think," said the Scarecrow, "that if I could talk with those Horners
they would apologize to you, and then there would be no need to fight."

"Can't you talk from this side?" asked the Champion.

"Not so well," replied the Scarecrow. "Do you suppose you could throw
me over that fence? It is high, but I am very light."

"We can try it," said the Hopper. "I am perhaps the strongest man in my
country, so I'll undertake to do the throwing. But I won't promise you
will land on your feet."

"No matter about that," returned the Scarecrow. "Just toss me over and
I'll be satisfied."

So the Champion picked up the Scarecrow and balanced him a moment, to
see how much he weighed, and then with all his strength tossed him high
into the air.

Perhaps if the Scarecrow had been a trifle heavier he would have been
easier to throw and would have gone a greater distance; but, as it was,
instead of going over the fence he landed just on top of it, and one of
the sharp pickets caught him in the middle of his back and held him
fast prisoner. Had he been face downward the Scarecrow might have
managed to free himself, but lying on his back on the picket his hands
waved in the air of the Horner Country while his feet kicked the air of
the Hopper Country; so there he was.

"Are you hurt?" called the Patchwork Girl anxiously.

"Course not," said Dorothy. "But if he wiggles that way he may tear his
clothes. How can we get him down, Mr. Champion?"

The Champion shook his head.

"I don't know," he confessed. "If he could scare Horners as well as he
does crows, it might be a good idea to leave him there."

"This is terrible," said Ojo, almost ready to cry. "I s'pose it's
because I am Ojo the Unlucky that everyone who tries to help me gets
into trouble."

"You are lucky to have anyone to help you," declared Dorothy. "But
don't worry. We'll rescue the Scarecrow somehow."

"I know how," announced Scraps. "Here, Mr. Champion; just throw me up
to the Scarecrow. I'm nearly as light as he is, and when I'm on top the
fence I'll pull our friend off the picket and toss him down to you."

"All right," said the Champion, and he picked up the Patchwork Girl and
threw her in the same manner he had the Scarecrow. He must have used
more strength this time, however, for Scraps sailed far over the top of
the fence and, without being able to grab the Scarecrow at all, tumbled
to the ground in the Horner Country, where her stuffed body knocked
over two men and a woman and made a crowd that had collected there run
like rabbits to get away from her.

Seeing the next moment that she was harmless, the people slowly
returned and gathered around the Patchwork Girl, regarding her with
astonishment. One of them wore a jeweled star in his hair, just above
his horn, and this seemed a person of importance. He spoke for the rest
of his people, who treated him with great respect.

"Who are you, Unknown Being?" he asked.

"Scraps," she said, rising to her feet and patting her cotton wadding
smooth where it had bunched up.

"And where did you come from?" he continued.

"Over the fence. Don't be silly. There's no other place I could have
come from," she replied.

He looked at her thoughtfully.

"You are not a Hopper," said he, "for you have two legs. They're not
very well shaped, but they are two in number. And that strange creature
on top the fence--why doesn't he stop kicking?--must be your brother,
or father, or son, for he also has two legs."

"You must have been to visit the Wise Donkey," said Scraps, laughing so
merrily that the crowd smiled with her, in sympathy. "But that reminds
me, Captain--or King--"

"I am Chief of the Horners, and my name is Jak."

"Of course; Little Jack Horner; I might have known it. But the reason I
volplaned over the fence was so I could have a talk with you about the
Hoppers."

"What about the Hoppers?" asked the Chief, frowning.

"You've insulted them, and you'd better beg their pardon," said Scraps.
"If you don't, they'll probably hop over here and conquer you."

"We're not afraid--as long as the gate is locked," declared the Chief.
"And we didn't insult them at all. One of us made a joke that the
stupid Hoppers couldn't see."

The Chief smiled as he said this and the smile made his face look quite
jolly.

"What was the joke?" asked Scraps.

"A Horner said they have less understanding than we, because they've
only one leg. Ha, ha! You see the point, don't you? If you stand on
your legs, and your legs are under you, then--ha, ha, ha!--then your
legs are your under-standing. Hee, hee, hee! Ho, ho! My, but that's a
fine joke. And the stupid Hoppers couldn't see it! They couldn't see
that with only one leg they must have less under-standing than we who
have two legs. Ha, ha, ha! Hee, hee! Ho, ho!" The Chief wiped the tears
of laughter from his eyes with the bottom hem of his white robe, and
all the other Horners wiped their eyes on their robes, for they had
laughed just as heartily as their Chief at the absurd joke.

"Then," said Scraps, "their understanding of the understanding you
meant led to the misunderstanding."

"Exactly; and so there's no need for us to apologize," returned the
Chief.

"No need for an apology, perhaps, but much need for an explanation,"
said Scraps decidedly. "You don't want war, do you?"

"Not if we can help it," admitted Jak Horner. "The question is, who's
going to explain the joke to the Horners? You know it spoils any joke
to be obliged to explain it, and this is the best joke I ever heard."

"Who made the joke?" asked Scraps.

"Diksey Horner. He is working in the mines, just now, but he'll be home
before long. Suppose we wait and talk with him about it? Maybe he'll be
willing to explain his joke to the Hoppers."

"All right," said Scraps. "I'll wait, if Diksey isn't too long."

"No, he's short; he's shorter than I am. Ha, ha, ha! Say! that's a
better joke than Diksey's. He won't be too long, because he's short.
Hee, hee, ho!"

The other Horners who were standing by roared with laughter and seemed
to like their Chief's joke as much as he did. Scraps thought it was odd
that they could be so easily amused, but decided there could be little
harm in people who laughed so merrily.




Chapter Twenty-Three

Peace Is Declared


"Come with me to my dwelling and I'll introduce you to my daughters,"
said the Chief. "We're bringing them up according to a book of rules
that was written by one of our leading old bachelors, and everyone says
they're a remarkable lot of girls."

So Scraps accompanied him along the street to a house that seemed on
the outside exceptionally grimy and dingy. The streets of this city
were not paved nor had any attempt been made to beautify the houses or
their surroundings, and having noticed this condition Scraps was
astonished when the Chief ushered her into his home.

Here was nothing grimy or faded, indeed. On the contrary, the room was
of dazzling brilliance and beauty, for it was lined throughout with an
exquisite metal that resembled translucent frosted silver. The surface
of this metal was highly ornamented in raised designs representing men,
animals, flowers and trees, and from the metal itself was radiated the
soft light which flooded the room. All the furniture was made of the
same glorious metal, and Scraps asked what it was.

"That's radium," answered the Chief. "We Horners spend all our time
digging radium from the mines under this mountain, and we use it to
decorate our homes and make them pretty and cosy. It is a medicine,
too, and no one can ever be sick who lives near radium."

"Have you plenty of it?" asked the Patchwork Girl.

"More than we can use. All the houses in this city are decorated with
it, just the same as mine is."

"Why don't you use it on your streets, then, and the outside of your
houses, to make them as pretty as they are within?" she inquired.

"Outside? Who cares for the outside of anything?" asked the Chief. "We
Horners don't live on the outside of our homes; we live inside. Many
people are like those stupid Hoppers, who love to make an outside show.
I suppose you strangers thought their city more beautiful than ours,
because you judged from appearances and they have handsome marble
houses and marble streets; but if you entered one of their stiff
dwellings you would find it bare and uncomfortable, as all their show
is on the outside. They have an idea that what is not seen by others is
not important, but with us the rooms we live in are our chief delight
and care, and we pay no attention to outside show."

"Seems to me," said Scraps, musingly, "it would be better to make it
all pretty--inside and out."

"Seems? Why, you're all seams, my girl!" said the Chief; and then he
laughed heartily at his latest joke and a chorus of small voices echoed
the chorus with "tee-hee-hee! ha, ha!"

Scraps turned around and found a row of girls seated in radium chairs
ranged along one wall of the room. There were nineteen of them, by
actual count, and they were of all sizes from a tiny child to one
almost a grown woman. All were neatly dressed in spotless white robes
and had brown skins, horns on their foreheads and three-colored hair.

"These," said the Chief, "are my sweet daughters. My dears, I introduce
to you Miss Scraps Patchwork, a lady who is traveling in foreign parts
to increase her store of wisdom."

The nineteen Horner girls all arose and made a polite curtsey, after
which they resumed their seats and rearranged their robes properly.

"Why do they sit so still, and all in a row?" asked Scraps.

"Because it is ladylike and proper," replied the Chief.

"But some are just children, poor things! Don't they ever run around
and play and laugh, and have a good time?"

"No, indeed," said the Chief. "That would be improper in young ladies,
as well as in those who will sometime become young ladies. My daughters
are being brought up according to the rules and regulations laid down
by a leading bachelor who has given the subject much study and is
himself a man of taste and culture. Politeness is his great hobby, and
he claims that if a child is allowed to do an impolite thing one cannot
expect the grown person to do anything better."

"Is it impolite to romp and shout and be jolly?" asked Scraps.

"Well, sometimes it is, and sometimes it isn't," replied the Horner,
after considering the question. "By curbing such inclinations in my
daughters we keep on the safe side. Once in a while I make a good joke,
as you have heard, and then I permit my daughters to laugh decorously;
but they are never allowed to make a joke themselves."

"That old bachelor who made the rules ought to be skinned alive!"
declared Scraps, and would have said more on the subject had not the
door opened to admit a little Horner man whom the Chief introduced as
Diksey.

"What's up, Chief?" asked Diksey, winking nineteen times at the
nineteen girls, who demurely cast down their eyes because their father
was looking.

The Chief told the man that his joke had not been understood by the
dull Hoppers, who had become so angry that they had declared war. So
the only way to avoid a terrible battle was to explain the joke so they
could understand it.

"All right," replied Diksey, who seemed a good-natured man; "I'll go at
once to the fence and explain. I don't want any war with the Hoppers,
for wars between nations always cause hard feelings."

So the Chief and Diksey and Scraps left the house and went back to the
marble picket fence. The Scarecrow was still stuck on the top of his
picket but had now ceased to struggle. On the other side of the fence
were Dorothy and Ojo, looking between the pickets; and there, also,
were the Champion and many other Hoppers.

Diksey went close to the fence and said:

"My good Hoppers, I wish to explain that what I said about you was a
joke. You have but one leg each, and we have two legs each. Our legs
are under us, whether one or two, and we stand on them. So, when I said
you had less understanding than we, I did not mean that you had less
understanding, you understand, but that you had less standundering, so
to speak. Do you understand that?"

The Hoppers thought it over carefully. Then one said:

"That is clear enough; but where does the joke come in?'"

Dorothy laughed, for she couldn't help it, although all the others were
solemn enough.

"I'll tell you where the joke comes in," she said, and took the Hoppers
away to a distance, where the Horners could not hear them. "You know,"
she then explained, "those neighbors of yours are not very bright, poor
things, and what they think is a joke isn't a joke at all--it's true,
don't you see?"

"True that we have less understanding?" asked the Champion.

"Yes; it's true because you don't understand such a poor joke; if you
did, you'd be no wiser than they are."

"Ah, yes; of course," they answered, looking very wise.

"So I'll tell you what to do," continued Dorothy. "Laugh at their poor
joke and tell 'em it's pretty good for a Horner. Then they won't dare
say you have less understanding, because you understand as much as they
do."

The Hoppers looked at one another questioningly and blinked their eyes
and tried to think what it all meant; but they couldn't figure it out.

"What do you think, Champion?" asked one of them.

"I think it is dangerous to think of this thing any more than we can
help," he replied. "Let us do as this girl says and laugh with the
Horners, so as to make them believe we see the joke. Then there will be
peace again and no need to fight."

They readily agreed to this and returned to the fence laughing as loud
and as hard as they could, although they didn't feel like laughing a
bit. The Horners were much surprised.

"That's a fine joke--for a Horner--and we are much pleased with it,"
said the Champion, speaking between the pickets. "But please don't do
it again."

"I won't," promised Diksey. "If I think of another such joke I'll try
to forget it."

"Good!" cried the Chief Horner. "The war is over and peace is declared."

There was much joyful shouting on both sides of the fence and the gate
was unlocked and thrown wide open, so that Scraps was able to rejoin
her friends.

"What about the Scarecrow?" she asked Dorothy.

"We must get him down, somehow or other," was the reply.

"Perhaps the Horners can find a way," suggested Ojo. So they all went
through the gate and Dorothy asked the Chief Horner how they could get
the Scarecrow off the fence. The Chief didn't know how, but Diksey said:

"A ladder's the thing."

"Have you one?" asked Dorothy.

"To be sure. We use ladders in our mines," said he. Then he ran away to
get the ladder, and while he was gone the Horners gathered around and
welcomed the strangers to their country, for through them a great war
had been avoided.

In a little while Diksey came back with a tall ladder which he placed
against the fence. Ojo at once climbed to the top of the ladder and
Dorothy went about halfway up and Scraps stood at the foot of it. Toto
ran around it and barked. Then Ojo pulled the Scarecrow away from the
picket and passed him down to Dorothy, who in turn lowered him to the
Patchwork Girl.

As soon as he was on his feet and standing on solid ground the
Scarecrow said:

"Much obliged. I feel much better. I'm not stuck on that picket any
more."

The Horners began to laugh, thinking this was a joke, but the Scarecrow
shook himself and patted his straw a little and said to Dorothy: "Is
there much of a hole in my back?"

The little girl examined him carefully.

"There's quite a hole," she said. "But I've got a needle and thread in
the knapsack and I'll sew you up again."

"Do so," he begged earnestly, and again the Hoppers laughed, to the
Scarecrow's great annoyance.

While Dorothy was sewing up the hole in the straw man's back Scraps
examined the other parts of him.

"One of his legs is ripped, too!" she exclaimed.

"Oho!" cried little Diksey; "that's bad. Give him the needle and thread
and let him mend his ways."

"Ha, ha, ha!" laughed the Chief, and the other Horners at once roared
with laughter.

"What's funny?" inquired the Scarecrow sternly.

"Don't you see?" asked Diksey, who had laughed even harder than the
others. "That's a joke. It's by odds the best joke I ever made. You
walk with your legs, and so that's the way you walk, and your legs are
the ways. See? So, when you mend your legs, you mend your ways. Ho, ho,
ho! hee, hee! I'd no idea I could make such a fine joke!"

"Just wonderful!" echoed the Chief. "How do you manage to do it,
Diksey?"

"I don't know," said Diksey modestly. "Perhaps it's the radium, but I
rather think it's my splendid intellect."

"If you don't quit it," the Scarecrow told him, "there'll be a worse
war than the one you've escaped from."

Ojo had been deep in thought, and now he asked the Chief: "Is there a
dark well in any part of your country?"

"A dark well? None that ever I heard of," was the answer.

"Oh, yes," said Diksey, who overheard the boy's question. "There's a
very dark well down in my radium mine."

"Is there any water in it?" Ojo eagerly asked.

"Can't say; I've never looked to see. But we can find out."

So, as soon as the Scarecrow was mended, they decided to go with Diksey
to the mine. When Dorothy had patted the straw man into shape again he
declared he felt as good as new and equal to further adventures.

"Still," said he, "I prefer not to do picket duty again. High life
doesn't seem to agree with my constitution." And then they hurried away
to escape the laughter of the Horners, who thought this was another
joke.




Chapter Twenty-Four

Ojo Finds the Dark Well


They now followed Diksey to the farther end of the great cave, beyond
the Horner city, where there were several round, dark holes leading
into the ground in a slanting direction. Diksey went to one of these
holes and said:

"Here is the mine in which lies the dark well you are seeking. Follow
me and step carefully and I'll lead you to the place."

He went in first and after him came Ojo, and then Dorothy, with the
Scarecrow behind her. The Patchwork Girl entered last of all, for Toto
kept close beside his little mistress.

A few steps beyond the mouth of the opening it was pitch dark. "You
won't lose your way, though," said the Horner, "for there's only one
way to go. The mine's mine and I know every step of the way. How's that
for a joke, eh? The mine's mine." Then he chuckled gleefully as they
followed him silently down the steep slant. The hole was just big
enough to permit them to walk upright, although the Scarecrow, being
much the taller of the party, often had to bend his head to keep from
hitting the top.

The floor of the tunnel was difficult to walk upon because it had been
worn smooth as glass, and pretty soon Scraps, who was some distance
behind the others, slipped and fell head foremost. At once she began to
slide downward, so swiftly that when she came to the Scarecrow she
knocked him off his feet and sent him tumbling against Dorothy, who
tripped up Ojo. The boy fell against the Horner, so that all went
tumbling down the slide in a regular mix-up, unable to see where they
were going because of the darkness.

Fortunately, when they reached the bottom the Scarecrow and Scraps were
in front, and the others bumped against them, so that no one was hurt.
They found themselves in a vast cave which was dimly lighted by the
tiny grains of radium that lay scattered among the loose rocks.

"Now," said Diksey, when they had all regained their feet, "I will show
you where the dark well is. This is a big place, but if we hold fast to
each other we won't get lost."

They took hold of hands and the Horner led them into a dark corner,
where he halted.

"Be careful," said he warningly. "The well is at your feet."

"All right," replied Ojo, and kneeling down he felt in the well with
his hand and found that it contained a quantity of water. "Where's the
gold flask, Dorothy?" he asked, and the little girl handed him the
flask, which she had brought with her.

Ojo knelt again and by feeling carefully in the dark managed to fill
the flask with the unseen water that was in the well. Then he screwed
the top of the flask firmly in place and put the precious water in his
pocket.

"All right!" he said again, in a glad voice; "now we can go back."

They returned to the mouth of the tunnel and began to creep cautiously
up the incline. This time they made Scraps stay behind, for fear she
would slip again; but they all managed to get up in safety and the
Munchkin boy was very happy when he stood in the Horner city and
realized that the water from the dark well, which he and his friends
had traveled so far to secure, was safe in his jacket pocket.




Chapter Twenty-Five

They Bribe the Lazy Quadling


"Now," said Dorothy, as they stood on the mountain path, having left
behind them the cave in which dwelt the Hoppers and the Horners, "I
think we must find a road into the Country of the Winkies, for there is
where Ojo wants to go next."

"Is there such a road?" asked the Scarecrow.

"I don't know," she replied. "I s'pose we can go back the way we came,
to Jack Pumpkinhead's house, and then turn into the Winkie Country; but
that seems like running 'round a haystack, doesn't it?"

"Yes," said the Scarecrow. "What is the next thing Ojo must get?"

"A yellow butterfly," answered the boy.

"That means the Winkie Country, all right, for it's the yellow country
of Oz," remarked Dorothy. "I think, Scarecrow, we ought to take him to
the Tin Woodman, for he's the Emp'ror of the Winkies and will help us
to find what Ojo wants."

"Of course," replied the Scarecrow, brightening at the suggestion. "The
Tin Woodman will do anything we ask him, for he's one of my dearest
friends. I believe we can take a crosscut into his country and so get
to his castle a day sooner than if we travel back the way we came."

"I think so, too," said the girl; "and that means we must keep to the
left."

They were obliged to go down the mountain before they found any path
that led in the direction they wanted to go, but among the tumbled
rocks at the foot of the mountain was a faint trail which they decided
to follow. Two or three hours walk along this trail brought them to a
clear, level country, where there were a few farms and some scattered
houses. But they knew they were still in the Country of the Quadlings,
because everything had a bright red color. Not that the trees and
grasses were red, but the fences and houses were painted that color and
all the wild-flowers that bloomed by the wayside had red blossoms. This
part of the Quadling Country seemed peaceful and prosperous, if rather
lonely, and the road was more distinct and easier to follow.

But just as they were congratulating themselves upon the progress they
had made they came upon a broad river which swept along between high
banks, and here the road ended and there was no bridge of any sort to
allow them to cross.

"This is queer," mused Dorothy, looking at the water reflectively. "Why
should there be any road, if the river stops everyone walking along it?"

"Wow!" said Toto, gazing earnestly into her face.

"That's the best answer you'll get," declared the Scarecrow, with his
comical smile, "for no one knows any more than Toto about this road."

Said Scraps:

    "Ev'ry time I see a river,
    I have chills that make me shiver,
    For I never can forget
    All the water's very wet.
    If my patches get a soak
    It will be a sorry joke;
    So to swim I'll never try
    Till I find the water dry."


"Try to control yourself, Scraps," said Ojo; "you're getting crazy
again. No one intends to swim that river."

"No," decided Dorothy, "we couldn't swim it if we tried. It's too big a
river, and the water moves awful fast."

"There ought to be a ferryman with a boat," said the Scarecrow; "but I
don't see any."

"Couldn't we make a raft?" suggested Ojo.

"There's nothing to make one of," answered Dorothy.

"Wow!" said Toto again, and Dorothy saw he was looking along the bank
of the river.

"Why, he sees a house over there!" cried the little girl. "I wonder we
didn't notice it ourselves. Let's go and ask the people how to get
'cross the river."

A quarter of a mile along the bank stood a small, round house, painted
bright red, and as it was on their side of the river they hurried
toward it. A chubby little man, dressed all in red, came out to greet
them, and with him were two children, also in red costumes. The man's
eyes were big and staring as he examined the Scarecrow and the
Patchwork Girl, and the children shyly hid behind him and peeked
timidly at Toto.

"Do you live here, my good man?" asked the Scarecrow.

"I think I do, Most Mighty Magician," replied the Quadling, bowing low;
"but whether I'm awake or dreaming I can't be positive, so I'm not sure
where I live. If you'll kindly pinch me I'll find out all about it!"

"You're awake," said Dorothy, "and this is no magician, but just the
Scarecrow."

"But he's alive," protested the man, "and he oughtn't to be, you know.
And that other dreadful person--the girl who is all patches--seems to
be alive, too."

"Very much so," declared Scraps, making a face at him. "But that isn't
your affair, you know."

"I've a right to be surprised, haven't I?" asked the man meekly.

"I'm not sure; but anyhow you've no right to say I'm dreadful. The
Scarecrow, who is a gentleman of great wisdom, thinks I'm beautiful,"
retorted Scraps.

"Never mind all that," said Dorothy. "Tell us, good Quadling, how we
can get across the river."

"I don't know," replied the Quadling.

"Don't you ever cross it?" asked the girl.

"Never."

"Don't travelers cross it?"

"Not to my knowledge," said he.

They were much surprised to hear this, and the man added: "It's a
pretty big river, and the current is strong. I know a man who lives on
the opposite bank, for I've seen him there a good many years; but we've
never spoken because neither of us has ever crossed over."

"That's queer," said the Scarecrow. "Don't you own a boat?"

The man shook his head.

"Nor a raft?"

"Where does this river go to?" asked Dorothy.

"That way," answered the man, pointing with one hand, "it goes into the
Country of the Winkies, which is ruled by the Tin Emperor, who must be
a mighty magician because he's all made of tin, and yet he's alive. And
that way," pointing with the other hand, "the river runs between two
mountains where dangerous people dwell."

The Scarecrow looked at the water before them.

"The current flows toward the Winkie Country," said he; "and so, if we
had a boat, or a raft, the river would float us there more quickly and
more easily than we could walk."

"That is true," agreed Dorothy; and then they all looked thoughtful and
wondered what could be done.

"Why can't the man make us a raft?" asked Ojo.

"Will you?" inquired Dorothy, turning to the Quadling.

The chubby man shook his head.

"I'm too lazy," he said. "My wife says I'm the laziest man in all Oz,
and she is a truthful woman. I hate work of any kind, and making a raft
is hard work."

"I'll give you my em'rald ring," promised the girl.

"No; I don't care for emeralds. If it were a ruby, which is the color I
like best, I might work a little while."

"I've got some Square Meal Tablets," said the Scarecrow. "Each one is
the same as a dish of soup, a fried fish, a mutton pot-pie, lobster
salad, charlotte russe and lemon jelly--all made into one little tablet
that you can swallow without trouble."

"Without trouble!" exclaimed the Quadling, much interested; "then those
tablets would be fine for a lazy man. It's such hard work to chew when
you eat."

"I'll give you six of those tablets if you'll help us make a raft,"
promised the Scarecrow. "They're a combination of food which people who
eat are very fond of. I never eat, you know, being straw; but some of
my friends eat regularly. What do you say to my offer, Quadling?"

"I'll do it," decided the man. "I'll help, and you can do most of the
work. But my wife has gone fishing for red eels to-day, so some of you
will have to mind the children."

Scraps promised to do that, and the children were not so shy when the
Patchwork Girl sat down to play with them. They grew to like Toto, too,
and the little dog allowed them to pat him on his head, which gave the
little ones much joy.

There were a number of fallen trees near the house and the Quadling got
his axe and chopped them into logs of equal length. He took his wife's
clothesline to bind these logs together, so that they would form a
raft, and Ojo found some strips of wood and nailed them along the tops
of the logs, to render them more firm. The Scarecrow and Dorothy helped
roll the logs together and carry the strips of wood, but it took so
long to make the raft that evening came just as it was finished, and
with evening the Quadling's wife returned from her fishing.

The woman proved to be cross and bad-tempered, perhaps because she had
only caught one red eel during all the day. When she found that her
husband had used her clothesline, and the logs she had wanted for
firewood, and the boards she had intended to mend the shed with, and a
lot of gold nails, she became very angry. Scraps wanted to shake the
woman, to make her behave, but Dorothy talked to her in a gentle tone
and told the Quadling's wife she was a Princess of Oz and a friend of
Ozma and that when she got back to the Emerald City she would send them
a lot of things to repay them for the raft, including a new
clothesline. This promise pleased the woman and she soon became more
pleasant, saying they could stay the night at her house and begin their
voyage on the river next morning.

This they did, spending a pleasant evening with the Quadling family and
being entertained with such hospitality as the poor people were able to
offer them. The man groaned a good deal and said he had overworked
himself by chopping the logs, but the Scarecrow gave him two more
tablets than he had promised, which seemed to comfort the lazy fellow.




Chapter Twenty-Six

The Trick River


Next morning they pushed the raft into the water and all got aboard.
The Quadling man had to hold the log craft fast while they took their
places, and the flow of the river was so powerful that it nearly tore
the raft from his hands. As soon as they were all seated upon the logs
he let go and away it floated and the adventurers had begun their
voyage toward the Winkie Country.

The little house of the Quadlings was out of sight almost before they
had cried their good-byes, and the Scarecrow said in a pleased voice:
"It won't take us long to get to the Winkie Country, at this rate."

They had floated several miles down the stream and were enjoying the
ride when suddenly the raft slowed up, stopped short, and then began to
float back the way it had come.

"Why, what's wrong?" asked Dorothy, in astonishment; but they were all
just as bewildered as she was and at first no one could answer the
question. Soon, however, they realized the truth: that the current of
the river had reversed and the water was now flowing in the opposite
direction--toward the mountains.

They began to recognize the scenes they had passed, and by and by they
came in sight of the little house of the Quadlings again. The man was
standing on the river bank and he called to them:

"How do you do? Glad to see you again. I forgot to tell you that the
river changes its direction every little while. Sometimes it flows one
way, and sometimes the other."

They had no time to answer him, for the raft was swept past the house
and a long distance on the other side of it.

"We're going just the way we don't want to go," said Dorothy, "and I
guess the best thing we can do is to get to land before we're carried
any farther."

But they could not get to land. They had no oars, nor even a pole to
guide the raft with. The logs which bore them floated in the middle of
the stream and were held fast in that position by the strong current.

So they sat still and waited and, even while they were wondering what
could be done, the raft slowed down, stopped, and began drifting the
other way--in the direction it had first followed. After a time they
repassed the Quadling house and the man was still standing on the bank.
He cried out to them:

"Good day! Glad to see you again. I expect I shall see you a good many
times, as you go by, unless you happen to swim ashore."

By that time they had left him behind and were headed once more
straight toward the Winkie Country.

"This is pretty hard luck," said Ojo in a discouraged voice. "The Trick
River keeps changing, it seems, and here we must float back and forward
forever, unless we manage in some way to get ashore."

"Can you swim?" asked Dorothy.

"No; I'm Ojo the Unlucky."

"Neither can I. Toto can swim a little, but that won't help us to get
to shore."

"I don't know whether I could swim, or not," remarked Scraps; "but if I
tried it I'd surely ruin my lovely patches."

"My straw would get soggy in the water and I would sink," said the
Scarecrow.

So there seemed no way out of their dilemma and being helpless they
simply sat still. Ojo, who was on the front of the raft, looked over
into the water and thought he saw some large fishes swimming about. He
found a loose end of the clothesline which fastened the logs together,
and taking a gold nail from his pocket he bent it nearly double, to
form a hook, and tied it to the end of the line. Having baited the hook
with some bread which he broke from his loaf, he dropped the line into
the water and almost instantly it was seized by a great fish.

They knew it was a great fish, because it pulled so hard on the line
that it dragged the raft forward even faster than the current of the
river had carried it. The fish was frightened, and it was a strong
swimmer. As the other end of the clothesline was bound around the logs
he could not get it away, and as he had greedily swallowed the gold
hook at the first bite he could not get rid of that, either.

When they reached the place where the current had before changed, the
fish was still swimming ahead in its wild attempt to escape. The raft
slowed down, yet it did not stop, because the fish would not let it. It
continued to move in the same direction it had been going. As the
current reversed and rushed backward on its course it failed to drag
the raft with it. Slowly, inch by inch, they floated on, and the fish
tugged and tugged and kept them going.

"I hope he won't give up," said Ojo anxiously. "If the fish can hold
out until the current changes again, we'll be all right."

The fish did not give up, but held the raft bravely on its course, till
at last the water in the river shifted again and floated them the way
they wanted to go. But now the captive fish found its strength failing.
Seeking a refuge, it began to drag the raft toward the shore. As they
did not wish to land in this place the boy cut the rope with his
pocket-knife and set the fish free, just in time to prevent the raft
from grounding.

The next time the river backed up the Scarecrow managed to seize the
branch of a tree that overhung the water and they all assisted him to
hold fast and prevent the raft from being carried backward. While they
waited here, Ojo spied a long broken branch lying upon the bank, so he
leaped ashore and got it. When he had stripped off the side shoots he
believed he could use the branch as a pole, to guide the raft in case
of emergency.

They clung to the tree until they found the water flowing the right
way, when they let go and permitted the raft to resume its voyage. In
spite of these pauses they were really making good progress toward the
Winkie Country and having found a way to conquer the adverse current
their spirits rose considerably. They could see little of the country
through which they were passing, because of the high banks, and they
met with no boats or other craft upon the surface of the river.

Once more the trick river reversed its current, but this time the
Scarecrow was on guard and used the pole to push the raft toward a big
rock which lay in the water. He believed the rock would prevent their
floating backward with the current, and so it did. They clung to this
anchorage until the water resumed its proper direction, when they
allowed the raft to drift on.

Floating around a bend they saw ahead a high bank of water, extending
across the entire river, and toward this they were being irresistibly
carried. There being no way to arrest the progress of the raft they
clung fast to the logs and let the river sweep them on. Swiftly the
raft climbed the bank of water and slid down on the other side,
plunging its edge deep into the water and drenching them all with spray.

As again the raft righted and drifted on, Dorothy and Ojo laughed at
the ducking they had received; but Scraps was much dismayed and the
Scarecrow took out his handkerchief and wiped the water off the
Patchwork Girl's patches as well as he was able to. The sun soon dried
her and the colors of her patches proved good, for they did not run
together nor did they fade.

After passing the wall of water the current did not change or flow
backward any more but continued to sweep them steadily forward. The
banks of the river grew lower, too, permitting them to see more of the
country, and presently they discovered yellow buttercups and dandelions
growing amongst the grass, from which evidence they knew they had
reached the Winkie Country.

"Don't you think we ought to land?" Dorothy asked the Scarecrow.

"Pretty soon," he replied. "The Tin Woodman's castle is in the southern
part of the Winkie Country, and so it can't be a great way from here."

Fearing they might drift too far, Dorothy and Ojo now stood up and
raised the Scarecrow in their arms, as high as they could, thus
allowing him a good view of the country. For a time he saw nothing he
recognized, but finally he cried:

"There it is! There it is!"

"What?" asked Dorothy.

"The Tin Woodman's tin castle. I can see its turrets glittering in the
sun. It's quite a way off, but we'd better land as quickly as we can."

They let him down and began to urge the raft toward the shore by means
of the pole. It obeyed very well, for the current was more sluggish
now, and soon they had reached the bank and landed safely.

The Winkie Country was really beautiful, and across the fields they
could see afar the silvery sheen of the tin castle. With light hearts
they hurried toward it, being fully rested by their long ride on the
river.

By and by they began to cross an immense field of splendid yellow
lilies, the delicate fragrance of which was very delightful.

"How beautiful they are!" cried Dorothy, stopping to admire the
perfection of these exquisite flowers.

"Yes," said the Scarecrow, reflectively, "but we must be careful not to
crush or injure any of these lilies."

"Why not?" asked Ojo.

"The Tin Woodman is very kind-hearted," was the reply, "and he hates to
see any living thing hurt in any way."

"Are flowers alive?" asked Scraps.

"Yes, of course. And these flowers belong to the Tin Woodman. So, in
order not to offend him, we must not tread on a single blossom."

"Once," said Dorothy, "the Tin Woodman stepped on a beetle and killed
the little creature. That made him very unhappy and he cried until his
tears rusted his joints, so he couldn't move 'em."

"What did he do then?" asked Ojo.

"Put oil on them, until the joints worked smooth again."

"Oh!" exclaimed the boy, as if a great discovery had flashed across his
mind. But he did not tell anybody what the discovery was and kept the
idea to himself.

It was a long walk, but a pleasant one, and they did not mind it a bit.
Late in the afternoon they drew near to the wonderful tin castle of the
Emperor of the Winkies, and Ojo and Scraps, who had never seen it
before, were filled with amazement.

Tin abounded in the Winkie Country and the Winkies were said to be the
most skillful tinsmiths in all the world. So the Tin Woodman had
employed them in building his magnificent castle, which was all of tin,
from the ground to the tallest turret, and so brightly polished that it
glittered in the sun's rays more gorgeously than silver. Around the
grounds of the castle ran a tin wall, with tin gates; but the gates
stood wide open because the Emperor had no enemies to disturb him.

When they entered the spacious grounds our travelers found more to
admire. Tin fountains sent sprays of clear water far into the air and
there were many beds of tin flowers, all as perfectly formed as any
natural flowers might be. There were tin trees, too, and here and there
shady bowers of tin, with tin benches and chairs to sit upon. Also, on
the sides of the pathway leading up to the front door of the castle,
were rows of tin statuary, very cleverly executed. Among these Ojo
recognized statues of Dorothy, Toto, the Scarecrow, the Wizard, the
Shaggy Man, Jack Pumpkinhead and Ozma, all standing upon neat pedestals
of tin.

Toto was well acquainted with the residence of the Tin Woodman and,
being assured a joyful welcome, he ran ahead and barked so loudly at
the front door that the Tin Woodman heard him and came out in person to
see if it were really his old friend Toto. Next moment the tin man had
clasped the Scarecrow in a warm embrace and then turned to hug Dorothy.
But now his eye was arrested by the strange sight of the Patchwork
Girl, and he gazed upon her in mingled wonder and admiration.




Chapter Twenty-Seven

The Tin Woodman Objects


The Tin Woodman was one of the most important personages in all Oz.
Though Emperor of the Winkies, he owed allegiance to Ozma, who ruled
all the land, and the girl and the tin man were warm personal friends.
He was something of a dandy and kept his tin body brilliantly polished
and his tin joints well oiled. Also he was very courteous in manner and
so kind and gentle that everyone loved him. The Emperor greeted Ojo and
Scraps with cordial hospitality and ushered the entire party into his
handsome tin parlor, where all the furniture and pictures were made of
tin. The walls were paneled with tin and from the tin ceiling hung tin
chandeliers.

The Tin Woodman wanted to know, first of all, where Dorothy had found
the Patchwork Girl, so between them the visitors told the story of how
Scraps was made, as well as the accident to Margolotte and Unc Nunkie
and how Ojo had set out upon a journey to procure the things needed for
the Crooked Magician's magic charm. Then Dorothy told of their
adventures in the Quadling Country and how at last they succeeded in
getting the water from a dark well.

While the little girl was relating these adventures the Tin Woodman sat
in an easy chair listening with intense interest, while the others sat
grouped around him. Ojo, however, had kept his eyes fixed upon the body
of the tin Emperor, and now he noticed that under the joint of his left
knee a tiny drop of oil was forming. He watched this drop of oil with a
fast-beating heart, and feeling in his pocket brought out a tiny vial
of crystal, which he held secreted in his hand.

Presently the Tin Woodman changed his position, and at once Ojo, to the
astonishment of all, dropped to the floor and held his crystal vial
under the Emperor's knee joint. Just then the drop of oil fell, and the
boy caught it in his bottle and immediately corked it tight. Then, with
a red face and embarrassed manner, he rose to confront the others.

"What in the world were you doing?" asked the Tin Woodman.

"I caught a drop of oil that fell from your knee-joint," confessed Ojo.

"A drop of oil!" exclaimed the Tin Woodman. "Dear me, how careless my
valet must have been in oiling me this morning. I'm afraid I shall have
to scold the fellow, for I can't be dropping oil wherever I go."

"Never mind," said Dorothy. "Ojo seems glad to have the oil, for some
reason."

"Yes," declared the Munchkin boy, "I am glad. For one of the things the
Crooked Magician sent me to get was a drop of oil from a live man's
body. I had no idea, at first, that there was such a thing; but it's
now safe in the little crystal vial."

"You are very welcome to it, indeed," said the Tin Woodman. "Have you
now secured all the things you were in search of?"

"Not quite all," answered Ojo. "There were five things I had to get,
and I have found four of them. I have the three hairs in the tip of a
Woozy's tail, a six-leaved clover, a gill of water from a dark well and
a drop of oil from a live man's body. The last thing is the easiest of
all to get, and I'm sure that my dear Unc Nunkie--and good Margolotte,
as well--will soon be restored to life."

The Munchkin boy said this with much pride and pleasure.

"Good!" exclaimed the Tin Woodman; "I congratulate you. But what is the
fifth and last thing you need, in order to complete the magic charm?"

"The left wing of a yellow butterfly," said Ojo. "In this yellow
country, and with your kind assistance, that ought to be very easy to
find."

The Tin Woodman stared at him in amazement.

"Surely you are joking!" he said.

"No," replied Ojo, much surprised; "I am in earnest."

"But do you think for a moment that I would permit you, or anyone else,
to pull the left wing from a yellow butterfly?" demanded the Tin
Woodman sternly.

"Why not, sir?"

"Why not? You ask me why not? It would be cruel--one of the most cruel
and heartless deeds I ever heard of," asserted the Tin Woodman. "The
butterflies are among the prettiest of all created things, and they are
very sensitive to pain. To tear a wing from one would cause it
exquisite torture and it would soon die in great agony. I would not
permit such a wicked deed under any circumstances!"

Ojo was astounded at hearing this. Dorothy, too, looked grave and
disconcerted, but she knew in her heart that the Tin Woodman was right.
The Scarecrow nodded his head in approval of his friend's speech, so it
was evident that he agreed with the Emperor's decision. Scraps looked
from one to another in perplexity.

"Who cares for a butterfly?" she asked.

"Don't you?" inquired the Tin Woodman.

"Not the snap of a finger, for I have no heart," said the Patchwork
Girl. "But I want to help Ojo, who is my friend, to rescue the uncle
whom he loves, and I'd kill a dozen useless butterflies to enable him
to do that."

The Tin Woodman sighed regretfully.

"You have kind instincts," he said, "and with a heart you would indeed
be a fine creature. I cannot blame you for your heartless remark, as
you cannot understand the feelings of those who possess hearts. I, for
instance, have a very neat and responsive heart which the wonderful
Wizard of Oz once gave me, and so I shall never--never--never permit a
poor yellow butterfly to be tortured by anyone."

"The yellow country of the Winkies," said Ojo sadly, "is the only place
in Oz where a yellow butterfly can be found."

"I'm glad of that," said the Tin Woodman. "As I rule the Winkie
Country, I can protect my butterflies."

"Unless I get the wing--just one left wing--" said Ojo miserably, "I
can't save Unc Nunkie."

"Then he must remain a marble statue forever," declared the Tin
Emperor, firmly.

Ojo wiped his eyes, for he could not hold back the tears.

"I'll tell you what to do," said Scraps. "We'll take a whole yellow
butterfly, alive and well, to the Crooked Magician, and let him pull
the left wing off."

"No, you won't," said the Tin Woodman. "You can't have one of my dear
little butterflies to treat in that way."

"Then what in the world shall we do?" asked Dorothy.

They all became silent and thoughtful. No one spoke for a long time.
Then the Tin Woodman suddenly roused himself and said:

"We must all go back to the Emerald City and ask Ozma's advice. She's a
wise little girl, our Ruler, and she may find a way to help Ojo save
his Unc Nunkie."

So the following morning the party started on the journey to the
Emerald City, which they reached in due time without any important
adventure. It was a sad journey for Ojo, for without the wing of the
yellow butterfly he saw no way to save Unc Nunkie--unless he waited six
years for the Crooked Magician to make a new lot of the Powder of Life.
The boy was utterly discouraged, and as he walked along he groaned
aloud.

"Is anything hurting you?" inquired the Tin Woodman in a kindly tone,
for the Emperor was with the party.

"I'm Ojo the Unlucky," replied the boy. "I might have known I would
fail in anything I tried to do."

"Why are you Ojo the Unlucky?" asked the tin man.

"Because I was born on a Friday."

"Friday is not unlucky," declared the Emperor. "It's just one of seven
days. Do you suppose all the world becomes unlucky one-seventh of the
time?"

"It was the thirteenth day of the month," said Ojo.

"Thirteen! Ah, that is indeed a lucky number," replied the Tin Woodman.
"All my good luck seems to happen on the thirteenth. I suppose most
people never notice the good luck that comes to them with the number
13, and yet if the least bit of bad luck falls on that day, they blame
it to the number, and not to the proper cause."

"Thirteen's my lucky number, too," remarked the Scarecrow.

"And mine," said Scraps. "I've just thirteen patches on my head."

"But," continued Ojo, "I'm left-handed."

"Many of our greatest men are that way," asserted the Emperor. "To be
left-handed is usually to be two-handed; the right-handed people are
usually one-handed."

"And I've a wart under my right arm," said Ojo.

"How lucky!" cried the Tin Woodman. "If it were on the end of your nose
it might be unlucky, but under your arm it is luckily out of the way."

"For all those reasons," said the Munchkin boy, "I have been called Ojo
the Unlucky."

"Then we must turn over a new leaf and call you henceforth Ojo the
Lucky," declared the tin man. "Every reason you have given is absurd.
But I have noticed that those who continually dread ill luck and fear
it will overtake them, have no time to take advantage of any good
fortune that comes their way. Make up your mind to be Ojo the Lucky."

"How can I?" asked the boy, "when all my attempts to save my dear uncle
have failed?"

"Never give up, Ojo," advised Dorothy. "No one ever knows what's going
to happen next."

Ojo did not reply, but he was so dejected that even their arrival at
the Emerald City failed to interest him.

The people joyfully cheered the appearance of the Tin Woodman, the
Scarecrow and Dorothy, who were all three general favorites, and on
entering the royal palace word came to them from Ozma that she would at
once grant them an audience.

Dorothy told the girl Ruler how successful they had been in their quest
until they came to the item of the yellow butterfly, which the Tin
Woodman positively refused to sacrifice to the magic potion.

"He is quite right," said Ozma, who did not seem a bit surprised. "Had
Ojo told me that one of the things he sought was the wing of a yellow
butterfly I would have informed him, before he started out, that he
could never secure it. Then you would have been saved the troubles and
annoyances of your long journey."

"I didn't mind the journey at all," said Dorothy; "it was fun."

"As it has turned out," remarked Ojo, "I can never get the things the
Crooked Magician sent me for; and so, unless I wait the six years for
him to make the Powder of Life, Unc Nunkie cannot be saved."

Ozma smiled.

"Dr. Pipt will make no more Powder of Life, I promise you," said she.
"I have sent for him and had him brought to this palace, where he now
is, and his four kettles have been destroyed and his book of recipes
burned up. I have also had brought here the marble statues of your
uncle and of Margolotte, which are standing in the next room."

They were all greatly astonished at this announcement.

"Oh, let me see Unc Nunkie! Let me see him at once, please!" cried Ojo
eagerly.

"Wait a moment," replied Ozma, "for I have something more to say.
Nothing that happens in the Land of Oz escapes the notice of our wise
Sorceress, Glinda the Good. She knew all about the magic-making of Dr.
Pipt, and how he had brought the Glass Cat and the Patchwork Girl to
life, and the accident to Unc Nunkie and Margolotte, and of Ojo's quest
and his journey with Dorothy. Glinda also knew that Ojo would fail to
find all the things he sought, so she sent for our Wizard and
instructed him what to do. Something is going to happen in this palace,
presently, and that 'something' will, I am sure, please you all. And
now," continued the girl Ruler, rising from her chair, "you may follow
me into the next room."




Chapter Twenty-Eight

The Wonderful Wizard of Oz


When Ojo entered the room he ran quickly to the statue of Unc Nunkie
and kissed the marble face affectionately.

"I did my best, Unc," he said, with a sob, "but it was no use!"

Then he drew back and looked around the room, and the sight of the
assembled company quite amazed him.

Aside from the marble statues of Unc Nunkie and Margolotte, the Glass
Cat was there, curled up on a rug; and the Woozy was there, sitting on
its square hind legs and looking on the scene with solemn interest; and
there was the Shaggy Man, in a suit of shaggy pea-green satin, and at a
table sat the little Wizard, looking quite important and as if he knew
much more than he cared to tell.

Last of all, Dr. Pipt was there, and the Crooked Magician sat humped up
in a chair, seeming very dejected but keeping his eyes fixed on the
lifeless form of his wife Margolotte, whom he fondly loved but whom he
now feared was lost to him forever.

Ozma took a chair which Jellia Jamb wheeled forward for the Ruler, and
back of her stood the Scarecrow, the Tin Woodman and Dorothy, as well
as the Cowardly Lion and the Hungry Tiger. The Wizard now arose and
made a low bow to Ozma and another less deferent bow to the assembled
company.

"Ladies and gentlemen and beasts," he said, "I beg to announce that our
Gracious Ruler has permitted me to obey the commands of the great
Sorceress, Glinda the Good, whose humble Assistant I am proud to be. We
have discovered that the Crooked Magician has been indulging in his
magical arts contrary to Law, and therefore, by Royal Edict, I hereby
deprive him of all power to work magic in the future. He is no longer a
crooked magician, but a simple Munchkin; he is no longer even crooked,
but a man like other men."

As he pronounced these words the Wizard waved his hand toward Dr. Pipt
and instantly every crooked limb straightened out and became perfect.
The former magician, with a cry of joy, sprang to his feet, looked at
himself in wonder, and then fell back in his chair and watched the
Wizard with fascinated interest.

"The Glass Cat, which Dr. Pipt lawlessly made," continued the Wizard,
"is a pretty cat, but its pink brains made it so conceited that it was
a disagreeable companion to everyone. So the other day I took away the
pink brains and replaced them with transparent ones, and now the Glass
Cat is so modest and well behaved that Ozma has decided to keep her in
the palace as a pet."

"I thank you," said the cat, in a soft voice.

"The Woozy has proved himself a good Woozy and a faithful friend," the
Wizard went on, "so we will send him to the Royal Menagerie, where he
will have good care and plenty to eat all his life."

"Much obliged," said the Woozy. "That beats being fenced up in a lonely
forest and starved."

"As for the Patchwork Girl," resumed the Wizard, "she is so remarkable
in appearance, and so clever and good tempered, that our Gracious Ruler
intends to preserve her carefully, as one of the curiosities of the
curious Land of Oz. Scraps may live in the palace, or wherever she
pleases, and be nobody's servant but her own."

"That's all right," said Scraps.

"We have all been interested in Ojo," the little Wizard continued,
"because his love for his unfortunate uncle has led him bravely to face
all sorts of dangers, in order that he might rescue him. The Munchkin
boy has a loyal and generous heart and has done his best to restore Unc
Nunkie to life. He has failed, but there are others more powerful than
the Crooked Magician, and there are more ways than Dr. Pipt knew of to
destroy the charm of the Liquid of Petrifaction. Glinda the Good has
told me of one way, and you shall now learn how great is the knowledge
and power of our peerless Sorceress."

As he said this the Wizard advanced to the statue of Margolote and made
a magic pass, at the same time muttering a magic word that none could
hear distinctly. At once the woman moved, turned her head wonderingly
this way and that, to note all who stood before her, and seeing Dr.
Pipt, ran forward and threw herself into her husband's outstretched
arms.

Then the Wizard made the magic pass and spoke the magic word before the
statue of Unc Nunkie. The old Munchkin immediately came to life and
with a low bow to the Wizard said: "Thanks."

But now Ojo rushed up and threw his arms joyfully about his uncle, and
the old man hugged his little nephew tenderly and stroked his hair and
wiped away the boy's tears with a handkerchief, for Ojo was crying from
pure happiness.

Ozma came forward to congratulate them.

"I have given to you, my dear Ojo and Unc Nunkie, a nice house just
outside the walls of the Emerald City," she said, "and there you shall
make your future home and be under my protection."

"Didn't I say you were Ojo the Lucky?" asked the Tin Woodman, as
everyone crowded around to shake Ojo's hand.

"Yes; and it is true!" replied Ojo, gratefully.








End of Project Gutenberg's The Patchwork Girl of Oz, by L. Frank Baum

*** END OF THIS PROJECT GUTENBERG EBOOK THE PATCHWORK GIRL OF OZ ***

***** This file should be named 955.txt or 955.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/9/5/955/

Produced by Anthony Matonac and Paul Selkirk

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.net

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.